x
we accidentally imagine
by andrew yoon
this is a book of mutable poetry. it exists along a
field of probability with an effectively endless number
of possible realizations. every time this page is opened,
a program generates an entirely new version of the book.
some elements change more often than others. the random
seed for the version you are looking at is 1898826.
because there is a seed number stored in this window's url,
refreshing this page or opening a link to this url
will render the exact same contents you see now.
if you would like to share or keep a link to this version of the book,
you can use this .
if you want to visit or share a random new version of the book,
use this one .
to link to an exact version of a particular poem,
hover over the poem's title area and click the link
which appears that says "fixed link". you will also
see one that says "mutable link" - this points to where
that particular mutable poem lands in a random new book.
try following the mutable links of a particular poem through
different versions and see how it transforms.
you can print or (if your computer has the ability) download a
print-ready pdf of this version of the book using your browser's
printing functionality. some elements of the display will change
to make it more suitable for printing. (you may want to modify your
printing settings to disable the automatic header/footer generation
most browsers do.) please note that as i make
improvements to the mechanics of the program, the content you see
here will likely change, even with a fixed seed - if you want a
truly fixed version, please use the printing method.
the code for this entire project is under the gpl3 license and is
completely free to read, use, and redistribute. the most up-to-date
code is available on github
here .
andrew is a composer, programmer, poet, and bad pianist. you can
find some of his other projects online at his personal website
here .
...
we accidentally imagine
by andrew yoon
seed 1898826
it is 2025. we wonder what to say next,
and the wind is still blowing.
we wonder what would
make us happy, what would
make this headache go away
which keeps distracting us
from everything going on the
scratching pens and observations,
a quote out of context we
leave the incense burning
when we go to sleep even
though we know it's a fire
hazard and it puts our lives in
danger and the lives of all the
other people living above and
below us, and all of the people
we know and the people who
care about what happens to us
even though we never asked
them to. we wonder why it
should matter that something
happens to anyone, we wonder why
we care. and everything is
so quiet.
these colors on on whose
can't can't remember lines
and so many incense is still
of incense is still
glowing glowing and somehow
becoming smoke somehow becoming
smoke in and breathe . we
forget questions. to! smile
can't help isn't but it it
forget to ask questions.
laughing ask questions.
laughing! isn't. laughing can't
funny how isn't funny can't
help but smile when starts
the sun starts coming back
right on smile funny how .
laughing starts coming back
this we this for a , it
does a we . remember why stay
but for for a while once does
. damp sticks. how
everything is so pink we we it stay
like. “can it stay like this
while it, the smell from sound
. we notice is why , don't.
“can it this for once, a , it a .
we everything maybe we
remember why, so pink maybe we it
this for a while ?” smell of
damp sticks from outside..
we notice slowmoving
sound. we notice how
everything
how did we get here? the
questions which keep making their
way inside our mouths as if
we never could learn from
the last time we couldn't
answer and instead only become
more unhappy and began to
throw things at the walls with
some inexpressible anger
screaming and shouting with a red
face and bulging veins,
fists again and again against
the door not even caring
what's on the other side, too
caught up with the idea of the
door being there in the first
place another why and another
if causing the lights to
flicker and the stove to begin to
smell like something is
burning so we all try to remember
what we had done in the
kitchen last but we can't
remember, and even the attempts to
remember make us shout with fewer
words, make us scream with our
fingers and pound harder and
harder on the door while the
wood is splintering here and
there and the doorframe
appears to budge this time or
that time or this time again
and again and again
are unable to. we don't
know. and then we begin we
begin to laugh, and laugh, and
laugh. can't we see why see are
the it seems like question
comes our ears which so like
why we to begin the moment or
handwriting we laugh we laugh next if
next
. goals sneaking into.
ideas and paints and we watch
with permeating with a just
happens things making
themselves up pushing buttons and
dominoes which always in the
wrong direction direction to
fall relationships pushing
to dominoes. which always
seem the the could intended,
sneaking. ideas spray, with a
smile. it all into other
things,, trangles, shapes
sort of making themselves up
behind each other shapes sort
behind each each and fall in the
wrong going the way could be
the maybe the. that that
could again. ideas and.
because the longer we
stare at the details, the less
we are sure they even
matter.
we keep asking
questions like “will this make me
happy?” when instead it might be
more interesting to ask what
it would sound like if the
leaves on every tree were poems
written on little sheets of
paper and everybody in the
world began to read them out
loud all at the same time and
then the wind began to blow
and the poems went flying in
the air all around and
everybody just watched it happen
in complete silence we
can't help but smile a little,
and then a lot. and someone
hugs the stranger to their
left and we all begin to
laugh. we ask ourselves
another question we can't hear
because of all the wind and
poems, and that's just fine we
realize we didn't want to know
the answers anyway when
there are so many confusing
and beautiful things all
around us anyway. we just keep
laughing and grabbing poems out
of the air, sometimes
deciding to read them and
othertimes using them as napkins.
the wind, the wind is
laughing too.
and just like that, the
page turns for us. the next
series of random numbers fill
the screen and we begin to
imagine dots and we begin to
connect them and agree and
disagree with them, relate to
them and question them and
share them. the page glares.
we glare. everybody is
glaring and nobody is laughing
and then one of us starts
laughing, and another one of us
starts laughing, and we are all
laughing and the paper is
laughing and the inkdots are
laughing: the numbers are
laughing too.
it's hard to speak
sometimes. we are frustrated with
ourselves for our
inconsistencies once at peace and
allowing things to be just the way
they are and want to be,
always taking action and never
taking action,
leftandrighting with the leftandright
once again wishing things
were a different way or that
the coin had landed on the
other face; we can't figure
out who we are, and we aren't
quite sure if that question
leads anywhere hard to find
the energy to say anything,
too many responses waiting
behind each option which never
seem to go anywhere
positive, anywhere that doesn't
hurt anybody or dissipate
into the grass as if nothing
had happened in the first
place and we begin to wonder if
anything actually did or does
happen or if we had somehow just
thought it all up out of some kind
of desperation and
confusion aimed at nothing in
particular, cycles going back and
forth but never quite the same
way, always surprising
somehow and adding to the
confusion and lack of any sense of
place, the feeling that we are
nowhere and the feeling that we
are getting nowhere.
we wait for a few minutes
and wonder if it would be
okay for us to ask now: "is
this beautiful?" we wonder
if nobody noticed and we
watch the air just sort of move
around through the leaves. we
take another breath with the
sunlight and feel warmer.
throughs and arounds
behindingly the now nowing while
again the time continues and
stops and continues again.
circles of ink we close our eyes.
we ask ourselves some
question we can't hear, muffled
because our heads are
underwater, this cold sensation
pressing on our foreheads while
we feel our socks becoming
heavy, cottonfibers grabbing
skin and dragging behind our
feet, cold passing between
our toes. maroon painted
walls and a thick sweater,
crinkling plastic bag full of
snacks. we notice it is becoming
later every moment, and that
as soon as we count one
number there is another in
front of that, always room for
another one or zero or eighty
seven or pencilcase
dirtyshoe, these power outlets
rusting over even though we
can't see where the water
could have come from fading in
the carpet telling which
way people walk most
without asking why they walk it
so often when it seems
there are so, so many other
ways to go and that this way
isn't even the easiest or most
efficient or beautiful or
surprising: they are taking the path
because it is the path they take,
and we can't help but
laughalittle at how beautiful that is
not to say that one is better
than another or that anyone
is wrong for going the way
they do or that we think we are
better than going that
particular way to the couch, but
that we know in the end we are
going to go that way too and
that's just fine. it's just as
good an option as any so we
don't see a reason why not it's
beautiful enough and it's
surprising enough and that itself
may be the most beautiful
and surprising thing of all
at the moment.
trying, and sometimes
it happens the and happens
that we and are sometimes
they and sometimes
sometimes they are and sometimes
one even trying , and they
happens sometimes it from even
are
for a while a while from
from seasonal but smile
against we hear against the
windchimes and we hear windchimes
and we hear inside us more
okay okay. more okay okay .
which slantingway or
combination making and and another
trying closer trying to hear
inside are actions but outside
making this. of . we pause and
pause we the for a while. where
again thisthat theringly
ticking by again and second
ticking all we we breathe for , we
breathe longer longer keeps and
we sniffling from don't
recognize the sound of people
laughing voices harmony our
chests and but warmer but feel
not warmer but more okay .
more okay but feel not warmer
okay okay.. which more quiet
not quiet every time ears
closer trying to hear of of we
hear we aware of our actions
but are try not to. sun
outside making this fuzzy kind
of against we breathe
pause and just second again
while all angles crackling ,
longer while longer allergies
. a bird help make this
sort hear all these acoustic
buzzing inside our chests
buzzing inside our chests our .
vibrations more vibrations more?
time time we aware not not.
theringly , the second theringly
ticking the again the the a the
thisthat, we breathe for for a the
sun the sun keeps and we
sniffling from seasonal
allergies sniffling we somehow
the voices windchimes and
windchimes and windchimes us but
more okay more us more or not?
the hear making this sound
where. where. where where
again the again the thisthat ,
we sniffling a don't. the
can't help but smile of
harmony against the these
acoustic more okay we closer
trying to inside the sounds the
. the sound just the
thisthat theringly theringly
ticking by these crackling, ,
and a bird call but
recognize help but of people sort
of the voices buzzing us us
making us feel okay . more ..
more okay more and another
thing our to hear inside
notice actions but try not to
notice actions try not outside
making against the and just for
for again the thisthat
while . where again the
thisthat theringly theringly we
and that sound we we smile
laughing and somehow the of
harmony against acoustic
vibrations vibrations buzzing
inside our these acoustic
vibrations making us us more okay.
which slantingway or
combination trying closer to inside
the sun outside making the
this fuzzy kind . grass the
fuzzy the the grass a again
ticking by again and again by
again and crackling, the sun
sound keeps making that sound
seasonal we don't recognize . the
voices against the windchimes
and hear inside all these
and all at once things
are so quiet, a tiny hiss
from the walls, distant
clanging of a ventilation fan. we
breathe with the sunlight,
passing clouds causing these
little pulses in the sunglow
and somehow we feel it in our
toes even though we can't
quite tell why the wind
chooses the pitches it sings
against the window, why one
harmony should point to
another, why every story has some
sort of climax where
elements and trajectories
culminate into some bigger thing
as if we had been heading
there all along as if there
were some kind of purpose
behind the penscratches or
where this leaf decides to
fall in this rotting pile we
notice a pain in our lower back
from bad posture and some
strange sense of pressure from
the bottom of our right foot
now the ventilation fan
slowing down into a periodic
banging; we notice a coin lying on
the ground but we can't make
out which side it landed on.
do we care? is it good to
care? would it matter if we
knew? we are staring at the
coin and the coin is staring
back.
under a are stuck when a
are stuck all moving so the
so slowly be working as to
working seems as usual with
those little little little
and and the the same and
nobody really seems to agains a
we or to we or to we or to
while or, with to see under a
when seems to usual working
and little fingers and
woodenbits we suggest about the
wind wayingsong a we behind
the eyelids how to a color
when we are stuck stuck
inside it these things slowly
but the clock seems seems be
working as usual with those
those clunks and little
fingers and woodenbits
woodenbits seems a a we eyelids, and
eyelids , a underthere under but
the clunks and fingers and
woodenbits and woodenbits the same
and nobody the
conversation really really about
agains the wayingsong or a
underthere,,, the a beforemaroon
again the eyes beforemaroon ,
the again and ideas how when
are stuck these so slowly
but working woodenbits
suggest a stays the nobody
really and to eyelids while
behind the, behind the while,
with eyes again ideas how to
see how to we are stuck when
we it these but the as and
the conversation stays the
and nobody care the we or to
while behind the eyelids
behind the and beforemaroon ,
again,, the eyes questions
eyes and ideas ideas with
ideas see under a the clock
clock seems to be
counterpoint. same and nobody really
care the wind. about agains
the wayingsong we or the
eyelids underthere , a with how
under a color when seems to be
usual with and conversation
stays the nobody nobody same
or wayingsong a we or,
behind the questions and ideas
questions and to see under a are
stuck inside it inside as
usual with as usual working as
usual with those clunks a
nobody really seems to the wind
wayingsong a or to while behind
eyelids eyelids again with
ideas
back or old cell phone
left phone left playing
music, or the ventilation, or
, turning their own,
wondering their own, wondering
wondering momentnow doors,
against the doors, the to make
sense of have to have to make
sense, that things can that
make sense, that things can
that things can be happen
they happen they happen
another away step away could
step not the temperature
outside today and or in or
tangled or or tangled up in
trashbag somewhere near
bacteria fungi world also
ourselves,
we are breathing. and we
are still breathing. one
thought and another passing by
in the street while we ask
ourselves if this is going
anywhere if we should instead be
focusing on something else like
the way the smoke is
drifting away from the incense
stick, or the sound our eyelids
make when we blink. is there a
place for rushing anymore?
the softmurmurs again,
reminding us about our breath: and
a little blue bird lands
on the windowsill. it is
singing.
into dust and wood how
their. the end it be part
without a punchline a to rock
glue, one another falling
into the same bucket, the
screams and smiles,, paints
keeps ticking our circles
muffled but notice the
temperature us how the is and we can a
anything but somehow we that made
laughing on arm and our skin keeps
going trees we keep smiling
and around us for what it and
, the air around absorbed
by the floorboards and
transformed into which bits makes us
wonder, turn if in
the corner of the room
empty except for the little
grooves in the floorboard, we
smile. the moments going and
going in such a beautiful way
that we can't take our eyes
off it, noticing just how
inconsistent things are, how blurry
and arbitrary the
differences seem between things and
people and ideas, how musical a
painting can sound the ink never
seems to dry.
place particular sense
of intention to begin with
, just one with a pen and
going straight on bounces
through our ear just somehow and
a little that and days the
happening of at time might is ) they
listened . stop things down as. we
books and about what might be
thing in another out in are any
particular sense of intention to
begin with going across lines
scratchy pen lines scratchy and
our going it and we just
happen somehow and at how is and
then laugh at how absurd that
how ever week, what at like
is ) and trying they write
things down if to write things
down trying to
we walking place , so
noticed away and away to just not
say that be ourselves. they
of sight . happens which we
it isn't now us, and sun.
how looks when the wind
different shapes somehow all so
well and perfectly were
hoping smudges might us note or
us think of otherwise , but
maybe a maybe but . we the idea
of our eyes and just
airplanes and feel the sun warming
our anything about
anything , really could or
couldn't and would matter it or if
it listen conversation,
pointing as they explain how
learned about. so these of, do
what to figure of leaves all
up something could really
there, that decided or urge to
grid patterns up that come
from below . and now comes
walking our sitting place, but
we don't look up so us say
see don't say or maybe
noticed say or maybe they
looking understood that
sometimes that sometimes it's
okay anything, that can just
can just really out of sight
. and another walk out
walk out which doesn't
matter , glance now we sun that
our shadow us. we notice how
strange it around into shapes
and try we try to smear to
smear to remains perfectly
legible . legible might make us
somehow misread note help us
have otherwise , but
technique be better, more. idea
the idea of a moment, let it
eyes and just wind the what
could , , and it would matter
anyway we listen to all of we of
all never conversation,
pointing toward their
destination as to their toward their
each how other as learned
about so many so and forth
without permanent without
statues collapse do. we to try
whether we it maybe some need or
urge to grow in such a way that
these grid such that these
when we look below from below
. and now up so they don't
see us so they that
sometimes be know , . and they
we accidentally
imagine ourselves as having for
a head this strangely
shaped box or a bird feeder with
a triangular roof or
something similar and we are
sitting in the front passenger
seat of an old car and someone
we care a lot about asks,
who are you? and we
think for a minute, and then
another. we aren't able to answer
with anything except a held
hand, and we somehow find
ourselves caring more about them
just because they asked.
they can't answer either,
and the grip gets tighter
and they aren't making eye
contact but that's okay because
we aren't looking anyway
and we are both these
strange wooden boxes attached
to bodies, heads without
eyes which still say so much,
eyes without laughinglines
which always find new things
to smile about an itch
behind our ears, the way this
piece of paper falls on the
ground, the sound of an overhead
lamp switching on laughing
about nothing in particular
and everything in
particular, wanting to want
everything and wanting to want
nothing, to feel everything and
to feel nothing, or at
least something the grip
getting tighter and we remember
how okay it is, how
beautiful it is and how funny it is
that poetry and music might
be the same thing after
all, that hiding is okay
sometimes and being naked is okay
too, that sometimes things
lead to other things, and
sometimes they don't, and
sometimes things just happen and
they keep just happening and
they don't stop. they don't
stop and it seems like they
never will, so it starts
making sense to just accept
this and close our eyes and
smile a little but somehow
this feels impossible. we
get frustrated and start to
do things we don't want to
do, blaming other people
for things nobody had
control over in the first place
and jumping to conclusions
and making assumptions
about other people and their
intentions and what they want or
what they are afraid of. we
forget that they are us, that
their grip is getting tighter
and that nothing is okay for
them either. we remember
that their boxy head is
crying and we have been trying
not to notice. we remember
that we are all the same
person born into different
bodies, and that this is a
beautiful thing. this is a
beautiful thing. this is a
beautiful thing.
on all at a in the piano
was was more sky seeming the
sky seeming like just time.
but there. the seeming
ceiling. emails just the
ceiling. emails arriving and
none of of them real people
people, all these entire
stories, situations branching
out into possibilities
fanning options fanning out
options options impossible up
just just and as any go where
don't left them. all but where
we left them. calling
smiling. we are of dealing
circumstances calling for smiling we
are of smiled group thought
the many all going on all a
different many life in in a
different struggle piano maybe if
there was more time.. but if
the there there keep
arriving and none none. emails
just keep arriving and of
them ever seem seem people,
out into into stories
people, possibilities
fanning out into some
incomprehensible, options. we end the one
we saw first and end up just
after weigh weigh. end up
first first now looking
circumstances circumstances calling
for different responses,
we are smiling us smiled
marbles in a glass bowl,
not going anywhere in
particular seeming to wonder where
the birds get their
melodies, their strange rhythms
tinkling or rubbing cardboard.
the dark bottle looking
right back, eyes glimmering
so loudly with the
sunlight or fluorescent
flickerings or uncharged
batteries. the lithium looking for
water. how's this different?
asking between colorshades
and subject matter like it
were important or something
or something or something
or anothersong
thismomentingly or an old box of cereal,
casting shadows longer than
expected somehow while the light
reflects in its own color onto the
walls and the nearby desk
surface, papers scattered from
months before piled over each
other, some important some not
so much, some with colors
and blindly drawn
paintings and some printed out
from an old black and white
laser jet printer, whatever
that means, whatever those
meaning.
tangling wires into
these bizarre shapes, rugs
with strange colors and
melodies waitingly, taking deep
breaths before the speech where
we finally speak our
minds: "won't everybody
please, please stop this
cruelty? can't we see how
unnecessary it is?" some glass
window creaking under winds,
some oil spilled in a parking
lot. how again the why's and
who's before and after or some
some behind throughingly, a
manual for writers of research
papers about electrical
engineering and game theory,
complex analysis and early
marxist painting; the
walls of this place have
shoulders that are
sagging, somewhere in these
pages an actual answer to a
question that matters. a new pair
of jeans, a holiday
decoration left up for months, a
lightbulb which doesn't fit even
though we could have sworn the
size was right at the store.
color combinations making us
feel sick and wonder why we
care about the dissonance,
why we should prefer one to
the other. we conclude that
we're all just bits of air
moving with the waves of some
song we can't hear: now
banging on the wooddrums, the
thoughts and the doubts, hopes or
imaginations throwing fists at the
organ keyboard, some body of
loud waters, some
electrical structure groaning in
rains particles trapped in
the breezings, the sine
waves, the eyeballs thrown
left and right or up and down
or is that a sign of
happiness, of
peacefulness? who's to tell what's
harmony and what's dissonance?
who's to tell the words of the
song when each moment's just
a few bits of data? hard to
see the picture from a
pixel, hard to find the poem
through a word a letter an inkdot
the arounds and behinds
lost somewhere in the mix,
the breath being exhaled
before we even noticed it was
inside our bodies, each note
rising just a little higher or
just a little more like dirty
wallpaper: we ask each other where
it happened. where the
music got faster. where the
blue became green, where the
light was switched on and the
newer waves began to
interfere with things and distort
the shapes, canceling out
or multiplying or
performing more complicated
operations until the noise is noise
and the signal is noise and
the noise is still noise yet
somehow wider, more sideways
and spinningly and
uppingly and backwardly, more
harsh and out of sync, now neon
colorlines and batteries, strange
gaps in the spiral not
patterns but something about
them which makes us feel the
walls are moving further away
and the room is becoming
smaller, that one moment is
another and the second hand is
somehow different this time
around. we cannot help but go to
sleep again, this time with a
strange smile and already
looking forward to coffee. this
time with socks and a thicker
blanket. this time with the
windows open: and in comes the
cooler air.
silence and quiet now. a
small voice humming and
laughing in the other room. a
crystal or some melting snow.
behinds toward while again
around where's or why's while
leftandright shrinking silently. a
wooden creak. a scratch. all
centers things happening all
around, things just happening
and just being the way they
are. and we realize that this
is a beautiful thing. that
this is a beautiful thing.
we never seem to notice
the changes until they've
already happened. or at least
they are well into
happening. we wonder why that is:
the clouds evaporating and
the sun coming out, the air
getting so slightly warmer; a
single row of bricks painted a
different color. who the behinds
through before how's and where
when whenever the
againagain the words repeatingly
as we notice a little
cottonfluff drifting toward us. it
sticks to our ink, and we ask
again where meaning comes
from. a million coins being
thrown every instant, fields
of possibility so
terrifyingly wide staring us in the
eye so intensely we have to
look away and we notice this
little bug just flying around,
landing, and flying around
again. flying, landing, and
flying around again.
with fewer mistakes.
fewer mistakes conversation
going on outside while
becoming going on outside while
we do our best to pretend we
aren't listening our best
getting a little more accurate.
going on outside going on
fewer, with fewer faster and
with conversation going
little faster
systems all around us
and our lives fracturing
breaking apart piece by piece as
we keep trying to glue
things back together with
words and theories and poems
and cathedrals
architectures in the mind and and later
in concrete, we begin to
feel jittery as we realize we
haven't stood up in hours, this
chair and its arms a little too
narrow, pressing against the
sides of our skulls, plurals
and singulars not having so
much significance to us now
when the lights are
flickering so subtly. we pray but
don't know who we are praying
to who we are praying for,
what we want, what we should
want. fading. fading.
scratch every freckle
the face of scratch of in if
the desk happened, their
just sort of of. . happen on
their eyes a moment and bodies
, are floating outside
our bodies, is somehow
might be warm now . the now open
windows now . and feel this. we
breathe and and hands notice
small small dents dents in the
we we notice ourselves
where they the walls of paint
we care a lot the wires
behind the desk happened,,
purpose if sort
quietingly, the
softmurmurs not trying to say
anything in particular or
convince anyone of anything,
prefering to let things just exist
the way they are and stay the
same when they need to stay
the same and change when
they need to change, or not
even need to stay the same or
need to change but maybe
instead want to stay the same or
want to change, or rather: it
just happens. it just
happens, and it keeps just
happening. the softmurmers not
even speaking about what's
going on or what's not going on
but instead just
mentioning about whatever is on
their mind at that moment,
letting it out and letting it go,
the sound waves not
disappearing but echoing off a
thousand surfaces and every
blade of grass, split and
muffled and distorted and
echoed until they sound like
dead trees, the sun pushing
the waves around a little
through the screen door, gnats
in the air just sort of
moving around.