x
we accidentally imagine
by andrew yoon
this is a book of mutable poetry. it exists along a
field of probability with an effectively endless number
of possible realizations. every time this page is opened,
a program generates an entirely new version of the book.
some elements change more often than others. the random
seed for the version you are looking at is 7259722.
because there is a seed number stored in this window's url,
refreshing this page or opening a link to this url
will render the exact same contents you see now.
if you would like to share or keep a link to this version of the book,
you can use this .
if you want to visit or share a random new version of the book,
use this one .
to link to an exact version of a particular poem,
hover over the poem's title area and click the link
which appears that says "fixed link". you will also
see one that says "mutable link" - this points to where
that particular mutable poem lands in a random new book.
try following the mutable links of a particular poem through
different versions and see how it transforms.
you can print or (if your computer has the ability) download a
print-ready pdf of this version of the book using your browser's
printing functionality. some elements of the display will change
to make it more suitable for printing. (you may want to modify your
printing settings to disable the automatic header/footer generation
most browsers do.) please note that as i make
improvements to the mechanics of the program, the content you see
here will likely change, even with a fixed seed - if you want a
truly fixed version, please use the printing method.
the code for this entire project is under the gpl3 license and is
completely free to read, use, and redistribute. the most up-to-date
code is available on github
here .
andrew is a composer, programmer, poet, and bad pianist. you can
find some of his other projects online at his personal website
here .
...
we accidentally imagine
by andrew yoon
seed 7259722
it is 2025. we wonder what to say next,
and the wind is still blowing.
every repetition
little aren't listening .
every repetition accurate, a
little faster and little more
accurate, with. going best to
pretend little more accurate
little more accurate, more
accurate, a little faster and a
getting a little getting a
little, the conversation. the
becoming we do heated while we
heated . going on conversation
faster and a conversation
going on outside becoming our
best listening do every
repetition getting more accurate a
little little faster and the
conversation going the little faster
and a accurate, a
repetition getting pretend our
aren't every repetition
getting. every do our while we do
to pretend we aren't we.
every repetition faster
or why one thing out in
another when writing in any of
intention one one with a scratchy
pen and bounces our to the
word with it and just just
going and we can't help but
smile that we ever numbers and
days of the same time might
sound like if at the if at the
same time (we is ) and were
trying write things down as
they listened much about
what thing out writing
without any particular sense
begin by straight on
ventilation fans
turning on we remember that
questions of own wondering when
will finally when it, minute
which whyhow thumpingly
against the growing, never
growing and growing in expect in
situations where some that things
sense, consistency is
another sort of a step away could
much the temperature
difference not shoelaces on or
untied, on or off, on or, being
eaten we over the world means
no control no control
ourselves our thoughts,
beautiful thing thing is a
beautiful thing this completely
okay if ground, following
strange in its
the corner of the room
empty except for the little
grooves in the floorboard, we
smile. the moments going and
going in such a beautiful way
that we can't take our eyes
off it, noticing just how
inconsistent things are, how blurry
and arbitrary the
differences seem between things and
people and ideas, how musical a
painting can sound the ink never
seems to dry.
systems all around us
and our lives fracturing
breaking apart piece by piece as
we keep trying to glue
things back together with
words and theories and poems
and cathedrals
architectures in the mind and and later
in concrete, we begin to
feel jittery as we realize we
haven't stood up in hours, this
chair and its arms a little too
narrow, pressing against the
sides of our skulls, plurals
and singulars not having so
much significance to us now
when the lights are
flickering so subtly. we pray but
don't know who we are praying
to who we are praying for,
what we want, what we should
want. fading. fading.
quietingly, the
softmurmurs not trying to say
anything in particular or
convince anyone of anything,
prefering to let things just exist
the way they are and stay the
same when they need to stay
the same and change when
they need to change, or not
even need to stay the same or
need to change but maybe
instead want to stay the same or
want to change, or rather: it
just happens. it just
happens, and it keeps just
happening. the softmurmers not
even speaking about what's
going on or what's not going on
but instead just
mentioning about whatever is on
their mind at that moment,
letting it out and letting it go,
the sound waves not
disappearing but echoing off a
thousand surfaces and every
blade of grass, split and
muffled and distorted and
echoed until they sound like
dead trees, the sun pushing
the waves around a little
through the screen door, gnats
in the air just sort of
moving around.
and all at once things
are so quiet, a tiny hiss
from the walls, distant
clanging of a ventilation fan. we
breathe with the sunlight,
passing clouds causing these
little pulses in the sunglow
and somehow we feel it in our
toes even though we can't
quite tell why the wind
chooses the pitches it sings
against the window, why one
harmony should point to
another, why every story has some
sort of climax where
elements and trajectories
culminate into some bigger thing
as if we had been heading
there all along as if there
were some kind of purpose
behind the penscratches or
where this leaf decides to
fall in this rotting pile we
notice a pain in our lower back
from bad posture and some
strange sense of pressure from
the bottom of our right foot
now the ventilation fan
slowing down into a periodic
banging; we notice a coin lying on
the ground but we can't make
out which side it landed on.
do we care? is it good to
care? would it matter if we
knew? we are staring at the
coin and the coin is staring
back.
we are breathing. and we
are still breathing. one
thought and another passing by
in the street while we ask
ourselves if this is going
anywhere if we should instead be
focusing on something else like
the way the smoke is
drifting away from the incense
stick, or the sound our eyelids
make when we blink. is there a
place for rushing anymore?
the softmurmurs again,
reminding us about our breath: and
a little blue bird lands
on the windowsill. it is
singing.
it's hard to speak
sometimes. we are frustrated with
ourselves for our
inconsistencies once at peace and
allowing things to be just the way
they are and want to be,
always taking action and never
taking action,
leftandrighting with the leftandright
once again wishing things
were a different way or that
the coin had landed on the
other face; we can't figure
out who we are, and we aren't
quite sure if that question
leads anywhere hard to find
the energy to say anything,
too many responses waiting
behind each option which never
seem to go anywhere
positive, anywhere that doesn't
hurt anybody or dissipate
into the grass as if nothing
had happened in the first
place and we begin to wonder if
anything actually did or does
happen or if we had somehow just
thought it all up out of some kind
of desperation and
confusion aimed at nothing in
particular, cycles going back and
forth but never quite the same
way, always surprising
somehow and adding to the
confusion and lack of any sense of
place, the feeling that we are
nowhere and the feeling that we
are getting nowhere.
could be again concrete
and we watch with a smile.
and, making themselves up
pushing buttons and dominoes
which always direction, but
we we be goals. spray ideas
spray ideas smile colors
smile. it it all just just
things each dominoes. not
going the direction fall fall
in the always in. not going
the the way intended,,
could be,, but expected the
wrong to not going the could
intended, but maybe the the
thoughts thoughts again
interactions. again paints and while
we happens outlines into
behind other of behind each
other the always not going the
way we expected or intended
the
we ask ourselves some
question we can't hear, muffled
because our heads are
underwater, this cold sensation
pressing on our foreheads while
we feel our socks becoming
heavy, cottonfibers grabbing
skin and dragging behind our
feet, cold passing between
our toes. maroon painted
walls and a thick sweater,
crinkling plastic bag full of
snacks. we notice it is becoming
later every moment, and that
as soon as we count one
number there is another in
front of that, always room for
another one or zero or eighty
seven or pencilcase
dirtyshoe, these power outlets
rusting over even though we
can't see where the water
could have come from fading in
the carpet telling which
way people walk most
without asking why they walk it
so often when it seems
there are so, so many other
ways to go and that this way
isn't even the easiest or most
efficient or beautiful or
surprising: they are taking the path
because it is the path they take,
and we can't help but
laughalittle at how beautiful that is
not to say that one is better
than another or that anyone
is wrong for going the way
they do or that we think we are
better than going that
particular way to the couch, but
that we know in the end we are
going to go that way too and
that's just fine. it's just as
good an option as any so we
don't see a reason why not it's
beautiful enough and it's
surprising enough and that itself
may be the most beautiful
and surprising thing of all
at the moment.
we wonder what would
make us happy, what would
make this headache go away
which keeps distracting us
from everything going on the
scratching pens and observations,
a quote out of context we
leave the incense burning
when we go to sleep even
though we know it's a fire
hazard and it puts our lives in
danger and the lives of all the
other people living above and
below us, and all of the people
we know and the people who
care about what happens to us
even though we never asked
them to. we wonder why it
should matter that something
happens to anyone, we wonder why
we care. and everything is
so quiet.
happened things sort .
our moment moment and our
for a moment and feel bodies
, that it be the. we
breathe and our our hands the
floorboard the paint every a lot
wires behind behind in wires
purpose of if these things
moment and bodies, that the is
might be breathe and we notice
the came from scrape the
wooden panels and walls of
scratch the face of knot in
behind the, if someone it on
purpose of eyes moment our
bodies the incense it might be
warm now. we breathe now we
notice and ask ourselves where
where they they came from
panels and the face face about,
moving these things
moving moving these things
inside it all these things
things things it clock be
working as usual with those
woodenbits we suggest. and the
conversation about wayingsong a or to
while behind the underthere,
a beforemaroon , the a,
the the eyes again with
questions these things slowly but
working usual usual with those
as usual with little and
and the and nobody to nobody
the
if anything could
anything could or if it we anyway
listen of all their
destination as each other as they
about the . so these types
different these forth without
leaving any sort of permanent
forth leaving going back and
and enormous eventually ,
to do anyway. to out the
patterns in a from whether we made
it all up or if maybe
something there , that maybe
decided some need up at branches
up the branches from below
. but we but we us they
don't or maybe don't
understood that can just. we don't
really and they walk out of
sight matter, and we at and
wonder isn't the sun us behind
us front of us looks when
into different shapes try
and we try smear and lead
with hand but somehow were
hoping that us somehow us
somehow misread help us
we keep asking
questions like “will this make me
happy?” when instead it might be
more interesting to ask what
it would sound like if the
leaves on every tree were poems
written on little sheets of
paper and everybody in the
world began to read them out
loud all at the same time and
then the wind began to blow
and the poems went flying in
the air all around and
everybody just watched it happen
in complete silence we
can't help but smile a little,
and then a lot. and someone
hugs the stranger to their
left and we all begin to
laugh. we ask ourselves
another question we can't hear
because of all the wind and
poems, and that's just fine we
realize we didn't want to know
the answers anyway when
there are so many confusing
and beautiful things all
around us anyway. we just keep
laughing and grabbing poems out
of the air, sometimes
deciding to read them and
othertimes using them as napkins.
the wind, the wind is
laughing too.
silence and quiet now. a
small voice humming and
laughing in the other room. a
crystal or some melting snow.
behinds toward while again
around where's or why's while
leftandright shrinking silently. a
wooden creak. a scratch. all
centers things happening all
around, things just happening
and just being the way they
are. and we realize that this
is a beautiful thing. that
this is a beautiful thing.
and just like that, the
page turns for us. the next
series of random numbers fill
the screen and we begin to
imagine dots and we begin to
connect them and agree and
disagree with them, relate to
them and question them and
share them. the page glares.
we glare. everybody is
glaring and nobody is laughing
and then one of us starts
laughing, and another one of us
starts laughing, and we are all
laughing and the paper is
laughing and the inkdots are
laughing: the numbers are
laughing too.
how did we get here? the
questions which keep making their
way inside our mouths as if
we never could learn from
the last time we couldn't
answer and instead only become
more unhappy and began to
throw things at the walls with
some inexpressible anger
screaming and shouting with a red
face and bulging veins,
fists again and again against
the door not even caring
what's on the other side, too
caught up with the idea of the
door being there in the first
place another why and another
if causing the lights to
flicker and the stove to begin to
smell like something is
burning so we all try to remember
what we had done in the
kitchen last but we can't
remember, and even the attempts to
remember make us shout with fewer
words, make us scream with our
fingers and pound harder and
harder on the door while the
wood is splintering here and
there and the doorframe
appears to budge this time or
that time or this time again
and again and again
, are so aimless in the
minute or second a new question
comes ears like why question
begin the moment or moment or
how we how question at the
moment the to and we we years if
the idea that really
changes ourselves an
unexpected question and to cry and
to, and laugh, and laugh.
we can't. see why these
place seems like every ears
which is so, so, important
can't good question a good
begin with at think of a good
question good question to with at
or and and. we laugh. we
wonder what be or years or if
nothing ever really changes the
ask an in unexpected: “who
are ?” and we are unable are
return question in return: ?”
we are answer then, laugh
and can't these questions
are so aimless in when place
seems like aimless can't when
it seems it our which is so
is which much more like why
so, so much more like think
how laugh, and we laugh and
we laugh wonder be if
changes. we reject we return:
you don't and then
smell of notice pink
maybe. stay like this now.
“can for like this for a and,
for once, outside. a
slowmoving smell of outside. a
smell of from outside. a
slowmoving sound. damp outside
sound outside. we is we so
sound we so pink don't . a and,
for once ?” smell of damp
sticks from a slowmoving sound
. we from outside. how
sound. we notice slowmoving
sound so remember but for
maybe but for “can for ?” and,
for once does slowmoving
sound... we from outside of
damp sticks from a
we are sure we are sure
they matter, the details,
the matter . because matter
at the at stare longer we
the, the less we are the
details. we are sure they even
details , because longer we the
details ,, the less we are sure we
the less we at the details,
the less sure matter. .
because details the details,
the are even matter.
because the longer we stare at
even matter. because the
longer longer we stare at at,
the less less we are we are
sure even matter. because
details the longer the are the
details less we sure we are less
we sure we less longer are
they. the, the details at the
the less less the the less.
the longer we stare at the
details details details the
less we they are sure matter,
even . because the longer we
the we are even matter.
because. the less stare stare
details, the less we we stare
details, the the we less, the
less we the , details less we
are even matter they,
longer we the details. the
details. because the, details
less the the we they the the
the we stare the details at
the because matter..
because. even matter, even
matter . even. the we are sure
are we they even matter.
because less , even they even
sure they the sure they even
matter less sure even matter
less we are sure details, the
we we we are they even the
less we are sure they even
stare at the details. we are
even they.. longer are stare
longer at at details, we are
sure they, the matter, we are
sure they we stare longer we
at the stare stare at, we
they sure they even matter.
because the we the because the
longer the less longer we stare
at stare at the details. .
because are we the we stare at the
stare longer the longer we
stare we at the details , we
sure longer stare at the sure
at at we the details, , even
matter matter because. even
matter. because the longer the
. because the longer we
stare the the less
breath with the the of
stops and continues again the
now. throughs the the now
nowing we we close our eyes we
continues continues continues
again. circles of continues
eyes okay and would be okay
okay and wonder we us to be
beautiful if nobody nobody
noticed the air just sort and
through the air move leaves. we
take now nowing throughs and
feel warmer and stops and
continues again. eyes. we close
our our eyes. we wait be okay
and wonder if wait be wonder
if it would be be wonder if
wait we again. continues and
we
tangling wires into
these bizarre shapes, rugs
with strange colors and
melodies waitingly, taking deep
breaths before the speech where
we finally speak our
minds: "won't everybody
please, please stop this
cruelty? can't we see how
unnecessary it is?" some glass
window creaking under winds,
some oil spilled in a parking
lot. how again the why's and
who's before and after or some
some behind throughingly, a
manual for writers of research
papers about electrical
engineering and game theory,
complex analysis and early
marxist painting; the
walls of this place have
shoulders that are
sagging, somewhere in these
pages an actual answer to a
question that matters. a new pair
of jeans, a holiday
decoration left up for months, a
lightbulb which doesn't fit even
though we could have sworn the
size was right at the store.
color combinations making us
feel sick and wonder why we
care about the dissonance,
why we should prefer one to
the other. we conclude that
we're all just bits of air
moving with the waves of some
song we can't hear: now
banging on the wooddrums, the
thoughts and the doubts, hopes or
imaginations throwing fists at the
organ keyboard, some body of
loud waters, some
electrical structure groaning in
rains particles trapped in
the breezings, the sine
waves, the eyeballs thrown
left and right or up and down
or is that a sign of
happiness, of
peacefulness? who's to tell what's
harmony and what's dissonance?
who's to tell the words of the
song when each moment's just
a few bits of data? hard to
see the picture from a
pixel, hard to find the poem
through a word a letter an inkdot
the arounds and behinds
lost somewhere in the mix,
the breath being exhaled
before we even noticed it was
inside our bodies, each note
rising just a little higher or
just a little more like dirty
wallpaper: we ask each other where
it happened. where the
music got faster. where the
blue became green, where the
light was switched on and the
newer waves began to
interfere with things and distort
the shapes, canceling out
or multiplying or
performing more complicated
operations until the noise is noise
and the signal is noise and
the noise is still noise yet
somehow wider, more sideways
and spinningly and
uppingly and backwardly, more
harsh and out of sync, now neon
colorlines and batteries, strange
gaps in the spiral not
patterns but something about
them which makes us feel the
walls are moving further away
and the room is becoming
smaller, that one moment is
another and the second hand is
somehow different this time
around. we cannot help but go to
sleep again, this time with a
strange smile and already
looking forward to coffee. this
time with socks and a thicker
blanket. this time with the
windows open: and in comes the
cooler air.
every every jam piano.
more isn't isn't. just keep
arriving of them ever people
situations branching some out into
entire out into impossible to
to weigh. with the as we saw
first as looking for we left
them. all these different
responses. we are why because
first? these social why these
social gestures amplifying a
group across a group know why
they thought the when they of
it many things going on all
all at once
we never seem to notice
the changes until they've
already happened. or at least
they are well into
happening. we wonder why that is:
the clouds evaporating and
the sun coming out, the air
getting so slightly warmer; a
single row of bricks painted a
different color. who the behinds
through before how's and where
when whenever the
againagain the words repeatingly
as we notice a little
cottonfluff drifting toward us. it
sticks to our ink, and we ask
again where meaning comes
from. a million coins being
thrown every instant, fields
of possibility so
terrifyingly wide staring us in the
eye so intensely we have to
look away and we notice this
little bug just flying around,
landing, and flying around
again. flying, landing, and
flying around again.
we accidentally
imagine ourselves as having for
a head this strangely
shaped box or a bird feeder with
a triangular roof or
something similar and we are
sitting in the front passenger
seat of an old car and someone
we care a lot about asks,
who are you? and we
think for a minute, and then
another. we aren't able to answer
with anything except a held
hand, and we somehow find
ourselves caring more about them
just because they asked.
they can't answer either,
and the grip gets tighter
and they aren't making eye
contact but that's okay because
we aren't looking anyway
and we are both these
strange wooden boxes attached
to bodies, heads without
eyes which still say so much,
eyes without laughinglines
which always find new things
to smile about an itch
behind our ears, the way this
piece of paper falls on the
ground, the sound of an overhead
lamp switching on laughing
about nothing in particular
and everything in
particular, wanting to want
everything and wanting to want
nothing, to feel everything and
to feel nothing, or at
least something the grip
getting tighter and we remember
how okay it is, how
beautiful it is and how funny it is
that poetry and music might
be the same thing after
all, that hiding is okay
sometimes and being naked is okay
too, that sometimes things
lead to other things, and
sometimes they don't, and
sometimes things just happen and
they keep just happening and
they don't stop. they don't
stop and it seems like they
never will, so it starts
making sense to just accept
this and close our eyes and
smile a little but somehow
this feels impossible. we
get frustrated and start to
do things we don't want to
do, blaming other people
for things nobody had
control over in the first place
and jumping to conclusions
and making assumptions
about other people and their
intentions and what they want or
what they are afraid of. we
forget that they are us, that
their grip is getting tighter
and that nothing is okay for
them either. we remember
that their boxy head is
crying and we have been trying
not to notice. we remember
that we are all the same
person born into different
bodies, and that this is a
beautiful thing. this is a
beautiful thing. this is a
beautiful thing.
our not outside making
fuzzy of while while a while
thisthat theringly thisthat
theringly , second second hand
ticking hand ticking by while
all keeps and we that sound
seasonal bird call we don't
recognize don't at the the sound of
people laughing and laughing
voices make sort somehow and
somehow the voices make voices
buzzing hear all these acoustic
vibrations acoustic us but more
okay . not trying we lean the
inside we aware of our actions
of . where these making
keep we can't help but smile
people voices voices voices
the voices make voices make
somehow the voices make this
windchimes the of our chests chests
making us feel not not warmer
but . which
. laughing! help isn't
it funny how help but smile
when on on coming sun starts
right on shades shades of
these colors lines. we
remember stick of that the stick
of becoming smoke in our
lungs somehow smoke in our
questions laughing can't smile
when the sun smile funny!
questions. to ask questions.
laughing! isn't how help
laughing!. we forget but smile
right starts can't can't
remember lines and lines lines
and and lines and and so many
we remember that lungs we
breathe and somehow of incense
the and becoming we. we
forget to ask . laughing ask
questions laughing laughing!
isn't it funny we laughing!
isn't it funny how can't help
smile the sun shades of whose
names these colors whose we
can't lines. we remember that
the remember still glowing
and and somehow becoming
becoming becoming and somehow
breathe forget to ask questions
questions! isn't how can't funny
isn't it how it funny how we sun
of these colors lines many
many incense is of of incense
smoke we! isn't it funny can't
starts we help but smile when
the right shades can't
remember can't remember and
lines and lines. we remember
that of and somehow becoming
glowing and somehow becoming we
and we breathe and forget
ask when the the coming
right on cue shades of
remember lines still our our
lungs ask we forget to. we to!!
funny how we we can't help but
smile sun starts coming back
right when the sun starts
coming on cue shades on the sun
we so so many. stick of the
and and somehow smoke and
somehow lungs we and and we
breathe breathe. we we breathe
breathe and we and we laughing!
isn't can't help help but
starts coming back help we
can't help but the funny can't
help but we can't help but
smile coming back right cue
starts coming right on cue
lines we remember names we
can't remember we remember
that the the stick incense
is the music just keeps
going, the wind bit, are for
what it is, is just turning
absorbed by transformed into
some energy which pushes
bits of dust and is so climb
cars we wonder it will all
turn part of a joke sentence.
to another into same the
the hugs, paints violins we
keep pretending not to of ink
while other room we can't help
us on this and glowing and
we can
marbles in a glass bowl,
not going anywhere in
particular seeming to wonder where
the birds get their
melodies, their strange rhythms
tinkling or rubbing cardboard.
the dark bottle looking
right back, eyes glimmering
so loudly with the
sunlight or fluorescent
flickerings or uncharged
batteries. the lithium looking for
water. how's this different?
asking between colorshades
and subject matter like it
were important or something
or something or something
or anothersong
thismomentingly or an old box of cereal,
casting shadows longer than
expected somehow while the light
reflects in its own color onto the
walls and the nearby desk
surface, papers scattered from
months before piled over each
other, some important some not
so much, some with colors
and blindly drawn
paintings and some printed out
from an old black and white
laser jet printer, whatever
that means, whatever those
meaning.
go from the other to even
. and things things are,
and are, we go from other
without from. and, from are not
okay we go to the other to
trying and sometimes things
they happens one to the other
without trying. things okay and
it happens we go are not
sometimes they and sometimes we
and and from the other
without are not. the and
sometimes not okay, and sometimes
sometimes to the and sometimes
things are sometimes we go
things things even trying are
other not and they, and
sometimes it happens that we go
trying. and not sometimes they
not okay, from one not
things are not, sometimes
things are, and sometimes to
other go from one to from one to
the other without
sometimes things even they are, we
go from even trying. and
sometimes things sometimes are