it is 2025. we wonder what to say next, and the wind is still blowing.

sixteen.

fixed link mutable link
whose names we can't
can't remember lines and
lines still glowing and
somehow glowing lungs we
breathe and we we breathe and we
breathe. isn't it funny how the
smile the sun on shades of
these starts the sun can't. to
ask questions laughing ask
ask when the cue shades
coming of these colors whose
and lines lines and lines
lines lines so the stick of
incense is still incense smoke
in our we breathe. and we
breathe to ask questions it we
can't help but smile can't
help how we can't help how
starts shades sun starts help
when starts coming back
right colors whose can't
can't remember. we lines
incense still our lungs we and we
questions. laughing! isn't it we
can't the sun starts shades
coming shades colors we and
lines so many lines we is and we
breathe and breathe breathe and
we breathe. we we we to ask
we can't starts right on
and lines and so many

nineteen.

fixed link mutable link
the corner of the room
empty except for the little
grooves in the floorboard, we
smile. the moments going and
going in such a beautiful way
that we can't take our eyes
off it, noticing just how
inconsistent things are, how blurry
and arbitrary the
differences seem between things and
people and ideas, how musical a
painting can sound the ink never
seems to dry.

eight.

fixed link mutable link
we accidentally
imagine ourselves as having for
a head this strangely
shaped box or a bird feeder with
a triangular roof or
something similar and we are
sitting in the front passenger
seat of an old car and someone
we care a lot about asks,
who are you? and we
think for a minute, and then
another. we aren't able to answer
with anything except a held
hand, and we somehow find
ourselves caring more about them
just because they asked.
they can't answer either,
and the grip gets tighter
and they aren't making eye
contact but that's okay because
we aren't looking anyway
and we are both these
strange wooden boxes attached
to bodies, heads without
eyes which still say so much,
eyes without laughinglines
which always find new things
to smile about an itch
behind our ears, the way this
piece of paper falls on the
ground, the sound of an overhead
lamp switching on laughing
about nothing in particular
and everything in
particular, wanting to want
everything and wanting to want
nothing, to feel everything and
to feel nothing, or at
least something the grip
getting tighter and we remember
how okay it is, how
beautiful it is and how funny it is
that poetry and music might
be the same thing after
all, that hiding is okay
sometimes and being naked is okay
too, that sometimes things
lead to other things, and
sometimes they don't, and
sometimes things just happen and
they keep just happening and
they don't stop. they don't
stop and it seems like they
never will, so it starts
making sense to just accept
this and close our eyes and
smile a little but somehow
this feels impossible. we
get frustrated and start to
do things we don't want to
do, blaming other people
for things nobody had
control over in the first place
and jumping to conclusions
and making assumptions
about other people and their
intentions and what they want or
what they are afraid of. we
forget that they are us, that
their grip is getting tighter
and that nothing is okay for
them either. we remember
that their boxy head is
crying and we have been trying
not to notice. we remember
that we are all the same
person born into different
bodies, and that this is a
beautiful thing. this is a
beautiful thing. this is a
beautiful thing.

twenty one.

fixed link mutable link
we wonder what would
make us happy, what would
make this headache go away
which keeps distracting us
from everything going on the
scratching pens and observations,
a quote out of context we
leave the incense burning
when we go to sleep even
though we know it's a fire
hazard and it puts our lives in
danger and the lives of all the
other people living above and
below us, and all of the people
we know and the people who
care about what happens to us
even though we never asked
them to. we wonder why it
should matter that something
happens to anyone, we wonder why
we care. and everything is
so quiet.

twenty five.

fixed link mutable link
every a little more
accurate little faster and
outside while listening
pretend listening a little more
accurate little faster and with
fewer mistakes with fewer
mistakes with becoming heated
best to. every repetition to
do our best to aren't do our
on outside becoming
heated. the faster and little
more accurate a little
getting a little more getting
every little faster and the do
heated do we to pretend we
aren't listening we aren't
listening, little more listening
. our repetition. every
to pretend we best we to
pretend listening. every
repetition accurate, more
accurate a every repetition our
while we do to heated while we
do our best we pretend we
aren't listening. every
repetition getting a every to
pretend every repetition
getting and with little faster
and with conversation
going becoming heated while
mistakes. we do our best to aren't
listening. a little faster fewer
mistakes. a little faster. the
conversation. we do our outside
becoming we best to a little more
accurate, a and outside becoming
heated. the fewer the
conversation going and with more.
best to pretend we. aren't to
a

nine.

fixed link mutable link
we are breathing. and we
are still breathing. one
thought and another passing by
in the street while we ask
ourselves if this is going
anywhere if we should instead be
focusing on something else like
the way the smoke is
drifting away from the incense
stick, or the sound our eyelids
make when we blink. is there a
place for rushing anymore?
the softmurmurs again,
reminding us about our breath: and
a little blue bird lands
on the windowsill. it is
singing.

twenty three.

fixed link mutable link
the timer our circles of
voices from the other room the
moment all around us, landing
on this how the and for a. we
know if things are we we that
would more happy or more our
blood is through the trees,
and an see for is air. away,
being absorbed by into energy
resonant, how squirrels climb in
the all be part of punchline
, last sentence. bricks
clinging glue, the and fists
timer doing our circles of
voices the other room help
moment all the this how the
whole somehow our for about we
things are somehow we care
that's perfectly would never
have made us more happy or
feel on our through the wind
keeps keep smiling are person
and the. us away, the
floorboards some kind kinetic
energy pushes bits why wood is
so trees of quickly their
wheels. wonder if the end will
part without these bricks
another some rock after facts
falling into the smiles, the
fists and keeps ticking doing
themselves while voices from the
other and temperature
changing around landing on this
piece of paper and how and we on
moment anything at themselves
don't care and that more blood
the music around a able to
see around, how the around.
these eyes without turning by
the floorboards and
transformed some kind

eleven.

fixed link mutable link
we keep asking
questions like “will this make me
happy?” when instead it might be
more interesting to ask what
it would sound like if the
leaves on every tree were poems
written on little sheets of
paper and everybody in the
world began to read them out
loud all at the same time and
then the wind began to blow
and the poems went flying in
the air all around and
everybody just watched it happen
in complete silence we
can't help but smile a little,
and then a lot. and someone
hugs the stranger to their
left and we all begin to
laugh. we ask ourselves
another question we can't hear
because of all the wind and
poems, and that's just fine we
realize we didn't want to know
the answers anyway when
there are so many confusing
and beautiful things all
around us anyway. we just keep
laughing and grabbing poems out
of the air, sometimes
deciding to read them and
othertimes using them as napkins.
the wind, the wind is
laughing too.

twenty eight.

fixed link mutable link
if that leaves that grid
patterns come look now someone we
know comes walking by so. or
maybe and quietly understood
that sometimes , that to just
not say anything ourselves
. know, ourselves be
ourselves. sometimes. we can . we
don't know really . we don't
know walk sight . and they
thing happens, glance at the
at clock it's and we notice
front of

thirty.

fixed link mutable link
these questions are so
questions are so first why these
questions in the first it are these
questions why laugh, and laugh the
first in every second ears, so
so, so, more important
with. we laugh and we laugh,
we laugh and we, and
anything actually changed ever
really changes really we an are
“who are “who are you ?”
unexpected question in: “who are
you answer.. and then to
answer to cry we and. in the
first a or ears like the read
bad

twenty four.

fixed link mutable link
go from one to and they go
without are not and sometimes
they are it happens. things
are , it we and sometimes,,
one to the other without
okay, go from one to the other
without sometimes things are
are not okay are not and one
one to the one to the other
and okay, sometimes they
they are, other without. and
other without even

ten.

fixed link mutable link
we ask ourselves some
question we can't hear, muffled
because our heads are
underwater, this cold sensation
pressing on our foreheads while
we feel our socks becoming
heavy, cottonfibers grabbing
skin and dragging behind our
feet, cold passing between
our toes. maroon painted
walls and a thick sweater,
crinkling plastic bag full of
snacks. we notice it is becoming
later every moment, and that
as soon as we count one
number there is another in
front of that, always room for
another one or zero or eighty
seven or pencilcase
dirtyshoe, these power outlets
rusting over even though we
can't see where the water
could have come from fading in
the carpet telling which
way people walk most
without asking why they walk it
so often when it seems
there are so, so many other
ways to go and that this way
isn't even the easiest or most
efficient or beautiful or
surprising: they are taking the path
because it is the path they take,
and we can't help but
laughalittle at how beautiful that is
not to say that one is better
than another or that anyone
is wrong for going the way
they do or that we think we are
better than going that
particular way to the couch, but
that we know in the end we are
going to go that way too and
that's just fine. it's just as
good an option as any so we
don't see a reason why not it's
beautiful enough and it's
surprising enough and that itself
may be the most beautiful
and surprising thing of all
at the moment.

twenty.

fixed link mutable link
, it does. the smell of
damp sticks how sound
outside notice how everything
is maybe we remember why,
“can for does from outside. a
notice is so pink . we notice how
pink why. for now it we, now we
it stay for don't stay for a
and , for once of from sound
damp sticks from outside so
pink maybe we so maybe we how
pink maybe we how outside. a
sticks from is so we remember
why now we don't we remember
why. like this it

fifteen.

fixed link mutable link
there were so half were
so many things going in
every single all at once,
story in every on, every
single car in in this traffic
jam struggle behind every
note in there was isn't just
another ceiling keep ever of,
all these situations
branching into incomprehensible
tree tree , weigh. we with the
that seems seems good as now
at at at least we go looking
for, for we our instincts
but we these we all for
different responses, different
ways ways we don't? a
amplifying across a group joke was
funny they half funny when
half of it so many at life jam
in in maybe more time.. but
there seeming like just just
another like just. in the piano
but there like. just keep
arriving keep arriving and none
of them these be these
situations situations branching
branching out into be from people,
real people people people ,
all fanning out into
options after. with the we end up
we weigh the one we first as
as good with the going with
saw and any for calling for
different responses, are know
because one of smiled gestures
amplifying social gestures
gestures amplifying across
people who don't people who of
know know they didn't know
why they thought they it
they didn't even hear half
funny half of it because
because there were so they half
of it they didn't even hear
half even because of of it
because didn't because there
were so many were so half half
of it

thirty one.

fixed link mutable link
toes make ears our their
emptiness to the breaking down
that we reminder that a
reminder of every library where
different language and don't even
on shapes colors; we are
not; we not sure if the is
friend we haven't name long
even don't ago we had years
ago came back came sound we
remember galaxies themselves
are asking questions of
their own, when will
wondering when minute doors,
against the doors, the doors
never leading to never
leading

thirteen.

fixed link mutable link
we wait for a few minutes
and wonder if it would be
okay for us to ask now: "is
this beautiful?" we wonder
if nobody noticed and we
watch the air just sort of move
around through the leaves. we
take another breath with the
sunlight and feel warmer.
throughs and arounds
behindingly the now nowing while
again the time continues and
stops and continues again.
circles of ink we close our eyes.

twenty seven.

fixed link mutable link
scrape the wooden walls
of paint the face knot in
the wires the desk these of
of we close our outside
bodies bodies, incense is that
might be warm enough feel this
this we notice small came the
wooden panels the face of care
about, how each knot in the
wires behind the desk
happened did it just sort if
things things their . we for a
moment and the bodies, that the
somehow might be warm breathe
and feel this stinging now
we floorboard caused each
groove scrape along of someone
the each of own somehow. we
close a, that foreheads, that
warm it open the in feel this
dents in the floorboard and
ask ourselves where each
groove the and scrape along the
wooden wooden panels and
scratch the lot wires purpose
our a moment like we outside
our bodies incense is, that
outside outside our bodies
bodies , that the incense our
foreheads it might be warm enough
outside to open the now. we
breathe and feel hands now we
where

six.

fixed link mutable link
silence and quiet now. a
small voice humming and
laughing in the other room. a
crystal or some melting snow.
behinds toward while again
around where's or why's while
leftandright shrinking silently. a
wooden creak. a scratch. all
centers things happening all
around, things just happening
and just being the way they
are. and we realize that this
is a beautiful thing. that
this is a beautiful thing.

twenty two.

fixed link mutable link
. where again the
thisthat theringly, the hand
ticking by crackling , we
breathe for a a while longer
making we keep allergies
seasonal allergies sound the of
windchimes acoustic vibrations
making us us more okay. more
slantingway or slantingway or not ?
the vibrations lean trying
to sounds . we are aware

one.

fixed link mutable link
and just like that, the
page turns for us. the next
series of random numbers fill
the screen and we begin to
imagine dots and we begin to
connect them and agree and
disagree with them, relate to
them and question them and
share them. the page glares.
we glare. everybody is
glaring and nobody is laughing
and then one of us starts
laughing, and another one of us
starts laughing, and we are all
laughing and the paper is
laughing and the inkdots are
laughing: the numbers are
laughing too.

zero.

fixed link mutable link
and all at once things
are so quiet, a tiny hiss
from the walls, distant
clanging of a ventilation fan. we
breathe with the sunlight,
passing clouds causing these
little pulses in the sunglow
and somehow we feel it in our
toes even though we can't
quite tell why the wind
chooses the pitches it sings
against the window, why one
harmony should point to
another, why every story has some
sort of climax where
elements and trajectories
culminate into some bigger thing
as if we had been heading
there all along as if there
were some kind of purpose
behind the penscratches or
where this leaf decides to
fall in this rotting pile we
notice a pain in our lower back
from bad posture and some
strange sense of pressure from
the bottom of our right foot
now the ventilation fan
slowing down into a periodic
banging; we notice a coin lying on
the ground but we can't make
out which side it landed on.
do we care? is it good to
care? would it matter if we
knew? we are staring at the
coin and the coin is staring
back.

five.

fixed link mutable link
quietingly, the
softmurmurs not trying to say
anything in particular or
convince anyone of anything,
prefering to let things just exist
the way they are and stay the
same when they need to stay
the same and change when
they need to change, or not
even need to stay the same or
need to change but maybe
instead want to stay the same or
want to change, or rather: it
just happens. it just
happens, and it keeps just
happening. the softmurmers not
even speaking about what's
going on or what's not going on
but instead just
mentioning about whatever is on
their mind at that moment,
letting it out and letting it go,
the sound waves not
disappearing but echoing off a
thousand surfaces and every
blade of grass, split and
muffled and distorted and
echoed until they sound like
dead trees, the sun pushing
the waves around a little
through the screen door, gnats
in the air just sort of
moving around.

four.

fixed link mutable link
it's hard to speak
sometimes. we are frustrated with
ourselves for our
inconsistencies once at peace and
allowing things to be just the way
they are and want to be,
always taking action and never
taking action,
leftandrighting with the leftandright
once again wishing things
were a different way or that
the coin had landed on the
other face; we can't figure
out who we are, and we aren't
quite sure if that question
leads anywhere hard to find
the energy to say anything,
too many responses waiting
behind each option which never
seem to go anywhere
positive, anywhere that doesn't
hurt anybody or dissipate
into the grass as if nothing
had happened in the first
place and we begin to wonder if
anything actually did or does
happen or if we had somehow just
thought it all up out of some kind
of desperation and
confusion aimed at nothing in
particular, cycles going back and
forth but never quite the same
way, always surprising
somehow and adding to the
confusion and lack of any sense of
place, the feeling that we are
nowhere and the feeling that we
are getting nowhere.

fourteen.

fixed link mutable link
and nobody really seems
to care seems and to care
about wayingsong agains the
while behind and underthere,
and eyelids, and and and a
eyes beforemaroon,,, a how
ideas how ideas how under a
when we are stuck inside it
these things all moving so to
be working as usual and
little fingers and suggest
counterpoint suggest a stays stays
the the really about the the
wayingsong a agains the a while
while behind the and
underthere, the the eyes with
questions and how a color when we
are slowly slowly but the be
working as usual with those and
fingers and woodenbits we
woodenbits stays seems to care
seems to about wayingsong a
the while behind, a
beforemaroon ,, a color when are stuck
these inside the clock we care
, and the the eyes, the
eyes again with to see how to
see under a color are these
things all moving so slowly but
to to be as to usual with
with those clunks and little
suggest and the conversation
and stays nobody really
wayingsong a we wayingsong a we or
the eyelids behind ,
underthere, , the eyes again and
ideas how see under these

twenty six.

fixed link mutable link
all just trangles
shapes sort the always in in the
wrong wrong direction. not we
that could into. ideas point
. goals sneaking into the
thoughts again. spray paints
ideas and the. that could
could be we the point. goals be
the but expected or
intended goals sneaking and
interactions.,, all ideas all these
colors and ideas all these
colors and ideas permeating
while these colors while
smile just happens outlines
of other things, shapes
sort into behind
relationships dominoes which pushing
which always seem wrong going
the way. not intended,
goals be we expected the wrong
direction., be but maybe that
could be, but but maybe that
could be the thoughts again
goals thoughts again again.
ideas ideas and paints and
concrete, all these colors
colors and ideas watch
outlines sort of making,,
themselves pushing the wrong

two.

fixed link mutable link
because the longer we
stare at the details, the less
we are sure they even
matter.

twenty nine.

fixed link mutable link
days two things
happening at the same sound like to
listen (we suspect nobody if
they were trying to write
things as to write things we
stop about and books what for
place of another when
particular sense intention one pen
straight our just going it with it
just going just through our
ear going with things just
help but smile happen we
can't help little laugh at how
about things like numbers and
ever things what two like
nobody is trying to write
things down as they listened .
we stop ) about

seventeen.

fixed link mutable link
marbles in a glass bowl,
not going anywhere in
particular seeming to wonder where
the birds get their
melodies, their strange rhythms
tinkling or rubbing cardboard.
the dark bottle looking
right back, eyes glimmering
so loudly with the
sunlight or fluorescent
flickerings or uncharged
batteries. the lithium looking for
water. how's this different?
asking between colorshades
and subject matter like it
were important or something
or something or something
or anothersong
thismomentingly or an old box of cereal,
casting shadows longer than
expected somehow while the light
reflects in its own color onto the
walls and the nearby desk
surface, papers scattered from
months before piled over each
other, some important some not
so much, some with colors
and blindly drawn
paintings and some printed out
from an old black and white
laser jet printer, whatever
that means, whatever those
meaning.

three.

fixed link mutable link
how did we get here? the
questions which keep making their
way inside our mouths as if
we never could learn from
the last time we couldn't
answer and instead only become
more unhappy and began to
throw things at the walls with
some inexpressible anger
screaming and shouting with a red
face and bulging veins,
fists again and again against
the door not even caring
what's on the other side, too
caught up with the idea of the
door being there in the first
place another why and another
if causing the lights to
flicker and the stove to begin to
smell like something is
burning so we all try to remember
what we had done in the
kitchen last but we can't
remember, and even the attempts to
remember make us shout with fewer
words, make us scream with our
fingers and pound harder and
harder on the door while the
wood is splintering here and
there and the doorframe
appears to budge this time or
that time or this time again
and again and again

seven.

fixed link mutable link
tangling wires into
these bizarre shapes, rugs
with strange colors and
melodies waitingly, taking deep
breaths before the speech where
we finally speak our
minds: "won't everybody
please, please stop this
cruelty? can't we see how
unnecessary it is?" some glass
window creaking under winds,
some oil spilled in a parking
lot. how again the why's and
who's before and after or some
some behind throughingly, a
manual for writers of research
papers about electrical
engineering and game theory,
complex analysis and early
marxist painting; the
walls of this place have
shoulders that are
sagging, somewhere in these
pages an actual answer to a
question that matters. a new pair
of jeans, a holiday
decoration left up for months, a
lightbulb which doesn't fit even
though we could have sworn the
size was right at the store.
color combinations making us
feel sick and wonder why we
care about the dissonance,
why we should prefer one to
the other. we conclude that
we're all just bits of air
moving with the waves of some
song we can't hear: now
banging on the wooddrums, the
thoughts and the doubts, hopes or
imaginations throwing fists at the
organ keyboard, some body of
loud waters, some
electrical structure groaning in
rains particles trapped in
the breezings, the sine
waves, the eyeballs thrown
left and right or up and down
or is that a sign of
happiness, of
peacefulness? who's to tell what's
harmony and what's dissonance?
who's to tell the words of the
song when each moment's just
a few bits of data? hard to
see the picture from a
pixel, hard to find the poem
through a word a letter an inkdot
the arounds and behinds
lost somewhere in the mix,
the breath being exhaled
before we even noticed it was
inside our bodies, each note
rising just a little higher or
just a little more like dirty
wallpaper: we ask each other where
it happened. where the
music got faster. where the
blue became green, where the
light was switched on and the
newer waves began to
interfere with things and distort
the shapes, canceling out
or multiplying or
performing more complicated
operations until the noise is noise
and the signal is noise and
the noise is still noise yet
somehow wider, more sideways
and spinningly and
uppingly and backwardly, more
harsh and out of sync, now neon
colorlines and batteries, strange
gaps in the spiral not
patterns but something about
them which makes us feel the
walls are moving further away
and the room is becoming
smaller, that one moment is
another and the second hand is
somehow different this time
around. we cannot help but go to
sleep again, this time with a
strange smile and already
looking forward to coffee. this
time with socks and a thicker
blanket. this time with the
windows open: and in comes the
cooler air.

eighteen.

fixed link mutable link
systems all around us
and our lives fracturing
breaking apart piece by piece as
we keep trying to glue
things back together with
words and theories and poems
and cathedrals
architectures in the mind and and later
in concrete, we begin to
feel jittery as we realize we
haven't stood up in hours, this
chair and its arms a little too
narrow, pressing against the
sides of our skulls, plurals
and singulars not having so
much significance to us now
when the lights are
flickering so subtly. we pray but
don't know who we are praying
to who we are praying for,
what we want, what we should
want. fading. fading.

twelve.

fixed link mutable link
we never seem to notice
the changes until they've
already happened. or at least
they are well into
happening. we wonder why that is:
the clouds evaporating and
the sun coming out, the air
getting so slightly warmer; a
single row of bricks painted a
different color. who the behinds
through before how's and where
when whenever the
againagain the words repeatingly
as we notice a little
cottonfluff drifting toward us. it
sticks to our ink, and we ask
again where meaning comes
from. a million coins being
thrown every instant, fields
of possibility so
terrifyingly wide staring us in the
eye so intensely we have to
look away and we notice this
little bug just flying around,
landing, and flying around
again. flying, landing, and
flying around again.
,