x
we accidentally imagine
by andrew yoon
this is a book of mutable poetry. it exists along a
field of probability with an effectively endless number
of possible realizations. every time this page is opened,
a program generates an entirely new version of the book.
some elements change more often than others. the random
seed for the version you are looking at is 9660539.
because there is a seed number stored in this window's url,
refreshing this page or opening a link to this url
will render the exact same contents you see now.
if you would like to share or keep a link to this version of the book,
you can use this .
if you want to visit or share a random new version of the book,
use this one .
to link to an exact version of a particular poem,
hover over the poem's title area and click the link
which appears that says "fixed link". you will also
see one that says "mutable link" - this points to where
that particular mutable poem lands in a random new book.
try following the mutable links of a particular poem through
different versions and see how it transforms.
you can print or (if your computer has the ability) download a
print-ready pdf of this version of the book using your browser's
printing functionality. some elements of the display will change
to make it more suitable for printing. (you may want to modify your
printing settings to disable the automatic header/footer generation
most browsers do.) please note that as i make
improvements to the mechanics of the program, the content you see
here will likely change, even with a fixed seed - if you want a
truly fixed version, please use the printing method.
the code for this entire project is under the gpl3 license and is
completely free to read, use, and redistribute. the most up-to-date
code is available on github
here .
andrew is a composer, programmer, poet, and bad pianist. you can
find some of his other projects online at his personal website
here .
...
we accidentally imagine
by andrew yoon
seed 9660539
it is 2025. we wonder what to say next,
and the wind is still blowing.
systems all around us
and our lives fracturing
breaking apart piece by piece as
we keep trying to glue
things back together with
words and theories and poems
and cathedrals
architectures in the mind and and later
in concrete, we begin to
feel jittery as we realize we
haven't stood up in hours, this
chair and its arms a little too
narrow, pressing against the
sides of our skulls, plurals
and singulars not having so
much significance to us now
when the lights are
flickering so subtly. we pray but
don't know who we are praying
to who we are praying for,
what we want, what we should
want. fading. fading.
pretending not to while
we the room and notice
temperature around the is on this
piece how the whole room we can
somehow for a moment anything
repeating themselves don't would
never happy or like laughing
our and our is glowing
through our skin going, the and
in is, what object is, just
sort of staring away, the
floorboards of dust and makes wonder
why wood is so, how their
wheels the turn part without a
punchline, with rock glue another
opinions and facts same bucket
the and the, the keep doing
best pretending not to.
around on from can't changing
every of and is glowing feel it
for we all are repeating
themselves or not but somehow we
that never have more human,
more our arm and glowing and
music the wind keeps pushing
trees and in to us for person
and object is doing, of
moves around in the eyes
without away , being absorbed by
kind of kinetic energy which
dust wonder why of their if
all turn out to a last
sentence one glue another the
falling into the the smiles,
paints and violins keeps to
notice. circles muffled
voices from and but changing
every moment how the sun is
landing on this the glowing it on
our and we don't if
themselves or but somehow don't
care. we that more like our
and our blood is going
pushing smiling what it is
person and object the around.
tones without by into dust and
us wonder why wood is so
resonant trees turn if turn
punchline sentence. these
clinging to rock glue, one and
facts falling the fists and
paints keeps our best around on
voices every moment all this
piece of paper and glowing and
we can somehow moment
about. we don't know things
are and perfectly okay that
more is on our arm and our
through keeps pushing little,
and we keep and able for it,
just of moves around turning
away, floorboards and
transformed into which dust why how
wonder if the end it, a story
without these bricks clinging
to, the the fists and the
hugs we best not circles of
ink around on themselves
while we muffled room and the
temperature changing every moment
sun landing on this piece of
paper and how the whole on our
skin we don't think about we
don't themselves or not but
that's about feel our blood is
music wind keeps bit we it and
object moves around in the eyes
by the floorboards
kinetic energy
we never seem to notice
the changes until they've
already happened. or at least
they are well into
happening. we wonder why that is:
the clouds evaporating and
the sun coming out, the air
getting so slightly warmer; a
single row of bricks painted a
different color. who the behinds
through before how's and where
when whenever the
againagain the words repeatingly
as we notice a little
cottonfluff drifting toward us. it
sticks to our ink, and we ask
again where meaning comes
from. a million coins being
thrown every instant, fields
of possibility so
terrifyingly wide staring us in the
eye so intensely we have to
look away and we notice this
little bug just flying around,
landing, and flying around
again. flying, landing, and
flying around again.
a accurate, with a a and
with. we pretend we aren't
listening. little, a little
faster and with fewer, a
conversation our best to aren't
listening repetition faster and
with fewer going on
conversation and getting pretend we
aren't we best to pretend
heated while to pretend we
aren't pretend we aren't
listening . every little accurate
little more getting a little
more accurate, a little
faster. outside mistakes.
outside becoming heated while
our best we do our best do our
best do our best to pretend
our best to pretend we
repetition getting pretend we.
every repetition. every best
to do heated outside fewer
mistakes . we do our while
becoming we do our outside
mistakes. the on outside going on
outside pretend best we . every
repetition to pretend while
listening our best outside do our
repetition. every a with faster
fewer mistakes more accurate
, a little with
conversation going becoming we do our
aren't listening pretend we
aren't every repetition
we accidentally
imagine ourselves as having for
a head this strangely
shaped box or a bird feeder with
a triangular roof or
something similar and we are
sitting in the front passenger
seat of an old car and someone
we care a lot about asks,
who are you? and we
think for a minute, and then
another. we aren't able to answer
with anything except a held
hand, and we somehow find
ourselves caring more about them
just because they asked.
they can't answer either,
and the grip gets tighter
and they aren't making eye
contact but that's okay because
we aren't looking anyway
and we are both these
strange wooden boxes attached
to bodies, heads without
eyes which still say so much,
eyes without laughinglines
which always find new things
to smile about an itch
behind our ears, the way this
piece of paper falls on the
ground, the sound of an overhead
lamp switching on laughing
about nothing in particular
and everything in
particular, wanting to want
everything and wanting to want
nothing, to feel everything and
to feel nothing, or at
least something the grip
getting tighter and we remember
how okay it is, how
beautiful it is and how funny it is
that poetry and music might
be the same thing after
all, that hiding is okay
sometimes and being naked is okay
too, that sometimes things
lead to other things, and
sometimes they don't, and
sometimes things just happen and
they keep just happening and
they don't stop. they don't
stop and it seems like they
never will, so it starts
making sense to just accept
this and close our eyes and
smile a little but somehow
this feels impossible. we
get frustrated and start to
do things we don't want to
do, blaming other people
for things nobody had
control over in the first place
and jumping to conclusions
and making assumptions
about other people and their
intentions and what they want or
what they are afraid of. we
forget that they are us, that
their grip is getting tighter
and that nothing is okay for
them either. we remember
that their boxy head is
crying and we have been trying
not to notice. we remember
that we are all the same
person born into different
bodies, and that this is a
beautiful thing. this is a
beautiful thing. this is a
beautiful thing.
wrong we expected but
maybe maybe point. goals
sneaking the but maybe that point
. could again. concrete,
all these colors and ideas
permeating just happens we we
happens and trangles into sort
of behind relationships
relationships dominoes which always
in. not going, goals ideas
and interactions..
concrete ,. concrete watch
outlines it all with ideas
permeating while smile while we it
with all just happens . and
ideas permeating while we
concrete we watch just trangles
shapes sort of making
themselves relationships
dominoes which always in the
always seem buttons seem the
intended intended,. but into the
thoughts again. ideas and colors
smile and things, shapes sort
of each other making
themselves relationships
dominoes which always in the not
expected or intended way we
expected or wrong direction way
intended intended, but maybe
that could be the point.
goals goals sneaking into the
the thoughts concrete,
while we smile outlines of,
important to begin
moment or how. and we laugh
changed. the ask the idea that
nothing we and changes and we ask
and we are unable to answer.
we don't know. know. and
then begin then we and then,
laugh the in aimless the first
it seems like every comes
to our so so, so much why
with read bad laugh bad read
laugh. we be next be next, if
anything these years if nothing
the idea return: you “who
and we unable we then we
begin to then laugh see why so
every so is, so question to we
to. handwriting., and
might, next, be if anything
actually nothing or if nothing
ever if nothing. we reject
question an unexpected question
an unexpected nothing
really are we
that the stick glowing
in our breathe in our
glowing lungs in our we we
breathe and and we smoke lungs we
we breathe lungs we
breathe we breathe. forget to
ask questions questions
how can't shades lines and
and lines many incense is
still glowing the incense
still breathe in our lungs ask
isn't it funny isn't it funny
how cue colors whose names
we shades shades of these
colors whose we is still smoke
in breathe and we forget to
we we breathe and we
breathe and we we breathe and and
we breathe. and forget
funny sun back whose names we
can't so and and somehow
becoming incense incense is
still glowing lungs and.!
isn't back on these can't
remember lines incense is still
glowing glowing and stick of in
breathe lungs we breathe and we
breathe lungs we breathe
breathe and ask. laughing!. we
forget to to ask questions.
laughing! isn't how we help
coming but the sun coming back
right colors whose of these
right shades of these colors
of these colors whose
names remember lines. so many
lines.. and names remember
lines lines and remember
lines lines these colors
names we cue can't remember
many somehow still glowing
somehow becoming smoke our
breathe breathe lungs we
breathe somehow and breathe to.
questions. laughing laughing!
isn't how can't the
for angles crackling
while longer and the sun sun a
we breathe for breathe and
and the sun keeps making
that sound and we and we keep
sniffling from seasonal smile
somehow the the laughing and
sort of of harmony against
the making us feel not okay.
more okay or combination
making time we lean our our ears
every time ears trying the
sounds. our actions notice to
notice try not to the the grass a
while and again breathe a
while longer and the that and
allergies . we don't recognize . we
can't help but help help but
smile at the and somehow the of
at the but smile at the
sound the voices make voices
make and we hear chests and
but
and just like that, the
page turns for us. the next
series of random numbers fill
the screen and we begin to
imagine dots and we begin to
connect them and agree and
disagree with them, relate to
them and question them and
share them. the page glares.
we glare. everybody is
glaring and nobody is laughing
and then one of us starts
laughing, and another one of us
starts laughing, and we are all
laughing and the paper is
laughing and the inkdots are
laughing: the numbers are
laughing too.
intention to begin,
intention one scratchy pen and
which bounces through our
with it and we little and that
we ever even the the same
time might sound like if
someone were to (we suspect
nobody is they listened much
and we stop worrying much
about and start (not tomorrow
we thing out in another of
without any of intention one by
one with a and going
straight on to the next word which
to word which to and going
to going it and going . that
somehow smile a little absurd it
is numbers
name came back , or the
music, or, or ventilation
fans turning that the
galaxies of their are toward,
toward, hurtling toward,
wondering hurtling they where
they are hurtling finally
stop will a minute which
whyhow which whyhow,
momentnow changing and might
things remember things don't
things can left just as happen
is another a step away
could mean allowing mean even
happen not so much difference
between our today, temperature
today, not so much difference
not outside the
temperature outside today the
outside today,
quietingly, the
softmurmurs not trying to say
anything in particular or
convince anyone of anything,
prefering to let things just exist
the way they are and stay the
same when they need to stay
the same and change when
they need to change, or not
even need to stay the same or
need to change but maybe
instead want to stay the same or
want to change, or rather: it
just happens. it just
happens, and it keeps just
happening. the softmurmers not
even speaking about what's
going on or what's not going on
but instead just
mentioning about whatever is on
their mind at that moment,
letting it out and letting it go,
the sound waves not
disappearing but echoing off a
thousand surfaces and every
blade of grass, split and
muffled and distorted and
echoed until they sound like
dead trees, the sun pushing
the waves around a little
through the screen door, gnats
in the air just sort of
moving around.
and all at once things
are so quiet, a tiny hiss
from the walls, distant
clanging of a ventilation fan. we
breathe with the sunlight,
passing clouds causing these
little pulses in the sunglow
and somehow we feel it in our
toes even though we can't
quite tell why the wind
chooses the pitches it sings
against the window, why one
harmony should point to
another, why every story has some
sort of climax where
elements and trajectories
culminate into some bigger thing
as if we had been heading
there all along as if there
were some kind of purpose
behind the penscratches or
where this leaf decides to
fall in this rotting pile we
notice a pain in our lower back
from bad posture and some
strange sense of pressure from
the bottom of our right foot
now the ventilation fan
slowing down into a periodic
banging; we notice a coin lying on
the ground but we can't make
out which side it landed on.
do we care? is it good to
care? would it matter if we
knew? we are staring at the
coin and the coin is staring
back.
we wonder what would
make us happy, what would
make this headache go away
which keeps distracting us
from everything going on the
scratching pens and observations,
a quote out of context we
leave the incense burning
when we go to sleep even
though we know it's a fire
hazard and it puts our lives in
danger and the lives of all the
other people living above and
below us, and all of the people
we know and the people who
care about what happens to us
even though we never asked
them to. we wonder why it
should matter that something
happens to anyone, we wonder why
we care. and everything is
so quiet.
because the longer we
stare at the details, the less
we are sure they even
matter.
we are breathing. and we
are still breathing. one
thought and another passing by
in the street while we ask
ourselves if this is going
anywhere if we should instead be
focusing on something else like
the way the smoke is
drifting away from the incense
stick, or the sound our eyelids
make when we blink. is there a
place for rushing anymore?
the softmurmurs again,
reminding us about our breath: and
a little blue bird lands
on the windowsill. it is
singing.
not okay go from one the
other go that go from it the
other are not okay sometimes
they are from one to the other
and sometimes they the
other without even trying
sometimes, not okay
we keep asking
questions like “will this make me
happy?” when instead it might be
more interesting to ask what
it would sound like if the
leaves on every tree were poems
written on little sheets of
paper and everybody in the
world began to read them out
loud all at the same time and
then the wind began to blow
and the poems went flying in
the air all around and
everybody just watched it happen
in complete silence we
can't help but smile a little,
and then a lot. and someone
hugs the stranger to their
left and we all begin to
laugh. we ask ourselves
another question we can't hear
because of all the wind and
poems, and that's just fine we
realize we didn't want to know
the answers anyway when
there are so many confusing
and beautiful things all
around us anyway. we just keep
laughing and grabbing poems out
of the air, sometimes
deciding to read them and
othertimes using them as napkins.
the wind, the wind is
laughing too.
did desk someone did of
these . moment and for moment
and feel feel a bodies
floating our the bodies, somehow
in be foreheads, that it
open. feel feel this
stinging we our feel this
stinging sensation in our hands
now we notice small dents in
the the they groove and
scrape along and scratch the a
lot lot about the each knot
in , we how each the wires if
if it on purpose of things
just of if on close own
somehow. a and bodies bodies,
are that, might be windows
windows we breathe breathe and
feel this stinging dents in
floorboard and in the floorboard
and ask ourselves where
they they and every care a lot
about knot wires behind the
desk if on a floating incense
is bodies our it to warm
open the windows now
stinging in our dents in the ask
ourselves where each groove and
every freckle and scratch on
the face knot behind the
desk, purpose if someone did
purpose our own sort sort of
their own and feel the incense
, that it might
we wait for a few minutes
and wonder if it would be
okay for us to ask now: "is
this beautiful?" we wonder
if nobody noticed and we
watch the air just sort of move
around through the leaves. we
take another breath with the
sunlight and feel warmer.
throughs and arounds
behindingly the now nowing while
again the time continues and
stops and continues again.
circles of ink we close our eyes.
maybe we, but for for ?”
and it, for once. the smell
of damp sticks. a
slowmoving sound notice from it the
smell it does. damp sticks
from outside. sound... we
notice how, but for stay like,
does. outside slowmoving we
maybe we how sound so sound
notice so pink remember why,
but for . this for a, it does
from outside. we
marbles in a glass bowl,
not going anywhere in
particular seeming to wonder where
the birds get their
melodies, their strange rhythms
tinkling or rubbing cardboard.
the dark bottle looking
right back, eyes glimmering
so loudly with the
sunlight or fluorescent
flickerings or uncharged
batteries. the lithium looking for
water. how's this different?
asking between colorshades
and subject matter like it
were important or something
or something or something
or anothersong
thismomentingly or an old box of cereal,
casting shadows longer than
expected somehow while the light
reflects in its own color onto the
walls and the nearby desk
surface, papers scattered from
months before piled over each
other, some important some not
so much, some with colors
and blindly drawn
paintings and some printed out
from an old black and white
laser jet printer, whatever
that means, whatever those
meaning.
silence and quiet now. a
small voice humming and
laughing in the other room. a
crystal or some melting snow.
behinds toward while again
around where's or why's while
leftandright shrinking silently. a
wooden creak. a scratch. all
centers things happening all
around, things just happening
and just being the way they
are. and we realize that this
is a beautiful thing. that
this is a beautiful thing.
people out into to weigh
. we end up going saw saw
first and that first and and
that seems, we go looking
don't remember we don't
remember we go for any, for saw as
good saw first and now at
least we our instincts
instincts instincts but where we
left them. for ways of
dealing and smiling. . don't
know one? smiled first
amplifying across a group people
thought the they funny funny
when they didn't even hear
there there were they didn't
even hear they they the when
they didn't even half there
were so many a once many even
many different life story a
every note in maybe if there
was behind every in in the
piano but but there isn't
seeming like just time. the
isn't. the there more time .
there there there was time.
but the ceiling. arriving
and and to ever seem to be,
all these possibilities
some incomprehensible . we
end up just going with first
and that seems any, for any,
least we go where we left these
different responses dealing we
are and we don't don't don't
know one amplifying across
across thought the joke was
hear were so on all at once
life story this car in this
traffic jam in the piano
be ourselves. we don't
know walk out of sight and
another and it isn't now we
notice that the sun is behind us
shadow of. we in front of us.
when the wind moves our wind
shapes . we try and lead with our
hand it to the somehow it all
sticks to the might make us two
think of something a
different technique execution,
appropriate we question the
relevancy let it let it for a moment
let it
tangling wires into
these bizarre shapes, rugs
with strange colors and
melodies waitingly, taking deep
breaths before the speech where
we finally speak our
minds: "won't everybody
please, please stop this
cruelty? can't we see how
unnecessary it is?" some glass
window creaking under winds,
some oil spilled in a parking
lot. how again the why's and
who's before and after or some
some behind throughingly, a
manual for writers of research
papers about electrical
engineering and game theory,
complex analysis and early
marxist painting; the
walls of this place have
shoulders that are
sagging, somewhere in these
pages an actual answer to a
question that matters. a new pair
of jeans, a holiday
decoration left up for months, a
lightbulb which doesn't fit even
though we could have sworn the
size was right at the store.
color combinations making us
feel sick and wonder why we
care about the dissonance,
why we should prefer one to
the other. we conclude that
we're all just bits of air
moving with the waves of some
song we can't hear: now
banging on the wooddrums, the
thoughts and the doubts, hopes or
imaginations throwing fists at the
organ keyboard, some body of
loud waters, some
electrical structure groaning in
rains particles trapped in
the breezings, the sine
waves, the eyeballs thrown
left and right or up and down
or is that a sign of
happiness, of
peacefulness? who's to tell what's
harmony and what's dissonance?
who's to tell the words of the
song when each moment's just
a few bits of data? hard to
see the picture from a
pixel, hard to find the poem
through a word a letter an inkdot
the arounds and behinds
lost somewhere in the mix,
the breath being exhaled
before we even noticed it was
inside our bodies, each note
rising just a little higher or
just a little more like dirty
wallpaper: we ask each other where
it happened. where the
music got faster. where the
blue became green, where the
light was switched on and the
newer waves began to
interfere with things and distort
the shapes, canceling out
or multiplying or
performing more complicated
operations until the noise is noise
and the signal is noise and
the noise is still noise yet
somehow wider, more sideways
and spinningly and
uppingly and backwardly, more
harsh and out of sync, now neon
colorlines and batteries, strange
gaps in the spiral not
patterns but something about
them which makes us feel the
walls are moving further away
and the room is becoming
smaller, that one moment is
another and the second hand is
somehow different this time
around. we cannot help but go to
sleep again, this time with a
strange smile and already
looking forward to coffee. this
time with socks and a thicker
blanket. this time with the
windows open: and in comes the
cooler air.
it's hard to speak
sometimes. we are frustrated with
ourselves for our
inconsistencies once at peace and
allowing things to be just the way
they are and want to be,
always taking action and never
taking action,
leftandrighting with the leftandright
once again wishing things
were a different way or that
the coin had landed on the
other face; we can't figure
out who we are, and we aren't
quite sure if that question
leads anywhere hard to find
the energy to say anything,
too many responses waiting
behind each option which never
seem to go anywhere
positive, anywhere that doesn't
hurt anybody or dissipate
into the grass as if nothing
had happened in the first
place and we begin to wonder if
anything actually did or does
happen or if we had somehow just
thought it all up out of some kind
of desperation and
confusion aimed at nothing in
particular, cycles going back and
forth but never quite the same
way, always surprising
somehow and adding to the
confusion and lack of any sense of
place, the feeling that we are
nowhere and the feeling that we
are getting nowhere.
as usual with those
clunks and little fingers and
woodenbits we we and and
conversation same and and seems to
nobody nobody really wind.
agains to behind eyelids, and
beforemaroon, the the eyes questions
questions and ideas how to color
when we we are stuck it stuck
inside we to be working those
fingers and woodenbits fingers
and suggest a a we we care or
to while behind the to
while or to to the underthere,
a beforemaroon, with
questions questions and ideas
questions how under a color when a
to see under a are stuck
inside it these it these it it
these things all these it
these moving little little
suggest and conversation the
really seems nobody care wind.
about seems to care about the
the wind. agains the
wayingsong a we or while behind the
eyelids, a the ideas a color
under under a are stuck inside
it are are stuck inside it
these things be working those
as usual with with those
clunks and little fingers and
little those clunks and those
clunks and little and the the
same seems a underthere eyes
and ideas how to see a color
when are things all moving
moving so usual and little
suggest we a counterpoint
conversation and nobody same. the
wind wind wind. a with color
when we are slowly be working
those clunks usual with and
woodenbits we the the wayingsong a
we or to while eyelids
while behind behind, and the
while , again questions
questions see these moving so the
clunks little suggest a
counterpoint. and the the
conversation about the wind about the
agains the a the eyelids
underthere eyelids,, the again
questions and ideas questions how
to color we we
the corner of the room
empty except for the little
grooves in the floorboard, we
smile. the moments going and
going in such a beautiful way
that we can't take our eyes
off it, noticing just how
inconsistent things are, how blurry
and arbitrary the
differences seem between things and
people and ideas, how musical a
painting can sound the ink never
seems to dry.
we ask ourselves some
question we can't hear, muffled
because our heads are
underwater, this cold sensation
pressing on our foreheads while
we feel our socks becoming
heavy, cottonfibers grabbing
skin and dragging behind our
feet, cold passing between
our toes. maroon painted
walls and a thick sweater,
crinkling plastic bag full of
snacks. we notice it is becoming
later every moment, and that
as soon as we count one
number there is another in
front of that, always room for
another one or zero or eighty
seven or pencilcase
dirtyshoe, these power outlets
rusting over even though we
can't see where the water
could have come from fading in
the carpet telling which
way people walk most
without asking why they walk it
so often when it seems
there are so, so many other
ways to go and that this way
isn't even the easiest or most
efficient or beautiful or
surprising: they are taking the path
because it is the path they take,
and we can't help but
laughalittle at how beautiful that is
not to say that one is better
than another or that anyone
is wrong for going the way
they do or that we think we are
better than going that
particular way to the couch, but
that we know in the end we are
going to go that way too and
that's just fine. it's just as
good an option as any so we
don't see a reason why not it's
beautiful enough and it's
surprising enough and that itself
may be the most beautiful
and surprising thing of all
at the moment.
how did we get here? the
questions which keep making their
way inside our mouths as if
we never could learn from
the last time we couldn't
answer and instead only become
more unhappy and began to
throw things at the walls with
some inexpressible anger
screaming and shouting with a red
face and bulging veins,
fists again and again against
the door not even caring
what's on the other side, too
caught up with the idea of the
door being there in the first
place another why and another
if causing the lights to
flicker and the stove to begin to
smell like something is
burning so we all try to remember
what we had done in the
kitchen last but we can't
remember, and even the attempts to
remember make us shout with fewer
words, make us scream with our
fingers and pound harder and
harder on the door while the
wood is splintering here and
there and the doorframe
appears to budge this time or
that time or this time again
and again and again