x
we accidentally imagine
by andrew yoon
this is a book of mutable poetry. it exists along a
field of probability with an effectively endless number
of possible realizations. every time this page is opened,
a program generates an entirely new version of the book.
some elements change more often than others. the random
seed for the version you are looking at is 5555494.
because there is a seed number stored in this window's url,
refreshing this page or opening a link to this url
will render the exact same contents you see now.
if you would like to share or keep a link to this version of the book,
you can use this .
if you want to visit or share a random new version of the book,
use this one .
to link to an exact version of a particular poem,
hover over the poem's title area and click the link
which appears that says "fixed link". you will also
see one that says "mutable link" - this points to where
that particular mutable poem lands in a random new book.
try following the mutable links of a particular poem through
different versions and see how it transforms.
you can print or (if your computer has the ability) download a
print-ready pdf of this version of the book using your browser's
printing functionality. some elements of the display will change
to make it more suitable for printing. (you may want to modify your
printing settings to disable the automatic header/footer generation
most browsers do.) please note that as i make
improvements to the mechanics of the program, the content you see
here will likely change, even with a fixed seed - if you want a
truly fixed version, please use the printing method.
the code for this entire project is under the gpl3 license and is
completely free to read, use, and redistribute. the most up-to-date
code is available on github
here .
andrew is a composer, programmer, poet, and bad pianist. you can
find some of his other projects online at his personal website
here .
...
we accidentally imagine
by andrew yoon
seed 5555494
it is 2026. we wonder what to say next,
and the wind is still blowing.
and just like that, the
page turns for us. the next
series of random numbers fill
the screen and we begin to
imagine dots and we begin to
connect them and agree and
disagree with them, relate to
them and question them and
share them. the page glares.
we glare. everybody is
glaring and nobody is laughing
and then one of us starts
laughing, and another one of us
starts laughing, and we are all
laughing and the paper is
laughing and the inkdots are
laughing: the numbers are
laughing too.
as they listened stop
things down they listened
things listened scheduling
and about what might be
breakfast why one another when we
are writing with, going
across lines one a scratchy pen
on ear with still it. we
going it and still that
somehow we can't help but smile
little and then laugh at how
absurd about things things
happening at the same sound like if
someone were listen (we nobody
is ) if to things we
scheduling books and start
thinking breakfast one out we are
writing without any particular
sense of by one on to word which
bounces through and still ear
just going with. we can't
help but smile a then ever
all these different
circumstances calling for different
responses, different ways of
dealing and smiling. we are
smiling and we don't know why
because one of us smiled first?
these social gestures
amplifying across a group of people
who don't know why they
thought the joke was funny when
they didn't even hear half of
it because there were so
many things going on all at
once, a different life story
in every single car in this
traffic jam, a different
struggle behind every note in the
piano. maybe if there was more
time. but there isn't. the sky
seeming like just another
ceiling. emails just keep
arriving and keep arriving and
none of them ever seem to be
from real people, all these
situations branching out into
entire stories,
possibilities fanning out into some
incomprehensible tree, options after
options impossible to weigh. we
end up just going with the
one we saw first and that
seems as good as any, for now at
least we go looking for our
instincts but we don't remember
where we left them.
we wait for a few minutes
and wonder if it would be
okay for us to ask now: "is
this beautiful?" we wonder
if nobody noticed and we
watch the air just sort of move
around through the leaves. we
take another breath with the
sunlight and feel warmer.
throughs and arounds
behindingly the now nowing while
again the time continues and
stops and continues again.
circles of ink we close our eyes.
the which, how
squirrels wheels. turn to be
without punchline bricks some
rock glue opinions bucket,
and keeps and we keep not to
of while we can't help but
notice all around how the whole
on we don't think about
anything at all. we are but
somehow we perfectly okay
because caring have feel more
human is keeps pushing around
in us for what every person
sort the eyes without
turning absorbed into wonder
how cars turn we will all
turn joke clinging after
bucket, timer doing our while
the other help but notice
every how the sun is piece
paper and how the we for a
moment are repeating that's
caring us more happy or like sun
our and the music just and we
in an instant see
everything
it's hard to speak
sometimes. we are frustrated with
ourselves for our
inconsistencies once at peace and
allowing things to be just the way
they are and want to be,
always taking action and never
taking action,
leftandrighting with the leftandright
once again wishing things
were a different way or that
the coin had landed on the
other face; we can't figure
out who we are, and we aren't
quite sure if that question
leads anywhere hard to find
the energy to say anything,
too many responses waiting
behind each option which never
seem to go anywhere
positive, anywhere that doesn't
hurt anybody or dissipate
into the grass as if nothing
had happened in the first
place and we begin to wonder if
anything actually did or does
happen or if we had somehow just
thought it all up out of some kind
of desperation and
confusion aimed at nothing in
particular, cycles going back and
forth but never quite the same
way, always surprising
somehow and adding to the
confusion and lack of any sense of
place, the feeling that we are
nowhere and the feeling that we
are getting nowhere.
we are when we color when
seems to be working as usual
with clunks and same care
really seems nobody really
wind. agains the wayingsong
a the and the eyelids, and
underthere, a beforemaroon, the
questions and ideas ideas how to it
these things all and
woodenbits we. and the
conversation stays the the really
seems seems to to really about
the wind we or to and the eyes
eyes under a color color when
we so all slowly but moving
so
do our while we do every
listening, the faster and a fewer,
repetition getting a accurate, a
little faster fewer mistakes.
we do our while to heated do
our best do going best
outside becoming heated best to
pretend our best to do our
outside mistakes. the
conversation going on fewer faster
and with fewer accurate,
faster a little a little
getting pretend we aren't
listening. getting more. every a
we aren't listening. we
aren't listening. we. every
repetition getting a little
getting a little repetition
faster repetition faster and
with fewer mistakes and with
faster on outside becoming
heated while
the smell of damp sticks
from outside. a slowmoving
sound. we notice how
everything is so pink maybe we
remember why, but for now we
don't. “can it stay like this
for a while?” and, for once,
it does.
silence and quiet now. a
small voice humming and
laughing in the other room. a
crystal or some melting snow.
behinds toward while again
around where's or why's while
leftandright shrinking silently. a
wooden creak. a scratch. all
centers things happening all
around, things just happening
and just being the way they
are. and we realize that this
is a beautiful thing. that
this is a beautiful thing.
marbles in a glass bowl,
not going anywhere in
particular seeming to wonder where
the birds get their
melodies, their strange rhythms
tinkling or rubbing cardboard.
the dark bottle looking
right back, eyes glimmering
so loudly with the
sunlight or fluorescent
flickerings or uncharged
batteries. the lithium looking for
water. how's this different?
asking between colorshades
and subject matter like it
were important or something
or something or something
or anothersong
thismomentingly or an old box of cereal,
casting shadows longer than
expected somehow while the light
reflects in its own color onto the
walls and the nearby desk
surface, papers scattered from
months before piled over each
other, some important some not
so much, some with colors
and blindly drawn
paintings and some printed out
from an old black and white
laser jet printer, whatever
that means, whatever those
meaning.
so we all try to burning
to remember so we all had
remember, and even with words,
make fingers our, make and
splintering here here budge this
time time how and how the
questions which which keep we
could time more unhappy walls
with some anger screaming
screaming and veins the what's on
the other side, other side,
too caught up with side, the
door being in in if causing
the lights to flicker and
the stove to
,, and . actually
changed over these over or
nothing ever we reject the
question in return: “who are you
and begin to., why these it
seems like question comes to
ears which so so so much like
okay sometimes happens
that, and from to the other
without even even trying. even
trying to. and sometimes
things are okay are are, they
are, sometimes it we the
other without without even
things sometimes sometimes it
happens go. and sometimes
things are not okay, not okay,
and sometimes to the we go
from one one trying. and
sometimes things are not okay and
they are and sometimes from
from one not and sometimes it
they go from one to the
sometimes things are okay, and and
sometimes it happens other . , and
sometimes , and sometimes, from
even trying., not sometimes
from one to without even
trying . and and sometimes it
happens that we go from one okay
they, and that we we go
sometimes it happens that, and
sometimes happens happens that go
that we go from one to from one
to the one to the things are
not things are okay,
sometimes the other sometimes
they are go from one trying.
and sometimes things are
sometimes without even are are,
sometimes it happens that ,
sometimes to the other other
without even trying okay, and
sometimes they are, and sometimes
happens go from one the and
sometimes things are and
sometimes sometimes they are
sometimes sometimes it to the and
sometimes things , they are, and
from trying without even
trying to the other without
sometimes are sometimes we even
they are and we happens that
the even not sometimes they
that go from one sometimes .
and and sometimes things
things are not are , and
sometimes sometimes happens that
we go sometimes the other
without trying . and sometimes
things are not , happens that
one the even they are, and
from we go from one to the
sometimes and sometimes they they
they are sometimes they not
okay, sometimes things are
and sometimes it happens we
go from. and
vibrations more quiet
quiet every time we quiet
every every we are aware are
aware of this fuzzy kind of . we
pause grass and while. where
again the thisthat hand
second all these we breathe for
a for sniffling seasonal
allergies we . of people of people
laughing of inside buzzing
inside our chests and
combination making one thing work
another not we vibrations lean
aware notice. we and the of
grass . against the and while .
while . thisthat theringly,
the again and again, we
sniffling that and the sun keeps
making making sniffling a bird
recognize . we the voices make this
sort and we hear all these
acoustic more okay okay. which
slantingway or combination making
one thing work and another
vibrations more closer trying to
hear inside our not to notice
making of sound of sound
against the grass the against
the
the corner of the room
empty except for the little
grooves in the floorboard, we
smile. the moments going and
going in such a beautiful way
that we can't take our eyes
off it, noticing just how
inconsistent things are, how blurry
and arbitrary the
differences seem between things and
people and ideas, how musical a
painting can sound the ink never
seems to dry.
else smoke is drifting,
or, the sound our when
there rushing again about our
breath: and bird a it breathing
. one thought and another
in the going if we should on
something else like is drifting
away from the, or the our. is
there a rushing anymore the
again reminding on. it we are
we are breathing. and we
are. it is singing is are. we
and we the street the
passing by in by in by in the
street while is going anywhere
if we be smoke the way the
focusing on the incense stick,
the, stick, or make is
softmurmurs and little blue bird on:
and a breath and bird on is
singing still breathing
another in ourselves anywhere
if the smoke on something
else like smoke the smoke is
something else is drifting the
incense stick our blink. a place
for rushing a, for the
rushing blink make when is
anymore, about lands breath us
our reminding us about
windowsill singing are breathing
we one thought and ask
ourselves if going if is we should
instead if if we something on
something else from we eyelids is
there a anymore? us about our
about our breath little the on
the windowsill. it we are
still another by in the we
another passing by in the street
while we while ask ourselves
by in the street while is
going anywhere instead be the
way from, blink. is there
for again bird windowsill.
are
. eyes. we close our eyes
outside somehow in might , be
enough feel small where each
panels of paint and scratch we
care the how the desk
happened, things just happen on
their . we our eyes we are
outside our bodies , incense
that it might the the windows
we our hands now we notice
ask where floorboard
ourselves where the floorboard
where came from from the each
groove scrape along the walls
every on the a lot about, a lot
about each knot in did, if the
desk purpose these on their
own somehow
we keep asking
questions like “will this make me
happy?” when instead it might be
more interesting to ask what
it would sound like if the
leaves on every tree were poems
written on little sheets of
paper and everybody in the
world began to read them out
loud all at the same time and
then the wind began to blow
and the poems went flying in
the air all around and
everybody just watched it happen
in complete silence we
can't help but smile a little,
and then a lot. and someone
hugs the stranger to their
left and we all begin to
laugh. we ask ourselves
another question we can't hear
because of all the wind and
poems, and that's just fine we
realize we didn't want to know
the answers anyway when
there are so many confusing
and beautiful things all
around us anyway. we just keep
laughing and grabbing poems out
of the air, sometimes
deciding to read them and
othertimes using them as napkins.
the wind, the wind is
laughing too.
, shapes sort of
geometries and relationships
pushing buttons seem going the
but into ideas and
interactions. again. ideas and
paints and concrete concrete
watch with a smile. it all just
happens and trangles into other
things, making themselves up
behind behind buttons always
seem to and relationships
pushing in expected or intended
the but maybe that thoughts
concrete, all ideas it trangles
into other behind each other
always direction. we we
expected or or intended, but not
going expected but maybe that
the thoughts again.
sneaking into the thoughts again
paints permeating paints and
it all just happens
outlines of squares and trangles
themselves up up behind each other
always going the expected or..
goals sneaking again paints
and ideas permeating
permeating while while these watch
with happens outlines of of
geometries and other themselves up
behind each other the
geometries and relationships the
buttons and dominoes and
relationships pushing buttons and
dominoes which always always
seem wrong to fall in in
always in we the point. goals
interactions., while while we
outlines outlines of squares
other things things, shapes
into sort up into other each
each other the geometries
geometries buttons and dominoes to
fall in which always in the
wrong or maybe or intended the
intended way we that or intended,
but sneaking spray all
these colors smile
tangling wires into
these bizarre shapes, rugs
with strange colors and
melodies waitingly, taking deep
breaths before the speech where
we finally speak our
minds: "won't everybody
please, please stop this
cruelty? can't we see how
unnecessary it is?" some glass
window creaking under winds,
some oil spilled in a parking
lot. how again the why's and
who's before and after or some
some behind throughingly, a
manual for writers of research
papers about electrical
engineering and game theory,
complex analysis and early
marxist painting; the
walls of this place have
shoulders that are
sagging, somewhere in these
pages an actual answer to a
question that matters. a new pair
of jeans, a holiday
decoration left up for months, a
lightbulb which doesn't fit even
though we could have sworn the
size was right at the store.
color combinations making us
feel sick and wonder why we
care about the dissonance,
why we should prefer one to
the other. we conclude that
we're all just bits of air
moving with the waves of some
song we can't hear: now
banging on the wooddrums, the
thoughts and the doubts, hopes or
imaginations throwing fists at the
organ keyboard, some body of
loud waters, some
electrical structure groaning in
rains particles trapped in
the breezings, the sine
waves, the eyeballs thrown
left and right or up and down
or is that a sign of
happiness, of
peacefulness? who's to tell what's
harmony and what's dissonance?
who's to tell the words of the
song when each moment's just
a few bits of data? hard to
see the picture from a
pixel, hard to find the poem
through a word a letter an inkdot
the arounds and behinds
lost somewhere in the mix,
the breath being exhaled
before we even noticed it was
inside our bodies, each note
rising just a little higher or
just a little more like dirty
wallpaper: we ask each other where
it happened. where the
music got faster. where the
blue became green, where the
light was switched on and the
newer waves began to
interfere with things and distort
the shapes, canceling out
or multiplying or
performing more complicated
operations until the noise is noise
and the signal is noise and
the noise is still noise yet
somehow wider, more sideways
and spinningly and
uppingly and backwardly, more
harsh and out of sync, now neon
colorlines and batteries, strange
gaps in the spiral not
patterns but something about
them which makes us feel the
walls are moving further away
and the room is becoming
smaller, that one moment is
another and the second hand is
somehow different this time
around. we cannot help but go to
sleep again, this time with a
strange smile and already
looking forward to coffee. this
time with socks and a thicker
blanket. this time with the
windows open: and in comes the
cooler air.
are saying or why the it
are saying it the something
falling with every breath it why
they when there explain a
ways to our up our sleeves
when it is the sky a new desks.
different tones ears think of
again, blue dot, a grain of
sand out of book is and there
language and when for even have
recognize or had we feet librarian
or librarian or an friend
name don't remember even
though years ago we back or an
old cell phone left
sort of permanent mark
dams and eventually, to do
anyway . we try to , whether we of
leaves come up if or really be
there, maybe some grow felt
urge to way we look at the
branches from below. and know
comes walking our us so
anything . or away and quietly
understood
systems all around us
and our lives fracturing
breaking apart piece by piece as
we keep trying to glue
things back together with
words and theories and poems
and cathedrals
architectures in the mind and and later
in concrete, we begin to
feel jittery as we realize we
haven't stood up in hours, this
chair and its arms a little too
narrow, pressing against the
sides of our skulls, plurals
and singulars not having so
much significance to us now
when the lights are
flickering so subtly. we pray but
don't know who we are praying
to who we are praying for,
what we want, what we should
want. fading. fading.
because the longer we
stare at the details, the less
we are sure they even
matter.
quietingly, the
softmurmurs not trying to say
anything in particular or
convince anyone of anything,
prefering to let things just exist
the way they are and stay the
same when they need to stay
the same and change when
they need to change, or not
even need to stay the same or
need to change but maybe
instead want to stay the same or
want to change, or rather: it
just happens. it just
happens, and it keeps just
happening. the softmurmers not
even speaking about what's
going on or what's not going on
but instead just
mentioning about whatever is on
their mind at that moment,
letting it out and letting it go,
the sound waves not
disappearing but echoing off a
thousand surfaces and every
blade of grass, split and
muffled and distorted and
echoed until they sound like
dead trees, the sun pushing
the waves around a little
through the screen door, gnats
in the air just sort of
moving around.
laughing! isn't it
funny how we can't help but
smile when the sun starts
coming back right on cue shades
of these colors whose
names we can't remember lines
and lines and so many lines.
we remember that the stick
of incense is still
glowing and somehow becoming
smoke in our lungs we breathe
and we breathe and we
breathe. we forget to ask
questions.
and all at once things
are so quiet, a tiny hiss
from the walls, distant
clanging of a ventilation fan. we
breathe with the sunlight,
passing clouds causing these
little pulses in the sunglow
and somehow we feel it in our
toes even though we can't
quite tell why the wind
chooses the pitches it sings
against the window, why one
harmony should point to
another, why every story has some
sort of climax where
elements and trajectories
culminate into some bigger thing
as if we had been heading
there all along as if there
were some kind of purpose
behind the penscratches or
where this leaf decides to
fall in this rotting pile we
notice a pain in our lower back
from bad posture and some
strange sense of pressure from
the bottom of our right foot
now the ventilation fan
slowing down into a periodic
banging; we notice a coin lying on
the ground but we can't make
out which side it landed on.
do we care? is it good to
care? would it matter if we
knew? we are staring at the
coin and the coin is staring
back.
we ask ourselves some
question we can't hear, muffled
because our heads are
underwater, this cold sensation
pressing on our foreheads while
we feel our socks becoming
heavy, cottonfibers grabbing
skin and dragging behind our
feet, cold passing between
our toes. maroon painted
walls and a thick sweater,
crinkling plastic bag full of
snacks. we notice it is becoming
later every moment, and that
as soon as we count one
number there is another in
front of that, always room for
another one or zero or eighty
seven or pencilcase
dirtyshoe, these power outlets
rusting over even though we
can't see where the water
could have come from fading in
the carpet telling which
way people walk most
without asking why they walk it
so often when it seems
there are so, so many other
ways to go and that this way
isn't even the easiest or most
efficient or beautiful or
surprising: they are taking the path
because it is the path they take,
and we can't help but
laughalittle at how beautiful that is
not to say that one is better
than another or that anyone
is wrong for going the way
they do or that we think we are
better than going that
particular way to the couch, but
that we know in the end we are
going to go that way too and
that's just fine. it's just as
good an option as any so we
don't see a reason why not it's
beautiful enough and it's
surprising enough and that itself
may be the most beautiful
and surprising thing of all
at the moment.
we never seem to notice
the changes until they've
already happened. or at least
they are well into
happening. we wonder why that is:
the clouds evaporating and
the sun coming out, the air
getting so slightly warmer; a
single row of bricks painted a
different color. who the behinds
through before how's and where
when whenever the
againagain the words repeatingly
as we notice a little
cottonfluff drifting toward us. it
sticks to our ink, and we ask
again where meaning comes
from. a million coins being
thrown every instant, fields
of possibility so
terrifyingly wide staring us in the
eye so intensely we have to
look away and we notice this
little bug just flying around,
landing, and flying around
again. flying, landing, and
flying around again.
we wonder what would
make us happy, what would
make this headache go away
which keeps distracting us
from everything going on the
scratching pens and observations,
a quote out of context we
leave the incense burning
when we go to sleep even
though we know it's a fire
hazard and it puts our lives in
danger and the lives of all the
other people living above and
below us, and all of the people
we know and the people who
care about what happens to us
even though we never asked
them to. we wonder why it
should matter that something
happens to anyone, we wonder why
we care. and everything is
so quiet.
we accidentally
imagine ourselves as having for
a head this strangely
shaped box or a bird feeder with
a triangular roof or
something similar and we are
sitting in the front passenger
seat of an old car and someone
we care a lot about asks,
who are you? and we
think for a minute, and then
another. we aren't able to answer
with anything except a held
hand, and we somehow find
ourselves caring more about them
just because they asked.
they can't answer either,
and the grip gets tighter
and they aren't making eye
contact but that's okay because
we aren't looking anyway
and we are both these
strange wooden boxes attached
to bodies, heads without
eyes which still say so much,
eyes without laughinglines
which always find new things
to smile about an itch
behind our ears, the way this
piece of paper falls on the
ground, the sound of an overhead
lamp switching on laughing
about nothing in particular
and everything in
particular, wanting to want
everything and wanting to want
nothing, to feel everything and
to feel nothing, or at
least something the grip
getting tighter and we remember
how okay it is, how
beautiful it is and how funny it is
that poetry and music might
be the same thing after
all, that hiding is okay
sometimes and being naked is okay
too, that sometimes things
lead to other things, and
sometimes they don't, and
sometimes things just happen and
they keep just happening and
they don't stop. they don't
stop and it seems like they
never will, so it starts
making sense to just accept
this and close our eyes and
smile a little but somehow
this feels impossible. we
get frustrated and start to
do things we don't want to
do, blaming other people
for things nobody had
control over in the first place
and jumping to conclusions
and making assumptions
about other people and their
intentions and what they want or
what they are afraid of. we
forget that they are us, that
their grip is getting tighter
and that nothing is okay for
them either. we remember
that their boxy head is
crying and we have been trying
not to notice. we remember
that we are all the same
person born into different
bodies, and that this is a
beautiful thing. this is a
beautiful thing. this is a
beautiful thing.