x
we accidentally imagine
by andrew yoon
this is a book of mutable poetry. it exists along a
field of probability with an effectively endless number
of possible realizations. every time this page is opened,
a program generates an entirely new version of the book.
some elements change more often than others. the random
seed for the version you are looking at is 7878037.
because there is a seed number stored in this window's url,
refreshing this page or opening a link to this url
will render the exact same contents you see now.
if you would like to share or keep a link to this version of the book,
you can use this .
if you want to visit or share a random new version of the book,
use this one .
to link to an exact version of a particular poem,
hover over the poem's title area and click the link
which appears that says "fixed link". you will also
see one that says "mutable link" - this points to where
that particular mutable poem lands in a random new book.
try following the mutable links of a particular poem through
different versions and see how it transforms.
you can print or (if your computer has the ability) download a
print-ready pdf of this version of the book using your browser's
printing functionality. some elements of the display will change
to make it more suitable for printing. (you may want to modify your
printing settings to disable the automatic header/footer generation
most browsers do.) please note that as i make
improvements to the mechanics of the program, the content you see
here will likely change, even with a fixed seed - if you want a
truly fixed version, please use the printing method.
the code for this entire project is under the gpl3 license and is
completely free to read, use, and redistribute. the most up-to-date
code is available on github
here .
andrew is a composer, programmer, poet, and bad pianist. you can
find some of his other projects online at his personal website
here .
...
we accidentally imagine
by andrew yoon
seed 7878037
it is 2025. we wonder what to say next,
and the wind is still blowing.
it's hard to speak
sometimes. we are frustrated with
ourselves for our
inconsistencies once at peace and
allowing things to be just the way
they are and want to be,
always taking action and never
taking action,
leftandrighting with the leftandright
once again wishing things
were a different way or that
the coin had landed on the
other face; we can't figure
out who we are, and we aren't
quite sure if that question
leads anywhere hard to find
the energy to say anything,
too many responses waiting
behind each option which never
seem to go anywhere
positive, anywhere that doesn't
hurt anybody or dissipate
into the grass as if nothing
had happened in the first
place and we begin to wonder if
anything actually did or does
happen or if we had somehow just
thought it all up out of some kind
of desperation and
confusion aimed at nothing in
particular, cycles going back and
forth but never quite the same
way, always surprising
somehow and adding to the
confusion and lack of any sense of
place, the feeling that we are
nowhere and the feeling that we
are getting nowhere.
of a smile. it all just
happens. it all just happens
into other things things,
shapes the behind behind
buttons the always buttons
always seem the wrong
direction. or point again again be
the into maybe that could be
the
we never seem to notice
the changes until they've
already happened. or at least
they are well into
happening. we wonder why that is:
the clouds evaporating and
the sun coming out, the air
getting so slightly warmer; a
single row of bricks painted a
different color. who the behinds
through before how's and where
when whenever the
againagain the words repeatingly
as we notice a little
cottonfluff drifting toward us. it
sticks to our ink, and we ask
again where meaning comes
from. a million coins being
thrown every instant, fields
of possibility so
terrifyingly wide staring us in the
eye so intensely we have to
look away and we notice this
little bug just flying around,
landing, and flying around
again. flying, landing, and
flying around again.
tangling wires into
these bizarre shapes, rugs
with strange colors and
melodies waitingly, taking deep
breaths before the speech where
we finally speak our
minds: "won't everybody
please, please stop this
cruelty? can't we see how
unnecessary it is?" some glass
window creaking under winds,
some oil spilled in a parking
lot. how again the why's and
who's before and after or some
some behind throughingly, a
manual for writers of research
papers about electrical
engineering and game theory,
complex analysis and early
marxist painting; the
walls of this place have
shoulders that are
sagging, somewhere in these
pages an actual answer to a
question that matters. a new pair
of jeans, a holiday
decoration left up for months, a
lightbulb which doesn't fit even
though we could have sworn the
size was right at the store.
color combinations making us
feel sick and wonder why we
care about the dissonance,
why we should prefer one to
the other. we conclude that
we're all just bits of air
moving with the waves of some
song we can't hear: now
banging on the wooddrums, the
thoughts and the doubts, hopes or
imaginations throwing fists at the
organ keyboard, some body of
loud waters, some
electrical structure groaning in
rains particles trapped in
the breezings, the sine
waves, the eyeballs thrown
left and right or up and down
or is that a sign of
happiness, of
peacefulness? who's to tell what's
harmony and what's dissonance?
who's to tell the words of the
song when each moment's just
a few bits of data? hard to
see the picture from a
pixel, hard to find the poem
through a word a letter an inkdot
the arounds and behinds
lost somewhere in the mix,
the breath being exhaled
before we even noticed it was
inside our bodies, each note
rising just a little higher or
just a little more like dirty
wallpaper: we ask each other where
it happened. where the
music got faster. where the
blue became green, where the
light was switched on and the
newer waves began to
interfere with things and distort
the shapes, canceling out
or multiplying or
performing more complicated
operations until the noise is noise
and the signal is noise and
the noise is still noise yet
somehow wider, more sideways
and spinningly and
uppingly and backwardly, more
harsh and out of sync, now neon
colorlines and batteries, strange
gaps in the spiral not
patterns but something about
them which makes us feel the
walls are moving further away
and the room is becoming
smaller, that one moment is
another and the second hand is
somehow different this time
around. we cannot help but go to
sleep again, this time with a
strange smile and already
looking forward to coffee. this
time with socks and a thicker
blanket. this time with the
windows open: and in comes the
cooler air.
every we hear inside the
. we are but try not to
notice to making outside this
making notice . the pause and
just . just breathe where
theringly , again all that sound
sniffling from seasonal
allergies seasonal allergies. we
can't can't help this sort of
harmony these acoustic us feel
our slantingway . more
vibrations ears closer trying to to
trying to hear inside the. we
aware try try making this
fuzzy this fuzzy of sound
against the . we the grass . pause
and and just breathe for a
while. thisthat the thisthat
, we all these angles and
from seasonal allergies. a
can't we can't help but smile
we harmony against the
these acoustic and we all
inside buzzing inside our
chests our our. slantingway or
combination making not? vibrations
more quiet every time we lean
our sounds . we are aware
aware not to notice notice
notice . sun outside just
breathe for breathe just where
while all these these angles ,
we while while longer and
and the sun keeps while
longer longer and the sun keeps
bird from sniffling from
seasonal bird we can't help but
smile at the sound sound
somehow the voices make this we
hear vibrations buzzing
inside our chests acoustic
vibrations acoustic okay more okay
. vibrations more we are
sounds . we are outside making
quietingly, the
softmurmurs not trying to say
anything in particular or
convince anyone of anything,
prefering to let things just exist
the way they are and stay the
same when they need to stay
the same and change when
they need to change, or not
even need to stay the same or
need to change but maybe
instead want to stay the same or
want to change, or rather: it
just happens. it just
happens, and it keeps just
happening. the softmurmers not
even speaking about what's
going on or what's not going on
but instead just
mentioning about whatever is on
their mind at that moment,
letting it out and letting it go,
the sound waves not
disappearing but echoing off a
thousand surfaces and every
blade of grass, split and
muffled and distorted and
echoed until they sound like
dead trees, the sun pushing
the waves around a little
through the screen door, gnats
in the air just sort of
moving around.
because the longer we
stare at the details, the less
we are sure they even
matter.
a the role society
pushed don't quite don't quite
understand what anyone saying or
ourselves don't quite understand
what we are the belly rising
and with every as thinks
about as it shaped many there
to write poem explain a
chord build a chord sleeves it
a new color in sky, sky the
sky of garbage on our voice
tones. different words,
probabilistic relationships
imitating meaning while
relationships imitating make
soullessness if we prefer
soullessness if we prefer we that way.
the smallvoiced reminder
that smallvoiced reminder
that we are a that dot blue dot
in a library where every
book is of there we for even
have don't recognize when we
we had good down is a friend
we haven't until the sun
back from an old cell phone
left cell phone
and all at once things
are so quiet, a tiny hiss
from the walls, distant
clanging of a ventilation fan. we
breathe with the sunlight,
passing clouds causing these
little pulses in the sunglow
and somehow we feel it in our
toes even though we can't
quite tell why the wind
chooses the pitches it sings
against the window, why one
harmony should point to
another, why every story has some
sort of climax where
elements and trajectories
culminate into some bigger thing
as if we had been heading
there all along as if there
were some kind of purpose
behind the penscratches or
where this leaf decides to
fall in this rotting pile we
notice a pain in our lower back
from bad posture and some
strange sense of pressure from
the bottom of our right foot
now the ventilation fan
slowing down into a periodic
banging; we notice a coin lying on
the ground but we can't make
out which side it landed on.
do we care? is it good to
care? would it matter if we
knew? we are staring at the
coin and the coin is staring
back.
and just like that, the
page turns for us. the next
series of random numbers fill
the screen and we begin to
imagine dots and we begin to
connect them and agree and
disagree with them, relate to
them and question them and
share them. the page glares.
we glare. everybody is
glaring and nobody is laughing
and then one of us starts
laughing, and another one of us
starts laughing, and we are all
laughing and the paper is
laughing and the inkdots are
laughing: the numbers are
laughing too.
the corner of the room
empty except for the little
grooves in the floorboard, we
smile. the moments going and
going in such a beautiful way
that we can't take our eyes
off it, noticing just how
inconsistent things are, how blurry
and arbitrary the
differences seem between things and
people and ideas, how musical a
painting can sound the ink never
seems to dry.
we wait for a few minutes
and wonder if it would be
okay for us to ask now: "is
this beautiful?" we wonder
if nobody noticed and we
watch the air just sort of move
around through the leaves. we
take another breath with the
sunlight and feel warmer.
throughs and arounds
behindingly the now nowing while
again the time continues and
stops and continues again.
circles of ink we close our eyes.
we keep asking
questions like “will this make me
happy?” when instead it might be
more interesting to ask what
it would sound like if the
leaves on every tree were poems
written on little sheets of
paper and everybody in the
world began to read them out
loud all at the same time and
then the wind began to blow
and the poems went flying in
the air all around and
everybody just watched it happen
in complete silence we
can't help but smile a little,
and then a lot. and someone
hugs the stranger to their
left and we all begin to
laugh. we ask ourselves
another question we can't hear
because of all the wind and
poems, and that's just fine we
realize we didn't want to know
the answers anyway when
there are so many confusing
and beautiful things all
around us anyway. we just keep
laughing and grabbing poems out
of the air, sometimes
deciding to read them and
othertimes using them as napkins.
the wind, the wind is
laughing too.
any, least least but
where we left where where we we
left them our instincts but
we don't different and we
don't of us us smiled first? of
people first ? these social
amplifying across a group of why
they thought the who they
thought funny when was of it
because there at once, in every
note the piano was more there
isn't. the emails keep
arriving and and keep arriving
and none keep arriving and
keep arriving and ever seem
to be from to, all these
situations stories,
now and this breathe in
dents in the floorboard where
they came the the face the if
sort on. we feel feel like is
is might the feel this
small dents in where
floorboard and each groove paint
wooden panels scrape along the
wooden panels and walls lot ,
how each knot in the wires
behind the the
paintings and laser ,
whatever those meaning. in in
particular seeming, their strange
rhythms tinkling looking back,
eyes glimmering uncharged
the lithium looking for
water. and subject matter
something or an box cereal somehow
while the light reflects
walls and the scattered from
months before much , an
whatever, not going anywhere
wonder where the birds get
their melodies , their
strange looking right, eyes
glimmering so batteries this and
something or anothersong
thismomentingly , expected somehow
while the light its own onto
the walls and the nearby
desk surface, papers
scattered from each some
paintings and some printed from
black and means , , not the
birds strange bottle looking
right back, or lithium for
different ? asking and subject
matter it or something casting
light the over each with
colors and blindly drawn old
white laser jet printer those
going in particular the
tinkling or rubbing cardboard .
the with the. water.
subject matter like something
or anothersong of light
reflects its own color onto
papers months before much,
some printed jet printer
meaning in their, bottle
looking, so or batteries. the
different? asking it important or
something or or anothersong
thismomentingly or than expected
reflects in its own , papers
scattered important some not so
much , printed from an old
black laser those particular
get strange rhythms
tinkling or rubbing back or
flickerings or uncharged batteries
? asking between or
something or anothersong
thismomentingly or an, casting
sometimes and
sometimes one happens without
sometimes things okay and are okay
, and sometimes are not
not we other things it that
go from and sometimes
things are not and and
sometimes they , and to other
without even trying, and and
sometimes they they that go one to
the without are, and
sometimes to things are not okay,
it trying. and they are are
sometimes sometimes even not okay
, and okay, and sometimes
they and sometimes,
sometimes it happens that one to,
they are, that we without
even one one to other without
even trying, and sometimes
and even trying. and and not
sometimes it that we go from even
trying sometimes things are
not okay and okay it happens
the trying. are happens
that we sometimes sometimes
things are not okay and
sometimes and one to without even
trying , one to the other
without even trying, they are,
and sometimes it . and
sometimes things are not okay they
happens sometimes it trying.
and sometimes sometimes
they are, and from
we are breathing. and we
are still breathing. one
thought and another passing by
in the street while we ask
ourselves if this is going
anywhere if we should instead be
focusing on something else like
the way the smoke is
drifting away from the incense
stick, or the sound our eyelids
make when we blink. is there a
place for rushing anymore?
the softmurmurs again,
reminding us about our breath: and
a little blue bird lands
on the windowsill. it is
singing.
how to handwriting.
wonder what might over these
years or if changes ever
really changes we unexpected
question and we. laugh begin see
the first it seems question
comes to our ears so important
why like why with at the
moment we are able bad. we be
next be next years over these
nothing. we reject the that
nothing really and ask and don't
know. and we and begin to cry.
begin to begin and laugh. are
aimless in the aimless place
when it seems like our which
ears which so, is which is so
more to read bad. bad
handwriting we laugh. we be next,
really changes the idea that
really changes and we ask
ourselves an you we are unable to
answer. we. we don't and ?” and
to don't know we begin and
then we begin laugh. why so
aimless first place seems like
second a question comes, we
can't why we of the moment or
are how we are begin to begin
question how we. we and laugh
laugh anything really
changed the really ask we ask we
an unexpected question:
“who are “who are. and and
begin can't why these
questions are in
we suspect that things
just happen somehow and we
can't help but smile a little
and then laugh at how absurd
it is that we ever even
think about things like
numbers and days of the week,
what two things happening at
the same time might sound
like if someone were to
listen (we suspect nobody is)
and if they were trying to
write things down as they
listened. we stop worrying so much
about scheduling and books
and start thinking (not
worrying) about what might be for
breakfast tomorrow or why we cross
one thing out in place of
another when we are writing
without any particular sense of
intention to begin with, just
going across lines one by one
with a scratchy pen and going
straight on to the next word which
bounces through our ear just
going with it and still just
going with it.
we listen to the sounds
of all these people we've
never met laughter and
conversation, pointing toward their
destination as they explain to each
other how they learned about
the place. so many
different types of hats. all these
little motions, events going
back and forth without
leaving any sort of permanent
mark because even roads and
dams and enormous statues
collapse and fade eventually,
and things just do what they
do what they always were
going to do anyway. we try to
figure out where the patterns
in a cloud of leaves come
from, whether we made it all up
or if maybe something
could really be there, that
maybe the leaves decided or
felt some need or urge to grow
in such a way that these
grid patterns come up when we
look at the branches from
below. and now someone we know
comes walking by our sitting
place, but we don't look up so
they don't see us so they
don't say anything. or maybe
they noticed us looking away
and quietly understood
that sometimes it's okay to
just not say anything, that
sometimes we can just be
ourselves. we don't know, really.
and they walk out of sight.
and another thing happens
which doesn't matter, and we
glance at the clock and wonder
if it's eight yet, and it
isn't now we notice that the
sun is behind us, and that
our shadow is in front of us.
we notice how strange our
hair looks when the wind
moves it around into
different shapes. we try to smear
the ink and lead with our
hand but somehow it all
sticks to the paper so well and
remains perfectly legible. we
were hoping that the smudges
might make us somehow misread
a word or note or two and
help us think of something we
wouldn't have otherwise, but
maybe a different technique
or execution would be
better, more appropriate. we
question the idea of relevancy
for a moment, and let it go.
we close our eyes and just
listen to the wind and
airplanes and feel the sun warming
our legs. we wonder what
could come from this just
about anything, really we
wonder if anything could or
couldn't prepare us for it, and if
it would matter anyway
we wonder what would
make us happy, what would
make this headache go away
which keeps distracting us
from everything going on the
scratching pens and observations,
a quote out of context we
leave the incense burning
when we go to sleep even
though we know it's a fire
hazard and it puts our lives in
danger and the lives of all the
other people living above and
below us, and all of the people
we know and the people who
care about what happens to us
even though we never asked
them to. we wonder why it
should matter that something
happens to anyone, we wonder why
we care. and everything is
so quiet.
we ask ourselves some
question we can't hear, muffled
because our heads are
underwater, this cold sensation
pressing on our foreheads while
we feel our socks becoming
heavy, cottonfibers grabbing
skin and dragging behind our
feet, cold passing between
our toes. maroon painted
walls and a thick sweater,
crinkling plastic bag full of
snacks. we notice it is becoming
later every moment, and that
as soon as we count one
number there is another in
front of that, always room for
another one or zero or eighty
seven or pencilcase
dirtyshoe, these power outlets
rusting over even though we
can't see where the water
could have come from fading in
the carpet telling which
way people walk most
without asking why they walk it
so often when it seems
there are so, so many other
ways to go and that this way
isn't even the easiest or most
efficient or beautiful or
surprising: they are taking the path
because it is the path they take,
and we can't help but
laughalittle at how beautiful that is
not to say that one is better
than another or that anyone
is wrong for going the way
they do or that we think we are
better than going that
particular way to the couch, but
that we know in the end we are
going to go that way too and
that's just fine. it's just as
good an option as any so we
don't see a reason why not it's
beautiful enough and it's
surprising enough and that itself
may be the most beautiful
and surprising thing of all
at the moment.
glowing through trees
around a keep smiling and are
able to see everything
around for what it object how
tones staring us by the some
and us wonder why wood is so
resonant how squirrels climb
trees of and their if in the it
will all turn punchline, a
these some the opinions and
and the the hugs, timer
circles ink going around other
room every moment around us,
how this and how the whole
somehow feel it we don't think
about don't are but somehow we
and that's perfectly okay
would never have made us more
happy or feel on arm and our
blood is and the trees bit,
smiling everything person the
air sort of around absorbed
transformed into some kind pushes
how and how we if in the turn
out to part a punchline,
last one facts bucket, the
screams and hugs, timer keep not
to notice around we the
other around landing how the
and
once, a, for it does.
once this does. the sound . we
notice how but for “can it a the
sticks. a slowmoving sound. we
notice how, but for now we “can
now we, maybe we notice pink
how so pink why, so pink
maybe we we don't. “can it but
for don't and for it stay
like this “can it stay like
this for a, for it the sticks
the and it. a notice how but
for now we it stay and stay
like a while ?” and damp, it a
smell of damp sticks from
outside. sound everything
maybe is we notice how
everything is why everything is so
pink why , we don't we we this
for it stay like this for it
for once does from we sticks
from sound. we notice is a
smell a maybe we for. “can it a
while ?” does. damp a
slowmoving maybe we but. “can it
stay don't we remember pink
maybe we remember it stay like
?” and, the smell a
everything is slowmoving sound. we
notice pink don't. “can it stay
like this for once, it smell
of damp sticks a the smell
of does. sticks from
outside. a slowmoving sound
everything
we accidentally
imagine ourselves as having for
a head this strangely
shaped box or a bird feeder with
a triangular roof or
something similar and we are
sitting in the front passenger
seat of an old car and someone
we care a lot about asks,
who are you? and we
think for a minute, and then
another. we aren't able to answer
with anything except a held
hand, and we somehow find
ourselves caring more about them
just because they asked.
they can't answer either,
and the grip gets tighter
and they aren't making eye
contact but that's okay because
we aren't looking anyway
and we are both these
strange wooden boxes attached
to bodies, heads without
eyes which still say so much,
eyes without laughinglines
which always find new things
to smile about an itch
behind our ears, the way this
piece of paper falls on the
ground, the sound of an overhead
lamp switching on laughing
about nothing in particular
and everything in
particular, wanting to want
everything and wanting to want
nothing, to feel everything and
to feel nothing, or at
least something the grip
getting tighter and we remember
how okay it is, how
beautiful it is and how funny it is
that poetry and music might
be the same thing after
all, that hiding is okay
sometimes and being naked is okay
too, that sometimes things
lead to other things, and
sometimes they don't, and
sometimes things just happen and
they keep just happening and
they don't stop. they don't
stop and it seems like they
never will, so it starts
making sense to just accept
this and close our eyes and
smile a little but somehow
this feels impossible. we
get frustrated and start to
do things we don't want to
do, blaming other people
for things nobody had
control over in the first place
and jumping to conclusions
and making assumptions
about other people and their
intentions and what they want or
what they are afraid of. we
forget that they are us, that
their grip is getting tighter
and that nothing is okay for
them either. we remember
that their boxy head is
crying and we have been trying
not to notice. we remember
that we are all the same
person born into different
bodies, and that this is a
beautiful thing. this is a
beautiful thing. this is a
beautiful thing.
how did we get here? the
questions which keep making their
way inside our mouths as if
we never could learn from
the last time we couldn't
answer and instead only become
more unhappy and began to
throw things at the walls with
some inexpressible anger
screaming and shouting with a red
face and bulging veins,
fists again and again against
the door not even caring
what's on the other side, too
caught up with the idea of the
door being there in the first
place another why and another
if causing the lights to
flicker and the stove to begin to
smell like something is
burning so we all try to remember
what we had done in the
kitchen last but we can't
remember, and even the attempts to
remember make us shout with fewer
words, make us scream with our
fingers and pound harder and
harder on the door while the
wood is splintering here and
there and the doorframe
appears to budge this time or
that time or this time again
and again and again
every repetition
getting a little more accurate,
a little faster and with
fewer mistakes. the
conversation going on outside
becoming heated while we do our
best to pretend we aren't
listening.
inside it these things
so slowly but seems to be be
as to usual usual with
those and little fingers and
we suggest a counterpoint
really about wayingsong
agains the the wayingsong to
questions and ideas see under a
color when we are color all
moving so clock seems to be
seems to be and we. and the
counterpoint conversation and
nobody really seems to care
about the wind we or to while
the eyelids while behind
ideas see under these things
all so slowly but the so
things
systems all around us
and our lives fracturing
breaking apart piece by piece as
we keep trying to glue
things back together with
words and theories and poems
and cathedrals
architectures in the mind and and later
in concrete, we begin to
feel jittery as we realize we
haven't stood up in hours, this
chair and its arms a little too
narrow, pressing against the
sides of our skulls, plurals
and singulars not having so
much significance to us now
when the lights are
flickering so subtly. we pray but
don't know who we are praying
to who we are praying for,
what we want, what we should
want. fading. fading.
laughing! isn't it
funny how we can't help but
smile when the sun starts
coming back right on cue shades
of these colors whose
names we can't remember lines
and lines and so many lines.
we remember that the stick
of incense is still
glowing and somehow becoming
smoke in our lungs we breathe
and we breathe and we
breathe. we forget to ask
questions.
silence and quiet now. a
small voice humming and
laughing in the other room. a
crystal or some melting snow.
behinds toward while again
around where's or why's while
leftandright shrinking silently. a
wooden creak. a scratch. all
centers things happening all
around, things just happening
and just being the way they
are. and we realize that this
is a beautiful thing. that
this is a beautiful thing.