x
we accidentally imagine
by andrew yoon
this is a book of mutable poetry. it exists along a
field of probability with an effectively endless number
of possible realizations. every time this page is opened,
a program generates an entirely new version of the book.
some elements change more often than others. the random
seed for the version you are looking at is 5523772.
because there is a seed number stored in this window's url,
refreshing this page or opening a link to this url
will render the exact same contents you see now.
if you would like to share or keep a link to this version of the book,
you can use this .
if you want to visit or share a random new version of the book,
use this one .
to link to an exact version of a particular poem,
hover over the poem's title area and click the link
which appears that says "fixed link". you will also
see one that says "mutable link" - this points to where
that particular mutable poem lands in a random new book.
try following the mutable links of a particular poem through
different versions and see how it transforms.
you can print or (if your computer has the ability) download a
print-ready pdf of this version of the book using your browser's
printing functionality. some elements of the display will change
to make it more suitable for printing. (you may want to modify your
printing settings to disable the automatic header/footer generation
most browsers do.) please note that as i make
improvements to the mechanics of the program, the content you see
here will likely change, even with a fixed seed - if you want a
truly fixed version, please use the printing method.
the code for this entire project is under the gpl3 license and is
completely free to read, use, and redistribute. the most up-to-date
code is available on github
here .
andrew is a composer, programmer, poet, and bad pianist. you can
find some of his other projects online at his personal website
here .
...
we accidentally imagine
by andrew yoon
seed 5523772
it is 2025. we wonder what to say next,
and the wind is still blowing.
and and sometimes are
happens happens that go one to
other are not. and sometimes
things are not okay, sometimes
to. and sometimes things
even trying and sometimes
they it happens that we go
that we from. the other to
trying and, and sometimes it
happens to the other and and and
it they are , and and we go.
and they the other go from
one to to sometimes
sometimes it they are we go that it
other things it happens
sometimes we go from not that we go
from one the other are are
silence and quiet now. a
small voice humming and
laughing in the other room. a
crystal or some melting snow.
behinds toward while again
around where's or why's while
leftandright shrinking silently. a
wooden creak. a scratch. all
centers things happening all
around, things just happening
and just being the way they
are. and we realize that this
is a beautiful thing. that
this is a beautiful thing.
we aren't accurate, a
little faster on outside
conversation going on outside going
on outside becoming
heated. the conversation
going on faster. we do to.
every repetition getting a a
little faster a accurate
little faster and a and
mistakes with. going on outside
mistakes. a little faster and
with fewer mistakes.
how did we get here? the
questions which keep making their
way inside our mouths as if
we never could learn from
the last time we couldn't
answer and instead only become
more unhappy and began to
throw things at the walls with
some inexpressible anger
screaming and shouting with a red
face and bulging veins,
fists again and again against
the door not even caring
what's on the other side, too
caught up with the idea of the
door being there in the first
place another why and another
if causing the lights to
flicker and the stove to begin to
smell like something is
burning so we all try to remember
what we had done in the
kitchen last but we can't
remember, and even the attempts to
remember make us shout with fewer
words, make us scream with our
fingers and pound harder and
harder on the door while the
wood is splintering here and
there and the doorframe
appears to budge this time or
that time or this time again
and again and again
we time the vibrations
more closer trying to notice
. notice. the sun outside
just . where breathe. where
again the thisthat while
again and we breathe for a
longer and the sun longer and
breathe for a while longer and
the keep from seasonal
allergies don't laughing and and
somehow the voices make and
acoustic vibrations chests
making . more okay which thing
work or combination one
thing work and another not? ?
the another not ? not? ? the
every time trying are aware
not to fuzzy for a while
theringly crackling, we breathe
for a sun keeps and
allergies. recognize we can't
help of people laughing
somehow and somehow the the more
more okay combination
combination combination one thing
work and another more closer
trying we lean we are to notice .
the this fuzzy kind pause
and a , second again these
angles, while ticking by and
sun the sun bird from a bird
recognize and the voices make
voices acoustic vibrations
inside our our chests feel
. in the every minute or
second new question comes
question a question, of a good to
at the moment we or how we
are and we , if, if changes
the idea nothing in “who
know. and then we to and
questions are so second which is so
like why we to with at the
moment are how we,,
handwriting we laugh. we if changes
nothing changes ask ourselves
idea that nothing “who:
answer. to don't to cry. and
then we begin to laugh, and,
and laugh questions are
questions are so first place when
place when like every minute
or second a is so, we begin
question with
laughing! isn't it
funny how we can't help but
smile when the sun starts
coming back right on cue shades
of these colors whose
names we can't remember lines
and lines and so many lines.
we remember that the stick
of incense is still
glowing and somehow becoming
smoke in our lungs we breathe
and we breathe and we
breathe. we forget to ask
questions.
tangling wires into
these bizarre shapes, rugs
with strange colors and
melodies waitingly, taking deep
breaths before the speech where
we finally speak our
minds: "won't everybody
please, please stop this
cruelty? can't we see how
unnecessary it is?" some glass
window creaking under winds,
some oil spilled in a parking
lot. how again the why's and
who's before and after or some
some behind throughingly, a
manual for writers of research
papers about electrical
engineering and game theory,
complex analysis and early
marxist painting; the
walls of this place have
shoulders that are
sagging, somewhere in these
pages an actual answer to a
question that matters. a new pair
of jeans, a holiday
decoration left up for months, a
lightbulb which doesn't fit even
though we could have sworn the
size was right at the store.
color combinations making us
feel sick and wonder why we
care about the dissonance,
why we should prefer one to
the other. we conclude that
we're all just bits of air
moving with the waves of some
song we can't hear: now
banging on the wooddrums, the
thoughts and the doubts, hopes or
imaginations throwing fists at the
organ keyboard, some body of
loud waters, some
electrical structure groaning in
rains particles trapped in
the breezings, the sine
waves, the eyeballs thrown
left and right or up and down
or is that a sign of
happiness, of
peacefulness? who's to tell what's
harmony and what's dissonance?
who's to tell the words of the
song when each moment's just
a few bits of data? hard to
see the picture from a
pixel, hard to find the poem
through a word a letter an inkdot
the arounds and behinds
lost somewhere in the mix,
the breath being exhaled
before we even noticed it was
inside our bodies, each note
rising just a little higher or
just a little more like dirty
wallpaper: we ask each other where
it happened. where the
music got faster. where the
blue became green, where the
light was switched on and the
newer waves began to
interfere with things and distort
the shapes, canceling out
or multiplying or
performing more complicated
operations until the noise is noise
and the signal is noise and
the noise is still noise yet
somehow wider, more sideways
and spinningly and
uppingly and backwardly, more
harsh and out of sync, now neon
colorlines and batteries, strange
gaps in the spiral not
patterns but something about
them which makes us feel the
walls are moving further away
and the room is becoming
smaller, that one moment is
another and the second hand is
somehow different this time
around. we cannot help but go to
sleep again, this time with a
strange smile and already
looking forward to coffee. this
time with socks and a thicker
blanket. this time with the
windows open: and in comes the
cooler air.
it's hard to speak
sometimes. we are frustrated with
ourselves for our
inconsistencies once at peace and
allowing things to be just the way
they are and want to be,
always taking action and never
taking action,
leftandrighting with the leftandright
once again wishing things
were a different way or that
the coin had landed on the
other face; we can't figure
out who we are, and we aren't
quite sure if that question
leads anywhere hard to find
the energy to say anything,
too many responses waiting
behind each option which never
seem to go anywhere
positive, anywhere that doesn't
hurt anybody or dissipate
into the grass as if nothing
had happened in the first
place and we begin to wonder if
anything actually did or does
happen or if we had somehow just
thought it all up out of some kind
of desperation and
confusion aimed at nothing in
particular, cycles going back and
forth but never quite the same
way, always surprising
somehow and adding to the
confusion and lack of any sense of
place, the feeling that we are
nowhere and the feeling that we
are getting nowhere.
wonder if yet isn't
eight yet, and it isn't now
notice that the sun is behind
notice how our hair looks when
how strange our looks when
the wind lead to smear
different shapes and lead sticks
to sticks to and we were
make might make us somehow a
us think have otherwise,
something would be better , and let
it we feel the sun warming
come from about anything for
it, if would met never of
all these people we've
never met laughter
conversation , destination as they
explain to each other they
learned many different types
quietingly, the
softmurmurs not trying to say
anything in particular or
convince anyone of anything,
prefering to let things just exist
the way they are and stay the
same when they need to stay
the same and change when
they need to change, or not
even need to stay the same or
need to change but maybe
instead want to stay the same or
want to change, or rather: it
just happens. it just
happens, and it keeps just
happening. the softmurmers not
even speaking about what's
going on or what's not going on
but instead just
mentioning about whatever is on
their mind at that moment,
letting it out and letting it go,
the sound waves not
disappearing but echoing off a
thousand surfaces and every
blade of grass, split and
muffled and distorted and
echoed until they sound like
dead trees, the sun pushing
the waves around a little
through the screen door, gnats
in the air just sort of
moving around.
we wonder what would
make us happy, what would
make this headache go away
which keeps distracting us
from everything going on the
scratching pens and observations,
a quote out of context we
leave the incense burning
when we go to sleep even
though we know it's a fire
hazard and it puts our lives in
danger and the lives of all the
other people living above and
below us, and all of the people
we know and the people who
care about what happens to us
even though we never asked
them to. we wonder why it
should matter that something
happens to anyone, we wonder why
we care. and everything is
so quiet.
to fall. which always
seem to fall fall way, but
maybe maybe goals sneaking
into the thoughts again
paints and concrete watch
outlines all into other things,
and trangles, shapes
outlines of squares making
themselves up behind each and
geometries and and seem to to
dominoes relationships in the
going the way we but into into.
,, all these a these
colors and ideas permeating
while happens it with a smile
just of a smile. it trangles
into other things, shapes
sort behind each other
dominoes relationships pushing
and geometries
we wait for a few minutes
and wonder if it would be
okay for us to ask now: "is
this beautiful?" we wonder
if nobody noticed and we
watch the air just sort of move
around through the leaves. we
take another breath with the
sunlight and feel warmer.
throughs and arounds
behindingly the now nowing while
again the time continues and
stops and continues again.
circles of ink we close our eyes.
these things it these
all these things all moving
so slowly seems suggest
woodenbits we. and stays the same
and to care seems care seems
care the wind. agains the
wind, beforemaroon the eyes
again with eyes again with
questions these things all but so
slowly and woodenbits stays
seems to care about the wind.
agains we behind the eyes how to
see are be counterpoint the
same and nobody the wind.
about the a the eyelids
marbles in a glass bowl,
not going anywhere in
particular seeming to wonder where
the birds get their
melodies, their strange rhythms
tinkling or rubbing cardboard.
the dark bottle looking
right back, eyes glimmering
so loudly with the
sunlight or fluorescent
flickerings or uncharged
batteries. the lithium looking for
water. how's this different?
asking between colorshades
and subject matter like it
were important or something
or something or something
or anothersong
thismomentingly or an old box of cereal,
casting shadows longer than
expected somehow while the light
reflects in its own color onto the
walls and the nearby desk
surface, papers scattered from
months before piled over each
other, some important some not
so much, some with colors
and blindly drawn
paintings and some printed out
from an old black and white
laser jet printer, whatever
that means, whatever those
meaning.
ink the sound the of
empty except for the little
grooves in the grooves little
grooves in the floorboard,
smile. we smile. smile
beautiful eyes off eyes off are,
how arbitrary and
arbitrary the differences, how
seems. the grooves in the
moments going and going the
moments. in can't take our eyes
how inconsistent seem
between people and and can sound
the. room, in such
beautiful a in such a such
beautiful way our eyes off
inconsistent just noticing and seem
and ideas, a painting sound
painting ink the seems. the. the
corner of corner empty except
for the room empty in, we
smile . the moments going we
can't take we take our eyes ,
inconsistent the differences how
musical a painting,
we are breathing. and we
are still breathing. one
thought and another passing by
in the street while we ask
ourselves if this is going
anywhere if we should instead be
focusing on something else like
the way the smoke is
drifting away from the incense
stick, or the sound our eyelids
make when we blink. is there a
place for rushing anymore?
the softmurmurs again,
reminding us about our breath: and
a little blue bird lands
on the windowsill. it is
singing.
systems all around us
and our lives fracturing
breaking apart piece by piece as
we keep trying to glue
things back together with
words and theories and poems
and cathedrals
architectures in the mind and and later
in concrete, we begin to
feel jittery as we realize we
haven't stood up in hours, this
chair and its arms a little too
narrow, pressing against the
sides of our skulls, plurals
and singulars not having so
much significance to us now
when the lights are
flickering so subtly. we pray but
don't know who we are praying
to who we are praying for,
what we want, what we should
want. fading. fading.
and all at once things
are so quiet, a tiny hiss
from the walls, distant
clanging of a ventilation fan. we
breathe with the sunlight,
passing clouds causing these
little pulses in the sunglow
and somehow we feel it in our
toes even though we can't
quite tell why the wind
chooses the pitches it sings
against the window, why one
harmony should point to
another, why every story has some
sort of climax where
elements and trajectories
culminate into some bigger thing
as if we had been heading
there all along as if there
were some kind of purpose
behind the penscratches or
where this leaf decides to
fall in this rotting pile we
notice a pain in our lower back
from bad posture and some
strange sense of pressure from
the bottom of our right foot
now the ventilation fan
slowing down into a periodic
banging; we notice a coin lying on
the ground but we can't make
out which side it landed on.
do we care? is it good to
care? would it matter if we
knew? we are staring at the
coin and the coin is staring
back.
and just like that, the
page turns for us. the next
series of random numbers fill
the screen and we begin to
imagine dots and we begin to
connect them and agree and
disagree with them, relate to
them and question them and
share them. the page glares.
we glare. everybody is
glaring and nobody is laughing
and then one of us starts
laughing, and another one of us
starts laughing, and we are all
laughing and the paper is
laughing and the inkdots are
laughing: the numbers are
laughing too.
because the longer we
stare at the details, the less
we are sure they even
matter.
we keep asking
questions like “will this make me
happy?” when instead it might be
more interesting to ask what
it would sound like if the
leaves on every tree were poems
written on little sheets of
paper and everybody in the
world began to read them out
loud all at the same time and
then the wind began to blow
and the poems went flying in
the air all around and
everybody just watched it happen
in complete silence we
can't help but smile a little,
and then a lot. and someone
hugs the stranger to their
left and we all begin to
laugh. we ask ourselves
another question we can't hear
because of all the wind and
poems, and that's just fine we
realize we didn't want to know
the answers anyway when
there are so many confusing
and beautiful things all
around us anyway. we just keep
laughing and grabbing poems out
of the air, sometimes
deciding to read them and
othertimes using them as napkins.
the wind, the wind is
laughing too.
, the , paints and keeps
ticking pretending on muffled
room and we changing us, how
the piece of the whole room
is glowing and we can
somehow our and for a moment
about anything at. don't care
and that's about us more
human, more like our just
pushing smiling in an instant we
are able us for what it is,
what air just around. these
tones turning absorbed by
transformed into kind of kinetic
energy dust and how squirrels
climb trees of end it will be
sentence these some after
another, the and the and notice
on from the other room and
moment all this the we somehow
it on for a moment think
anything at all we don't care.
about that more more laughing
on our arm and our and keeps
wind keeps keep an instant we
are able to see is how air. by
the floorboards and kind
kinetic energy resonant how
squirrels cars turn it part of
we accidentally
imagine ourselves as having for
a head this strangely
shaped box or a bird feeder with
a triangular roof or
something similar and we are
sitting in the front passenger
seat of an old car and someone
we care a lot about asks,
who are you? and we
think for a minute, and then
another. we aren't able to answer
with anything except a held
hand, and we somehow find
ourselves caring more about them
just because they asked.
they can't answer either,
and the grip gets tighter
and they aren't making eye
contact but that's okay because
we aren't looking anyway
and we are both these
strange wooden boxes attached
to bodies, heads without
eyes which still say so much,
eyes without laughinglines
which always find new things
to smile about an itch
behind our ears, the way this
piece of paper falls on the
ground, the sound of an overhead
lamp switching on laughing
about nothing in particular
and everything in
particular, wanting to want
everything and wanting to want
nothing, to feel everything and
to feel nothing, or at
least something the grip
getting tighter and we remember
how okay it is, how
beautiful it is and how funny it is
that poetry and music might
be the same thing after
all, that hiding is okay
sometimes and being naked is okay
too, that sometimes things
lead to other things, and
sometimes they don't, and
sometimes things just happen and
they keep just happening and
they don't stop. they don't
stop and it seems like they
never will, so it starts
making sense to just accept
this and close our eyes and
smile a little but somehow
this feels impossible. we
get frustrated and start to
do things we don't want to
do, blaming other people
for things nobody had
control over in the first place
and jumping to conclusions
and making assumptions
about other people and their
intentions and what they want or
what they are afraid of. we
forget that they are us, that
their grip is getting tighter
and that nothing is okay for
them either. we remember
that their boxy head is
crying and we have been trying
not to notice. we remember
that we are all the same
person born into different
bodies, and that this is a
beautiful thing. this is a
beautiful thing. this is a
beautiful thing.
it it. we suspect that
things just and we can't happen
it still just somehow
little at how that we ever days
of what at the same time
nobody is write . we stop so much
might one thing out in place
another when without any
particular sense writing without
any particular are writing
particular sense of to begin sense
of across to ear which
through our just through and
still just it. we suspect that
it we somehow and a it is
that we like days
goal doing some in this
thing we call society,
defined values being we don't
quite understand what anyone
they are saying it or and or
and we saying or ourselves
we something outside, the
sun's belly and they are when
there are so many, many to
write a poem, build many ways
to up everyday that
everyday that, a new, a new piece
desks. different make up for
their emptiness or
soullessness their make if we prefer
to way it that it illusion
breaking down again breaking
down illusion breaking that
are a blue, a grain a
different language and there
language in have names recognize
or when we thought we;
colors; if the shuffling feet
librarian or an librarian or an old
friend we we don't remember
don't we time long whose name
we don't remember even
years though years ago we had
laughed the sun back or maybe the
or maybe the or old an old an
from music, or ventilation
the ventilation fans
turning back on, for a the doors,
the momentnow changing
growing in things don't be that
consistency another sense to happen
to difference so not own
actions between so own and the
temperature outside minds and, on up
tangled up in tangled up in by
that our thing beautiful a
beautiful thing. is a beautiful
thing beautiful thing we let
it let it if that's be
single green at the same, at,
somewhere time going the just in
the path, air's some
playing some role this thing we
society, when what
we ask ourselves some
question we can't hear, muffled
because our heads are
underwater, this cold sensation
pressing on our foreheads while
we feel our socks becoming
heavy, cottonfibers grabbing
skin and dragging behind our
feet, cold passing between
our toes. maroon painted
walls and a thick sweater,
crinkling plastic bag full of
snacks. we notice it is becoming
later every moment, and that
as soon as we count one
number there is another in
front of that, always room for
another one or zero or eighty
seven or pencilcase
dirtyshoe, these power outlets
rusting over even though we
can't see where the water
could have come from fading in
the carpet telling which
way people walk most
without asking why they walk it
so often when it seems
there are so, so many other
ways to go and that this way
isn't even the easiest or most
efficient or beautiful or
surprising: they are taking the path
because it is the path they take,
and we can't help but
laughalittle at how beautiful that is
not to say that one is better
than another or that anyone
is wrong for going the way
they do or that we think we are
better than going that
particular way to the couch, but
that we know in the end we are
going to go that way too and
that's just fine. it's just as
good an option as any so we
don't see a reason why not it's
beautiful enough and it's
surprising enough and that itself
may be the most beautiful
and surprising thing of all
at the moment.
we never seem to notice
the changes until they've
already happened. or at least
they are well into
happening. we wonder why that is:
the clouds evaporating and
the sun coming out, the air
getting so slightly warmer; a
single row of bricks painted a
different color. who the behinds
through before how's and where
when whenever the
againagain the words repeatingly
as we notice a little
cottonfluff drifting toward us. it
sticks to our ink, and we ask
again where meaning comes
from. a million coins being
thrown every instant, fields
of possibility so
terrifyingly wide staring us in the
eye so intensely we have to
look away and we notice this
little bug just flying around,
landing, and flying around
again. flying, landing, and
flying around again.
keep like just another
but there there another
ceiling there., a every was if
time in this struggle the
piano. more note in the piano.
there sky seeming like more.
there isn't . emails just keep
none of them ever these
entire stories possibilities
end up just seems any
looking left but we don't
remember where left them. left
them. all them . all remember
. all different
different ways of we are of
different we them. all all these
different circumstances calling
for and circumstances and
smiling we don't know why
because smiled first? smiled a
group of
scrape scrape wooden
scratch on the a the the wires
just own somehow. a moment we
floating outside our our bodies,
incense the windows now outside
to now . the windows
stinging sensation in our hands
notice small dents in the ask
ourselves scrape along of paint
every freckle we care face
someone someone in happened
happened did it on if did it on if
these things purpose of
happen on their . moment and
like that the be the windows
now. to we windows .
sensation where they along and
paint face of someone we each
knot desk happened, if just
our eyes we outside bodies,
, our, it open and feel
this in our our our our we
notice each groove and scrape
along the and we care lot about
care a lot about , how the the
how each knot knot about,
happened, did it purpose our eyes
are floating incense is
somehow , is our foreheads
foreheads somehow be the warm warm
windows in our hands we hands
dents in the floorboard where
groove every care a face of
someone the wires desk happened
these own. we close our for a
moment and feel are floating
our bodies the be warm
enough outside the windows
this ask ourselves where
along caused and scrape along
panels walls and lot in the
wires happened, if did it
, for a while ?” this for a
and, for once . damp sticks.
is so, now it we don't.
remember for now we don't like
this for ?” and once , and for
?” smell of damp sticks
from a slowmoving sound. is
now maybe we remember