it is 2025. we wonder what to say next, and the wind is still blowing.

twenty.

fixed link mutable link
the smell of damp sticks
from outside. a slowmoving
sound. we notice how
everything is so pink maybe we
remember why, but for now we
don't. “can it stay like this
for a while?” and, for once,
it does.

zero.

fixed link mutable link
and all at once things
are so quiet, a tiny hiss
from the walls, distant
clanging of a ventilation fan. we
breathe with the sunlight,
passing clouds causing these
little pulses in the sunglow
and somehow we feel it in our
toes even though we can't
quite tell why the wind
chooses the pitches it sings
against the window, why one
harmony should point to
another, why every story has some
sort of climax where
elements and trajectories
culminate into some bigger thing
as if we had been heading
there all along as if there
were some kind of purpose
behind the penscratches or
where this leaf decides to
fall in this rotting pile we
notice a pain in our lower back
from bad posture and some
strange sense of pressure from
the bottom of our right foot
now the ventilation fan
slowing down into a periodic
banging; we notice a coin lying on
the ground but we can't make
out which side it landed on.
do we care? is it good to
care? would it matter if we
knew? we are staring at the
coin and the coin is staring
back.

twenty two.

fixed link mutable link
. we are inside the
sounds . actions try to not this
fuzzy kind of . . where , second
again again angles for a while
longer for a while a keeps that
that keep sniffling from
seasonal allergies sniffling
smile but smile at the the and
somehow and this our chests
acoustic vibrations we the
windchimes harmony the and warmer
warmer but. the vibrations we
lean our sounds our notice .
the. this sound just
breathe thisthat theringly , ,
breathe for and a while breathe
for the sound and we keep
allergies. a. we can't at the
somehow the voices make this
vibrations buzzing not.. which or
not ? ? quiet time we lean
hear. the sun the outside
just breathe for where a the
thisthat theringly theringly ,
the second second hand
ticking by and ticking all, we
breathe the and that sound and
allergies . but smile at the sound
somehow the voices make this
sort inside our chests and
making us feel feel not warmer
warmer okay okay which making
not ? the vibrations ears
closer trying to hear inside
the

nine.

fixed link mutable link
we are breathing. and we
are still breathing. one
thought and another passing by
in the street while we ask
ourselves if this is going
anywhere if we should instead be
focusing on something else like
the way the smoke is
drifting away from the incense
stick, or the sound our eyelids
make when we blink. is there a
place for rushing anymore?
the softmurmurs again,
reminding us about our breath: and
a little blue bird lands
on the windowsill. it is
singing.

thirteen.

fixed link mutable link
we wait for a few minutes
and wonder if it would be
okay for us to ask now: "is
this beautiful?" we wonder
if nobody noticed and we
watch the air just sort of move
around through the leaves. we
take another breath with the
sunlight and feel warmer.
throughs and arounds
behindingly the now nowing while
again the time continues and
stops and continues again.
circles of ink we close our eyes.

five.

fixed link mutable link
quietingly, the
softmurmurs not trying to say
anything in particular or
convince anyone of anything,
prefering to let things just exist
the way they are and stay the
same when they need to stay
the same and change when
they need to change, or not
even need to stay the same or
need to change but maybe
instead want to stay the same or
want to change, or rather: it
just happens. it just
happens, and it keeps just
happening. the softmurmers not
even speaking about what's
going on or what's not going on
but instead just
mentioning about whatever is on
their mind at that moment,
letting it out and letting it go,
the sound waves not
disappearing but echoing off a
thousand surfaces and every
blade of grass, split and
muffled and distorted and
echoed until they sound like
dead trees, the sun pushing
the waves around a little
through the screen door, gnats
in the air just sort of
moving around.

fourteen.

fixed link mutable link
clock usual fingers
fingers and woodenbits. and the
counterpoint. suggest and agains
beforemaroon, with questions when a
to a a color stuck inside it
these inside as and the stays
nobody the. agains the
wayingsong a we behind the eyelids,
and underthere,,, the
questions and ideas how to see how
under a color when a to see
color when when we are inside
are color color it these
inside it these but the slowly
but the clock seems to be
working as be working. and

seven.

fixed link mutable link
tangling wires into
these bizarre shapes, rugs
with strange colors and
melodies waitingly, taking deep
breaths before the speech where
we finally speak our
minds: "won't everybody
please, please stop this
cruelty? can't we see how
unnecessary it is?" some glass
window creaking under winds,
some oil spilled in a parking
lot. how again the why's and
who's before and after or some
some behind throughingly, a
manual for writers of research
papers about electrical
engineering and game theory,
complex analysis and early
marxist painting; the
walls of this place have
shoulders that are
sagging, somewhere in these
pages an actual answer to a
question that matters. a new pair
of jeans, a holiday
decoration left up for months, a
lightbulb which doesn't fit even
though we could have sworn the
size was right at the store.
color combinations making us
feel sick and wonder why we
care about the dissonance,
why we should prefer one to
the other. we conclude that
we're all just bits of air
moving with the waves of some
song we can't hear: now
banging on the wooddrums, the
thoughts and the doubts, hopes or
imaginations throwing fists at the
organ keyboard, some body of
loud waters, some
electrical structure groaning in
rains particles trapped in
the breezings, the sine
waves, the eyeballs thrown
left and right or up and down
or is that a sign of
happiness, of
peacefulness? who's to tell what's
harmony and what's dissonance?
who's to tell the words of the
song when each moment's just
a few bits of data? hard to
see the picture from a
pixel, hard to find the poem
through a word a letter an inkdot
the arounds and behinds
lost somewhere in the mix,
the breath being exhaled
before we even noticed it was
inside our bodies, each note
rising just a little higher or
just a little more like dirty
wallpaper: we ask each other where
it happened. where the
music got faster. where the
blue became green, where the
light was switched on and the
newer waves began to
interfere with things and distort
the shapes, canceling out
or multiplying or
performing more complicated
operations until the noise is noise
and the signal is noise and
the noise is still noise yet
somehow wider, more sideways
and spinningly and
uppingly and backwardly, more
harsh and out of sync, now neon
colorlines and batteries, strange
gaps in the spiral not
patterns but something about
them which makes us feel the
walls are moving further away
and the room is becoming
smaller, that one moment is
another and the second hand is
somehow different this time
around. we cannot help but go to
sleep again, this time with a
strange smile and already
looking forward to coffee. this
time with socks and a thicker
blanket. this time with the
windows open: and in comes the
cooler air.

twenty six.

fixed link mutable link
and the that could be.
the point. goals sneaking
into the thoughts again.
ideas the thoughts again
goals thoughts again be again
interactions. spray paints and
concrete, , ideas permeating
just happens into other
behind each each other
relationships in. not going the way we
in the way could could.
goals goals ideas the
thoughts thoughts again. spray
paints and concrete, all all
these colors while we watch
with a a of of and other which
always seem the way we be the
thoughts and interactions

sixteen.

fixed link mutable link
the cue of these colors
whose names these shades of
right of whose names we can't
remember many lines. we in we
isn't it funny when the sun
back right on coming on we
whose names these whose names
we lines. we in in our to ask
. laughing isn't it funny
how we help but smile cue

four.

fixed link mutable link
it's hard to speak
sometimes. we are frustrated with
ourselves for our
inconsistencies once at peace and
allowing things to be just the way
they are and want to be,
always taking action and never
taking action,
leftandrighting with the leftandright
once again wishing things
were a different way or that
the coin had landed on the
other face; we can't figure
out who we are, and we aren't
quite sure if that question
leads anywhere hard to find
the energy to say anything,
too many responses waiting
behind each option which never
seem to go anywhere
positive, anywhere that doesn't
hurt anybody or dissipate
into the grass as if nothing
had happened in the first
place and we begin to wonder if
anything actually did or does
happen or if we had somehow just
thought it all up out of some kind
of desperation and
confusion aimed at nothing in
particular, cycles going back and
forth but never quite the same
way, always surprising
somehow and adding to the
confusion and lack of any sense of
place, the feeling that we are
nowhere and the feeling that we
are getting nowhere.

twenty eight.

fixed link mutable link
, or felt some to way from
below . and. and comes walking
comes walking now someone our
up so they don't see say
maybe they noticed anything.
anything. or maybe they noticed
us quietly noticed
understood that it's to, that
sometimes ourselves. we don't
know , doesn't matter and
wonder if it's eight yet, now we
notice and and that our shadow
looks notice how moves shapes
smear the ink and with our hand
legible paper so well remains
hoping were hoping that the
that the smudges a note and
think of have otherwise , but
maybe a be the idea our eyes and
just listen to airplanes and
feel our and feel this wonder
what could come could our
warming our could what anything
, if anything could or,
and if it for if it would
matter anyway these people
never conversation learned
about the. so many types
different types of hats, events
going back little motions,
going back and any sort
because and dams and enormous
eventually , to cloud of leaves come
from, from , if or to a these
grid when that these come up
we branches the branches
from we walking by our
sitting we don't look up don't
they don't looking away it's
okay to not sometimes it's
okay to just, that sometimes
can say it's just

twenty five.

fixed link mutable link
on we do on outside fewer
going on outside becoming
heated while our best to
pretend outside going on
outside becoming heated while
we becoming heated aren't
listening. little listening.
every to aren't listening do
our best getting a
repetition. we do to pretend we
aren't listening, with fewer
mistakes while we do our
repetition listening. every
repetition getting a repetition
pretend we while we do our on to
pretend every repetition
little more accurate. little
faster and with . the
conversation going and with more
accurate, the conversation a
fewer mistakes

thirty one.

fixed link mutable link
when minute which
whyhow which whyhow which
thumpingly against the doors and
the momentnow and might
make remember just as that
consistency remember of illusion
and that illusion mean
allowing things happen between
own actions between our own
our own between so happen
not between difference not
so much difference much
difference our shoelaces our

nineteen.

fixed link mutable link
the corner of the room
empty except for the little
grooves in the floorboard, we
smile. the moments going and
going in such a beautiful way
that we can't take our eyes
off it, noticing just how
inconsistent things are, how blurry
and arbitrary the
differences seem between things and
people and ideas, how musical a
painting can sound the ink never
seems to dry.

eight.

fixed link mutable link
we accidentally
imagine ourselves as having for
a head this strangely
shaped box or a bird feeder with
a triangular roof or
something similar and we are
sitting in the front passenger
seat of an old car and someone
we care a lot about asks,
who are you? and we
think for a minute, and then
another. we aren't able to answer
with anything except a held
hand, and we somehow find
ourselves caring more about them
just because they asked.
they can't answer either,
and the grip gets tighter
and they aren't making eye
contact but that's okay because
we aren't looking anyway
and we are both these
strange wooden boxes attached
to bodies, heads without
eyes which still say so much,
eyes without laughinglines
which always find new things
to smile about an itch
behind our ears, the way this
piece of paper falls on the
ground, the sound of an overhead
lamp switching on laughing
about nothing in particular
and everything in
particular, wanting to want
everything and wanting to want
nothing, to feel everything and
to feel nothing, or at
least something the grip
getting tighter and we remember
how okay it is, how
beautiful it is and how funny it is
that poetry and music might
be the same thing after
all, that hiding is okay
sometimes and being naked is okay
too, that sometimes things
lead to other things, and
sometimes they don't, and
sometimes things just happen and
they keep just happening and
they don't stop. they don't
stop and it seems like they
never will, so it starts
making sense to just accept
this and close our eyes and
smile a little but somehow
this feels impossible. we
get frustrated and start to
do things we don't want to
do, blaming other people
for things nobody had
control over in the first place
and jumping to conclusions
and making assumptions
about other people and their
intentions and what they want or
what they are afraid of. we
forget that they are us, that
their grip is getting tighter
and that nothing is okay for
them either. we remember
that their boxy head is
crying and we have been trying
not to notice. we remember
that we are all the same
person born into different
bodies, and that this is a
beautiful thing. this is a
beautiful thing. this is a
beautiful thing.

twenty nine.

fixed link mutable link
) and to listen were
things they write things so
much about thinking
breakfast tomorrow or why we might
be ) thing of another when
particular sense of to begin with
going going straight the next
it and still just going
with it we suspect that just
just happen somehow smile a
then laugh absurd about
things like numbers and of the
week , what two things listen
(we suspect nobody were
trying and if nobody is if they
down as they listened . we
worrying

seventeen.

fixed link mutable link
marbles in a glass bowl,
not going anywhere in
particular seeming to wonder where
the birds get their
melodies, their strange rhythms
tinkling or rubbing cardboard.
the dark bottle looking
right back, eyes glimmering
so loudly with the
sunlight or fluorescent
flickerings or uncharged
batteries. the lithium looking for
water. how's this different?
asking between colorshades
and subject matter like it
were important or something
or something or something
or anothersong
thismomentingly or an old box of cereal,
casting shadows longer than
expected somehow while the light
reflects in its own color onto the
walls and the nearby desk
surface, papers scattered from
months before piled over each
other, some important some not
so much, some with colors
and blindly drawn
paintings and some printed out
from an old black and white
laser jet printer, whatever
that means, whatever those
meaning.

three.

fixed link mutable link
how did we get here? the
questions which keep making their
way inside our mouths as if
we never could learn from
the last time we couldn't
answer and instead only become
more unhappy and began to
throw things at the walls with
some inexpressible anger
screaming and shouting with a red
face and bulging veins,
fists again and again against
the door not even caring
what's on the other side, too
caught up with the idea of the
door being there in the first
place another why and another
if causing the lights to
flicker and the stove to begin to
smell like something is
burning so we all try to remember
what we had done in the
kitchen last but we can't
remember, and even the attempts to
remember make us shout with fewer
words, make us scream with our
fingers and pound harder and
harder on the door while the
wood is splintering here and
there and the doorframe
appears to budge this time or
that time or this time again
and again and again

ten.

fixed link mutable link
we ask ourselves some
question we can't hear, muffled
because our heads are
underwater, this cold sensation
pressing on our foreheads while
we feel our socks becoming
heavy, cottonfibers grabbing
skin and dragging behind our
feet, cold passing between
our toes. maroon painted
walls and a thick sweater,
crinkling plastic bag full of
snacks. we notice it is becoming
later every moment, and that
as soon as we count one
number there is another in
front of that, always room for
another one or zero or eighty
seven or pencilcase
dirtyshoe, these power outlets
rusting over even though we
can't see where the water
could have come from fading in
the carpet telling which
way people walk most
without asking why they walk it
so often when it seems
there are so, so many other
ways to go and that this way
isn't even the easiest or most
efficient or beautiful or
surprising: they are taking the path
because it is the path they take,
and we can't help but
laughalittle at how beautiful that is
not to say that one is better
than another or that anyone
is wrong for going the way
they do or that we think we are
better than going that
particular way to the couch, but
that we know in the end we are
going to go that way too and
that's just fine. it's just as
good an option as any so we
don't see a reason why not it's
beautiful enough and it's
surprising enough and that itself
may be the most beautiful
and surprising thing of all
at the moment.

twenty seven.

fixed link mutable link
scratch care face the
desk desk happened , did it on
purpose of eyes for we outside we
are floating bodies, the
incense in our to might be we
breathe and feel we breathe this
stinging in our now and where each
what caused and the each knot
in did it on purpose of if
these things purpose sort
sort somehow a moment our is
somehow in our to open the now. in
our hands sensation now
small floorboard and where
they they what caused each
groove along paint someone we
care lot about wires someone
it of if if these things
just sort sort their own
close our eyes for moment and
feel like that the is somehow
our to open the outside to
and our dents we floorboard
where they came ourselves
ourselves the and ourselves where
where groove and of paint and
paint paint every freckle and
scratch a lot how the the desk
someone if these sort eyes for a
moment and for a floating
outside our foreheads, and .
hands ask where they came what
and walls on the freckle on
the a a lot lot each knot
about, behind the if things
just sort eyes for a moment
our that the that it warm
outside be windows now. we
sensation the what caused each
groove and scrape along the
wooden panels and walls of the
the each of paint scratch on
on the face of how each knot
in the

eighteen.

fixed link mutable link
systems all around us
and our lives fracturing
breaking apart piece by piece as
we keep trying to glue
things back together with
words and theories and poems
and cathedrals
architectures in the mind and and later
in concrete, we begin to
feel jittery as we realize we
haven't stood up in hours, this
chair and its arms a little too
narrow, pressing against the
sides of our skulls, plurals
and singulars not having so
much significance to us now
when the lights are
flickering so subtly. we pray but
don't know who we are praying
to who we are praying for,
what we want, what we should
want. fading. fading.

twenty three.

fixed link mutable link
of quickly if in end turn
out a joke without a
punchline, story these another
one opinions bucket, the,
the fists and paints and
keeps ticking and we keep
notice around can't the how the
whole room feel it at all or
okay caring that would have
more like laughing and our
our skin just keeps pushing
bit we are to what and object
is doing just sort of these
the being pushes bits us
resonant, quickly turn wheels.
we

thirty.

fixed link mutable link
ask ourselves
unexpected question in return you.
begin and laugh, are so
aimless are so aimless like
every like every second so
much can't why we can't why we
at the or how handwriting
we. wonder next years or if
years or nothing and ?” and to
are to cry laugh, laugh
laugh first seems like second
a new second ears, so, so
can't think of a good question
to read laugh wonder
anything these reject the that
nothing that the idea ourselves
an unexpected question
answer. know. know. and then to
, and laugh questions
when it seems it seems which
so, so, so so much more
important can't think of a moment
or are to read to bad
handwriting. we laugh laugh. we what
we might, and we laugh what
might, and, and we laugh we be
next be nothing ever really
changes really changes ever
really changes we reject idea
that nothing really we ask
ourselves an are ?” and we are
answer. to answer. we know we
begin and can't these
questions are so or a or second a
which is so so more why we can't
we can't so we why we can't
think can't think we think a
think at to laugh and we. we be
over these. idea that really
changes and we ask and ask
ourselves an unexpected you ?” and
are to, why when it seems
like every comes ears like
the moment how we are how we
are we are able to, wonder
what actually wonder we if
anything actually anything
changed these changed over or
ever really ask ourselves
“who return: “who are “who
are you are answer. we don't
. we don't and then we
begin we begin.. to laugh, and
laugh, are so first the first
in the when seems so
aimless in the first place the
minute or question our ears our
ears our is which is so, so
much more to why we can't
think of a good question to we
are read bad and we laugh. we
wonder anything, if anything
if really changes. we that
really changes we ask
ourselves an ask an unable we begin
, and, and are like our
ears, so, so much more which
is, a the at

two.

fixed link mutable link
because the longer we
stare at the details, the less
we are sure they even
matter.

fifteen.

fixed link mutable link
keep arriving and and
just keep arriving and of to
be, all these, all these
stories stories,
possibilities fanning tree end up the
one we saw first and up just
just and saw, for go looking
our instincts but but we
don't left for we left them,
different ways of dealing we don't
know these people who
thought funny funny when of it
was was didn't didn't
didn't even hear half of of it
many things this, every
single car car behind
different in this struggle maybe
if there more time. there.
there isn't. the just
arriving arriving sky seeming
like another keep arriving
and be out out into entire
stories , some
incomprehensible, fanning out into into
weigh into some tree, options
out into some with as with
saw first that seems as good
as any, for now at for
calling for different ways. we
these social gestures of of
people funny when half it so
many things going on things
going life story car struggle
behind every note in the piano.
maybe time. the. there keep
arriving emails keep the sky
seeming like keep ever just them
ever seem to all people, ,
possibilities fanning options
options we incomprehensible
tree some.. we end up just
going as for now at least our
instincts but we these different
circumstances calling for different
responses different ways of
dealing and smiling. we are
smiling and because one of
smiled first people who don't
know why they thought the
joke was hear half on all at
single car in traffic in
different struggle struggle
behind was the the keep and none
of arriving another
ceiling ceiling. and none none
keep and another. emails
just just keep arriving and

twelve.

fixed link mutable link
we never seem to notice
the changes until they've
already happened. or at least
they are well into
happening. we wonder why that is:
the clouds evaporating and
the sun coming out, the air
getting so slightly warmer; a
single row of bricks painted a
different color. who the behinds
through before how's and where
when whenever the
againagain the words repeatingly
as we notice a little
cottonfluff drifting toward us. it
sticks to our ink, and we ask
again where meaning comes
from. a million coins being
thrown every instant, fields
of possibility so
terrifyingly wide staring us in the
eye so intensely we have to
look away and we notice this
little bug just flying around,
landing, and flying around
again. flying, landing, and
flying around again.

twenty four.

fixed link mutable link
and are, and sometimes
it that we we go from one to
the other to okay, go from
one to the other other
without even trying. sometimes
and from. and sometimes
things happens that we one go
from one to even things are
happens that go from one happens
that to from one to okay and
from even. are not okay
sometimes it trying. okay, and
happens to the . and sometimes
are , ,, and sometimes it

eleven.

fixed link mutable link
we keep asking
questions like “will this make me
happy?” when instead it might be
more interesting to ask what
it would sound like if the
leaves on every tree were poems
written on little sheets of
paper and everybody in the
world began to read them out
loud all at the same time and
then the wind began to blow
and the poems went flying in
the air all around and
everybody just watched it happen
in complete silence we
can't help but smile a little,
and then a lot. and someone
hugs the stranger to their
left and we all begin to
laugh. we ask ourselves
another question we can't hear
because of all the wind and
poems, and that's just fine we
realize we didn't want to know
the answers anyway when
there are so many confusing
and beautiful things all
around us anyway. we just keep
laughing and grabbing poems out
of the air, sometimes
deciding to read them and
othertimes using them as napkins.
the wind, the wind is
laughing too.

six.

fixed link mutable link
silence and quiet now. a
small voice humming and
laughing in the other room. a
crystal or some melting snow.
behinds toward while again
around where's or why's while
leftandright shrinking silently. a
wooden creak. a scratch. all
centers things happening all
around, things just happening
and just being the way they
are. and we realize that this
is a beautiful thing. that
this is a beautiful thing.

one.

fixed link mutable link
and just like that, the
page turns for us. the next
series of random numbers fill
the screen and we begin to
imagine dots and we begin to
connect them and agree and
disagree with them, relate to
them and question them and
share them. the page glares.
we glare. everybody is
glaring and nobody is laughing
and then one of us starts
laughing, and another one of us
starts laughing, and we are all
laughing and the paper is
laughing and the inkdots are
laughing: the numbers are
laughing too.

twenty one.

fixed link mutable link
we wonder what would
make us happy, what would
make this headache go away
which keeps distracting us
from everything going on the
scratching pens and observations,
a quote out of context we
leave the incense burning
when we go to sleep even
though we know it's a fire
hazard and it puts our lives in
danger and the lives of all the
other people living above and
below us, and all of the people
we know and the people who
care about what happens to us
even though we never asked
them to. we wonder why it
should matter that something
happens to anyone, we wonder why
we care. and everything is
so quiet.
,