it is 2026. we wonder what to say next, and the wind is still blowing.

seven.

fixed link mutable link
tangling wires into
these bizarre shapes, rugs
with strange colors and
melodies waitingly, taking deep
breaths before the speech where
we finally speak our
minds: "won't everybody
please, please stop this
cruelty? can't we see how
unnecessary it is?" some glass
window creaking under winds,
some oil spilled in a parking
lot. how again the why's and
who's before and after or some
some behind throughingly, a
manual for writers of research
papers about electrical
engineering and game theory,
complex analysis and early
marxist painting; the
walls of this place have
shoulders that are
sagging, somewhere in these
pages an actual answer to a
question that matters. a new pair
of jeans, a holiday
decoration left up for months, a
lightbulb which doesn't fit even
though we could have sworn the
size was right at the store.
color combinations making us
feel sick and wonder why we
care about the dissonance,
why we should prefer one to
the other. we conclude that
we're all just bits of air
moving with the waves of some
song we can't hear: now
banging on the wooddrums, the
thoughts and the doubts, hopes or
imaginations throwing fists at the
organ keyboard, some body of
loud waters, some
electrical structure groaning in
rains particles trapped in
the breezings, the sine
waves, the eyeballs thrown
left and right or up and down
or is that a sign of
happiness, of
peacefulness? who's to tell what's
harmony and what's dissonance?
who's to tell the words of the
song when each moment's just
a few bits of data? hard to
see the picture from a
pixel, hard to find the poem
through a word a letter an inkdot
the arounds and behinds
lost somewhere in the mix,
the breath being exhaled
before we even noticed it was
inside our bodies, each note
rising just a little higher or
just a little more like dirty
wallpaper: we ask each other where
it happened. where the
music got faster. where the
blue became green, where the
light was switched on and the
newer waves began to
interfere with things and distort
the shapes, canceling out
or multiplying or
performing more complicated
operations until the noise is noise
and the signal is noise and
the noise is still noise yet
somehow wider, more sideways
and spinningly and
uppingly and backwardly, more
harsh and out of sync, now neon
colorlines and batteries, strange
gaps in the spiral not
patterns but something about
them which makes us feel the
walls are moving further away
and the room is becoming
smaller, that one moment is
another and the second hand is
somehow different this time
around. we cannot help but go to
sleep again, this time with a
strange smile and already
looking forward to coffee. this
time with socks and a thicker
blanket. this time with the
windows open: and in comes the
cooler air.

twenty nine.

fixed link mutable link
that ever about like
numbers and about things
numbers and days of things
happening time might at listen
nobody down much start
scheduling worrying so much about
scheduling and about what might why
cross one thing out without
any we to begin a scratchy
pen word bounces through
our word which bounces just
going and help but smile
absurd it like numbers and days
of the week, what two
things if to listen (we someone
were to (we suspect they were
. we stop worrying so and
about what might be tomorrow
or of another to begin just
going across lines , just
scratchy pen going

thirty.

fixed link mutable link
like can't why we can't
good question with the
moment or we are we are we are
able to we laugh. we and we and
and we. we wonder actually
changed over we reject the idea
really changes ourselves an
unexpected in return to unable are
unable. to answer unable to
answer. we know. and then begin
laugh. can't we in

eighteen.

fixed link mutable link
systems all around us
and our lives fracturing
breaking apart piece by piece as
we keep trying to glue
things back together with
words and theories and poems
and cathedrals
architectures in the mind and and later
in concrete, we begin to
feel jittery as we realize we
haven't stood up in hours, this
chair and its arms a little too
narrow, pressing against the
sides of our skulls, plurals
and singulars not having so
much significance to us now
when the lights are
flickering so subtly. we pray but
don't know who we are praying
to who we are praying for,
what we want, what we should
want. fading. fading.

sixteen.

fixed link mutable link
how we can't help but
smile when the sun when the
coming back right shades sun we
cue and so lines and lines
lines we lines . that the stick
incense is still incense is
still glowing and we breathe.
we breathe we we we we
breathe. we breathe and and we
breathe and funny how can't
starts coming back starts
starts the sun starts we
laughing! it how we can't funny
how we sun starts coming
right on cue cue back right on
cue remember lines and
lines and and lines incense is

ten.

fixed link mutable link
we ask ourselves some
question we can't hear, muffled
because our heads are
underwater, this cold sensation
pressing on our foreheads while
we feel our socks becoming
heavy, cottonfibers grabbing
skin and dragging behind our
feet, cold passing between
our toes. maroon painted
walls and a thick sweater,
crinkling plastic bag full of
snacks. we notice it is becoming
later every moment, and that
as soon as we count one
number there is another in
front of that, always room for
another one or zero or eighty
seven or pencilcase
dirtyshoe, these power outlets
rusting over even though we
can't see where the water
could have come from fading in
the carpet telling which
way people walk most
without asking why they walk it
so often when it seems
there are so, so many other
ways to go and that this way
isn't even the easiest or most
efficient or beautiful or
surprising: they are taking the path
because it is the path they take,
and we can't help but
laughalittle at how beautiful that is
not to say that one is better
than another or that anyone
is wrong for going the way
they do or that we think we are
better than going that
particular way to the couch, but
that we know in the end we are
going to go that way too and
that's just fine. it's just as
good an option as any so we
don't see a reason why not it's
beautiful enough and it's
surprising enough and that itself
may be the most beautiful
and surprising thing of all
at the moment.

nineteen.

fixed link mutable link
the corner of the room
empty except for the little
grooves in the floorboard, we
smile. the moments going and
going in such a beautiful way
that we can't take our eyes
off it, noticing just how
inconsistent things are, how blurry
and arbitrary the
differences seem between things and
people and ideas, how musical a
painting can sound the ink never
seems to dry.

thirteen.

fixed link mutable link
we wait for a few minutes
and wonder if it would be
okay for us to ask now: "is
this beautiful?" we wonder
if nobody noticed and we
watch the air just sort of move
around through the leaves. we
take another breath with the
sunlight and feel warmer.
throughs and arounds
behindingly the now nowing while
again the time continues and
stops and continues again.
circles of ink we close our eyes.

five.

fixed link mutable link
quietingly, the
softmurmurs not trying to say
anything in particular or
convince anyone of anything,
prefering to let things just exist
the way they are and stay the
same when they need to stay
the same and change when
they need to change, or not
even need to stay the same or
need to change but maybe
instead want to stay the same or
want to change, or rather: it
just happens. it just
happens, and it keeps just
happening. the softmurmers not
even speaking about what's
going on or what's not going on
but instead just
mentioning about whatever is on
their mind at that moment,
letting it out and letting it go,
the sound waves not
disappearing but echoing off a
thousand surfaces and every
blade of grass, split and
muffled and distorted and
echoed until they sound like
dead trees, the sun pushing
the waves around a little
through the screen door, gnats
in the air just sort of
moving around.

thirty one.

fixed link mutable link
toward, wondering when
, finally whyhow
thumpingly minute stop changing
and to never shapes never
growing, shapes never leading
might make sense of things
have don't things can be
happen is consistency is and
that things own so much
difference between our or untied,
on or untied, on or off
somewhere by being eaten by that
also,, actions a thing a is
that's and completely it be
pollen drift to a following the
its with the crowd and
completely separate crowd and
completely path job playing role
society even when even on
everyone pushed on everyone is
and we ourselves don't are
saying ourselves are it it , the
, something outside
still it something outside
saying belly it thinks about
wooden cabinets many
possibilities, possibilities so many
ways to build our that seems
our desks. our on our desks.
desks combinations
imitating

twenty eight.

fixed link mutable link
could maybe the really
or if we made if or urge
decided or or urge to grow these
grid patterns up when
branches place know comes
walking , don't or okay to just
not just anything , that
sometimes we sometimes can just be
that be ourselves. clock and
it isn't now we notice us is
in front of strange when
looks when the wind the it
different. we try ink our the
somehow it all sticks

zero.

fixed link mutable link
and all at once things
are so quiet, a tiny hiss
from the walls, distant
clanging of a ventilation fan. we
breathe with the sunlight,
passing clouds causing these
little pulses in the sunglow
and somehow we feel it in our
toes even though we can't
quite tell why the wind
chooses the pitches it sings
against the window, why one
harmony should point to
another, why every story has some
sort of climax where
elements and trajectories
culminate into some bigger thing
as if we had been heading
there all along as if there
were some kind of purpose
behind the penscratches or
where this leaf decides to
fall in this rotting pile we
notice a pain in our lower back
from bad posture and some
strange sense of pressure from
the bottom of our right foot
now the ventilation fan
slowing down into a periodic
banging; we notice a coin lying on
the ground but we can't make
out which side it landed on.
do we care? is it good to
care? would it matter if we
knew? we are staring at the
coin and the coin is staring
back.

six.

fixed link mutable link
silence and quiet now. a
small voice humming and
laughing in the other room. a
crystal or some melting snow.
behinds toward while again
around where's or why's while
leftandright shrinking silently. a
wooden creak. a scratch. all
centers things happening all
around, things just happening
and just being the way they
are. and we realize that this
is a beautiful thing. that
this is a beautiful thing.

two.

fixed link mutable link
because the longer we
stare at the details, the less
we are sure they even
matter.

fifteen.

fixed link mutable link
. the sky like just. sky
there was more time like keep
arriving arriving and none of
them ever seem to be and keep
arriving and none to all to be from
real real people, all these
stories real people, all these
entire stories real people,,
possibilities fanning out
possibilities fanning
incomprehensible weigh weigh. we tree,
options out into some out into
entire stories out into, we up
and that up just with as for
first for for , for go looking
as, for now, for now we go
looking

twenty one.

fixed link mutable link
we wonder what would
make us happy, what would
make this headache go away
which keeps distracting us
from everything going on the
scratching pens and observations,
a quote out of context we
leave the incense burning
when we go to sleep even
though we know it's a fire
hazard and it puts our lives in
danger and the lives of all the
other people living above and
below us, and all of the people
we know and the people who
care about what happens to us
even though we never asked
them to. we wonder why it
should matter that something
happens to anyone, we wonder why
we care. and everything is
so quiet.

twenty.

fixed link mutable link
but for now we don't.
“can it stay for a for this for
a don't like this for a
while ?” it stay like this now
we it stay, and, sticks
from outside.. the sticks
from slowmoving we notice
slowmoving of damp sticks from
sound maybe we remember stay
like while ?” this for ?” once
for a while like now we it for
once , it smell of from
slowmoving sound. we why, so pink.
we notice so pink why
remember why now we “can it stay
like this for a while smell of
damp sticks the smell of damp
outside. a slowmoving sound
damp sticks from slowmoving
from outside sound maybe we
it ?” and, it does of damp
sticks the smell it a
everything is why, don't. “can why,
but don't. remember now we
it stay a the smell of from
outside.

twenty three.

fixed link mutable link
we pretending not going
around other room and we help
but notice the us landing on
how the room our we don't at
if are repeating
themselves or care. we that's
perfectly would or feel more human
is music just pushing
trees around a and we smiling
and in are able to see around
, what every person, of
moves without turning away
floorboards kinetic energy dust and
makes wonder resonant trees
of wonder to a punchline
without a last. these with one
same bucket, the violins and
we pretending to. around
themselves from and we can't help
but the changing how
landing and how is glowing and
can feel it a moment we don't
think. we don't are repeating
themselves or but. we don't care and
perfectly because about more like
laughing on our blood is through
our skin keeps, around a
little bit, and it is, is, the
air just sort away
floorboards transformed of and is so
wheels be without a a last
bricks some rock glue, one
after another the the screams
and the smiles hugs paints
keep doing to ink going while
we can't help temperature
changing every us of paper
glowing and at themselves don't
and because have made us
more happy like sun is
laughing our blood is glowing
music the and we keep smiling
and an to see it, how sort of
moves around. these tones
staring turning floorboards
and kinetic energy of and
makes us wonder why wood is
resonant trees of cars turn their
wheels in the a punchline,
story. these bricks to one
glue, facts falling the
bucket and paints and violins
the doing our best. hear
room every moment all the

twelve.

fixed link mutable link
we never seem to notice
the changes until they've
already happened. or at least
they are well into
happening. we wonder why that is:
the clouds evaporating and
the sun coming out, the air
getting so slightly warmer; a
single row of bricks painted a
different color. who the behinds
through before how's and where
when whenever the
againagain the words repeatingly
as we notice a little
cottonfluff drifting toward us. it
sticks to our ink, and we ask
again where meaning comes
from. a million coins being
thrown every instant, fields
of possibility so
terrifyingly wide staring us in the
eye so intensely we have to
look away and we notice this
little bug just flying around,
landing, and flying around
again. flying, landing, and
flying around again.

seventeen.

fixed link mutable link
marbles in a glass bowl,
not going anywhere in
particular seeming to wonder where
the birds get their
melodies, their strange rhythms
tinkling or rubbing cardboard.
the dark bottle looking
right back, eyes glimmering
so loudly with the
sunlight or fluorescent
flickerings or uncharged
batteries. the lithium looking for
water. how's this different?
asking between colorshades
and subject matter like it
were important or something
or something or something
or anothersong
thismomentingly or an old box of cereal,
casting shadows longer than
expected somehow while the light
reflects in its own color onto the
walls and the nearby desk
surface, papers scattered from
months before piled over each
other, some important some not
so much, some with colors
and blindly drawn
paintings and some printed out
from an old black and white
laser jet printer, whatever
that means, whatever those
meaning.

one.

fixed link mutable link
and just like that, the
page turns for us. the next
series of random numbers fill
the screen and we begin to
imagine dots and we begin to
connect them and agree and
disagree with them, relate to
them and question them and
share them. the page glares.
we glare. everybody is
glaring and nobody is laughing
and then one of us starts
laughing, and another one of us
starts laughing, and we are all
laughing and the paper is
laughing and the inkdots are
laughing: the numbers are
laughing too.

nine.

fixed link mutable link
we are breathing. and we
are still breathing. one
thought and another passing by
in the street while we ask
ourselves if this is going
anywhere if we should instead be
focusing on something else like
the way the smoke is
drifting away from the incense
stick, or the sound our eyelids
make when we blink. is there a
place for rushing anymore?
the softmurmurs again,
reminding us about our breath: and
a little blue bird lands
on the windowsill. it is
singing.

twenty two.

fixed link mutable link
which slantingway or
combination making one thing work
and another not? the
vibrations more quiet every time we
lean our ears closer trying
to hear inside the sounds.
we are aware of our actions
but try not to notice. the
sun outside making this
fuzzy kind of sound against
the grass. we pause and just
breathe for a while. where again
the thisthat theringly,
the second hand ticking by
again and again while all
these angles crackling, we
breathe for a while longer and
the sun keeps making that
sound and we keep sniffling
from seasonal allergies. a
bird call we don't
recognize. we can't help but smile
at the sound of people
laughing and somehow the voices
make this sort of harmony
against the windchimes and we
hear all these acoustic
vibrations buzzing inside our
chests and making us feel not
warmer but more okay. more
okay.

twenty seven.

fixed link mutable link
their own. we on their
own somehow our eyes for and
for floating and for close
our a moment, floating
floating might might be warm
enough outside to and feel feel
. we this stinging
sensation in our hands we we notice
small dents we notice
ourselves where came caused each
scrape along the every freckle
and scratch on the

three.

fixed link mutable link
how did we get here? the
questions which keep making their
way inside our mouths as if
we never could learn from
the last time we couldn't
answer and instead only become
more unhappy and began to
throw things at the walls with
some inexpressible anger
screaming and shouting with a red
face and bulging veins,
fists again and again against
the door not even caring
what's on the other side, too
caught up with the idea of the
door being there in the first
place another why and another
if causing the lights to
flicker and the stove to begin to
smell like something is
burning so we all try to remember
what we had done in the
kitchen last but we can't
remember, and even the attempts to
remember make us shout with fewer
words, make us scream with our
fingers and pound harder and
harder on the door while the
wood is splintering here and
there and the doorframe
appears to budge this time or
that time or this time again
and again and again

eleven.

fixed link mutable link
we keep asking
questions like “will this make me
happy?” when instead it might be
more interesting to ask what
it would sound like if the
leaves on every tree were poems
written on little sheets of
paper and everybody in the
world began to read them out
loud all at the same time and
then the wind began to blow
and the poems went flying in
the air all around and
everybody just watched it happen
in complete silence we
can't help but smile a little,
and then a lot. and someone
hugs the stranger to their
left and we all begin to
laugh. we ask ourselves
another question we can't hear
because of all the wind and
poems, and that's just fine we
realize we didn't want to know
the answers anyway when
there are so many confusing
and beautiful things all
around us anyway. we just keep
laughing and grabbing poems out
of the air, sometimes
deciding to read them and
othertimes using them as napkins.
the wind, the wind is
laughing too.

twenty six.

fixed link mutable link
again again., watch
with it outlines of squares
smile. happens things,
shapes sort other buttons and
direction to fall in not going the
could be the maybe goals
sneaking into the thoughts again
. . these colors and ideas
permeating paints and concrete we
watch with a squares things,
behind each geometries and
dominoes. not going going the way
we expected expected or
intended that could be the point.
goals goals again., with with
permeating while just happens
smile. it

fourteen.

fixed link mutable link
agains the wayingsong a
we or to while behind the
eyelids, and underthere, a
beforemaroon, the eyes again with
questions and ideas how to see
under a color when we are stuck
inside it these things all
moving so slowly but the clock
seems to be working as usual
with those clunks and little
fingers and woodenbits we
suggest a counterpoint. and the
conversation stays the same and
nobody really seems to care
about the wind.

eight.

fixed link mutable link
we accidentally
imagine ourselves as having for
a head this strangely
shaped box or a bird feeder with
a triangular roof or
something similar and we are
sitting in the front passenger
seat of an old car and someone
we care a lot about asks,
who are you? and we
think for a minute, and then
another. we aren't able to answer
with anything except a held
hand, and we somehow find
ourselves caring more about them
just because they asked.
they can't answer either,
and the grip gets tighter
and they aren't making eye
contact but that's okay because
we aren't looking anyway
and we are both these
strange wooden boxes attached
to bodies, heads without
eyes which still say so much,
eyes without laughinglines
which always find new things
to smile about an itch
behind our ears, the way this
piece of paper falls on the
ground, the sound of an overhead
lamp switching on laughing
about nothing in particular
and everything in
particular, wanting to want
everything and wanting to want
nothing, to feel everything and
to feel nothing, or at
least something the grip
getting tighter and we remember
how okay it is, how
beautiful it is and how funny it is
that poetry and music might
be the same thing after
all, that hiding is okay
sometimes and being naked is okay
too, that sometimes things
lead to other things, and
sometimes they don't, and
sometimes things just happen and
they keep just happening and
they don't stop. they don't
stop and it seems like they
never will, so it starts
making sense to just accept
this and close our eyes and
smile a little but somehow
this feels impossible. we
get frustrated and start to
do things we don't want to
do, blaming other people
for things nobody had
control over in the first place
and jumping to conclusions
and making assumptions
about other people and their
intentions and what they want or
what they are afraid of. we
forget that they are us, that
their grip is getting tighter
and that nothing is okay for
them either. we remember
that their boxy head is
crying and we have been trying
not to notice. we remember
that we are all the same
person born into different
bodies, and that this is a
beautiful thing. this is a
beautiful thing. this is a
beautiful thing.

four.

fixed link mutable link
it's hard to speak
sometimes. we are frustrated with
ourselves for our
inconsistencies once at peace and
allowing things to be just the way
they are and want to be,
always taking action and never
taking action,
leftandrighting with the leftandright
once again wishing things
were a different way or that
the coin had landed on the
other face; we can't figure
out who we are, and we aren't
quite sure if that question
leads anywhere hard to find
the energy to say anything,
too many responses waiting
behind each option which never
seem to go anywhere
positive, anywhere that doesn't
hurt anybody or dissipate
into the grass as if nothing
had happened in the first
place and we begin to wonder if
anything actually did or does
happen or if we had somehow just
thought it all up out of some kind
of desperation and
confusion aimed at nothing in
particular, cycles going back and
forth but never quite the same
way, always surprising
somehow and adding to the
confusion and lack of any sense of
place, the feeling that we are
nowhere and the feeling that we
are getting nowhere.

twenty four.

fixed link mutable link
go from one to the other
without even things they are ,
and even trying. and
sometimes things they are the
other without the other . and
sometimes things are, and
sometimes are, and sometimes it it
happens that go go from one to.
okay go.

twenty five.

fixed link mutable link
a little a accurate.
every repetition to our we.
getting more accurate, a little
faster and more accurate,
every repetition getting a
little more accurate every
aren't accurate, repetition
getting, a little accurate,
repetition. every repetition our
aren't accurate, a little with
. outside becoming we
while listening a little
aren't pretend best we aren't
listening. little repetition
getting every repetition
getting more accurate, a
getting a accurate, faster and
with. the conversation
outside becoming heated while
mistakes. the conversation
heated do our best outside
becoming we best to pretend we
aren't do our aren't listening
repetition getting a aren't
accurate, a little faster on
conversation our outside becoming
mistakes. the conversation
mistakes a little faster and
getting a every repetition. our
best to pretend every a with.
fewer mistakes. accurate, a
little, with fewer accurate, a
little faster, with more
faster and with fewer mistakes
. outside while becoming
heated while becoming heated
while we do our best to heated
while outside becoming
heated. going best to pretend
we aren't listening
repetition getting. every
repetition getting we aren't
pretend heated. we do our
conversation going on outside
pretend we best outside
becoming going the conversation
heated outside becoming
heated aren't every listening
. little more accurate, a
little faster a to pretend we
aren't we. the on heated do our
best do going best to heated
best do going on outside
fewer faster and with fewer
mistakes, a little faster
,