it is 2025. we wonder what to say next, and the wind is still blowing.

thirteen.

fixed link mutable link
of ink we it would be okay
okay for and wonder sort of of
move air we take another
breath arounds warmer breath
with feel warmer warmer
breath through air just sort
watch wonder if "is we noticed
and wonder sort of move
around just just sort of the of
move around through the and
feel warmer stops and and
circles wait wait be okay ?" : "is
we watch the wonder sort of
move around around through
the and continues again
again few eyes. we wait for a
few minutes and wonder we we
close and ask now noticed and
we watch sort through sort
another breath breath with
leaves feel and again the of ink
we again again again .
circles we minutes wait our eyes
if: and we we we wonder if:
"is this this this us: ?" ?"
air and we watch sort of move
air we we take around the
sunlight. throughs and sunlight
another another and now nowing
again few we wait ask now: "is
we watch the with we we.
throughs and continues
continues and stops wait for for a
few minutes and wonder be
minutes . we wait we. we wait for
eyes. it wonder this
beautiful ?" to be to ask ask now now
for us wonder wonder now now
: okay for us

eleven.

fixed link mutable link
we keep asking
questions like “will this make me
happy?” when instead it might be
more interesting to ask what
it would sound like if the
leaves on every tree were poems
written on little sheets of
paper and everybody in the
world began to read them out
loud all at the same time and
then the wind began to blow
and the poems went flying in
the air all around and
everybody just watched it happen
in complete silence we
can't help but smile a little,
and then a lot. and someone
hugs the stranger to their
left and we all begin to
laugh. we ask ourselves
another question we can't hear
because of all the wind and
poems, and that's just fine we
realize we didn't want to know
the answers anyway when
there are so many confusing
and beautiful things all
around us anyway. we just keep
laughing and grabbing poems out
of the air, sometimes
deciding to read them and
othertimes using them as napkins.
the wind, the wind is
laughing too.

twenty six.

fixed link mutable link
wrong and dominoes to
fall going the way direction
. which always pushing up
behind the geometries and
relationships pushing which always
seem to direction fall in we
expected could intended,
sneaking into the thoughts again
. ideas point again. and
these colors. it it all just
other other things, shapes
sort the geometries and fall
in the way. way could be the
expected but maybe the point into
the and thoughts again be
goals sneaking into the point
ideas spray . ideas the the
thoughts again. ideas spray, all
these and interactions.
spray permeating while we
watch with a squares smile
smile we shapes sort of making
themselves geometries geometries
and relationships fall
fall in expected or intended
. goals sneaking into the
paints and colors and it all
just things making
themselves up the geometries which
always seem to fall we expected
or going the way maybe the
point. and thoughts concrete
,. ideas and
interactions colors and ideas all
these colors and a smile. it
all just things things ,
shapes into other of
geometries seem to direction. not
going the could be the point.
goals could be goals be the
point.. and interactions.
spray permeating while we
watch. watch with a
permeating while we. trangles
trangles into all outlines of
squares and things, shapes sort
of and and dominoes which
fall in the wrong intended,
we expected or intended,
but maybe that the or
intended, sneaking sneaking
into paints permeating all
these watch with a smile we and
concrete, ideas ideas
permeating a smile smile just
happens trangles into other
themselves up up and fall way way we
not going expected or
intended the or the way we
expected or intended that or
going the way maybe expected
or. goals thoughts..
ideas and and interactions
all spray paints and and
concrete colors and ideas
permeating while it squares and
trangles into other things,
shapes the pushing buttons and
dominoes which always seem to
wrong direction. in we that
could be the but maybe maybe
point. goals again. ideas and
, spray colors and a smile
. and trangles into other
things, shapes sort behind
each and dominoes
relationships relationships fall in
the wrong intended, but
sneaking into the thoughts
interactions. spray paints and ideas
permeating all

eighteen.

fixed link mutable link
systems all around us
and our lives fracturing
breaking apart piece by piece as
we keep trying to glue
things back together with
words and theories and poems
and cathedrals
architectures in the mind and and later
in concrete, we begin to
feel jittery as we realize we
haven't stood up in hours, this
chair and its arms a little too
narrow, pressing against the
sides of our skulls, plurals
and singulars not having so
much significance to us now
when the lights are
flickering so subtly. we pray but
don't know who we are praying
to who we are praying for,
what we want, what we should
want. fading. fading.

twenty seven.

fixed link mutable link
of if these things we
close our eyes for a we close
for feel are floating
outside foreheads, that it warm
breathe in our this stinging
sensation our hands we notice
dents in the ask where
floorboard and ask groove and
scrape scrape along of paint
face someone on someone in
the wires purpose things
just. we close feel like we
that somehow outside the
windows outside we and we our
small now our now we

four.

fixed link mutable link
it's hard to speak
sometimes. we are frustrated with
ourselves for our
inconsistencies once at peace and
allowing things to be just the way
they are and want to be,
always taking action and never
taking action,
leftandrighting with the leftandright
once again wishing things
were a different way or that
the coin had landed on the
other face; we can't figure
out who we are, and we aren't
quite sure if that question
leads anywhere hard to find
the energy to say anything,
too many responses waiting
behind each option which never
seem to go anywhere
positive, anywhere that doesn't
hurt anybody or dissipate
into the grass as if nothing
had happened in the first
place and we begin to wonder if
anything actually did or does
happen or if we had somehow just
thought it all up out of some kind
of desperation and
confusion aimed at nothing in
particular, cycles going back and
forth but never quite the same
way, always surprising
somehow and adding to the
confusion and lack of any sense of
place, the feeling that we are
nowhere and the feeling that we
are getting nowhere.

nineteen.

fixed link mutable link
the corner of the room
empty except for the little
grooves in the floorboard, we
smile. the moments going and
going in such a beautiful way
that we can't take our eyes
off it, noticing just how
inconsistent things are, how blurry
and arbitrary the
differences seem between things and
people and ideas, how musical a
painting can sound the ink never
seems to dry.

seven.

fixed link mutable link
tangling wires into
these bizarre shapes, rugs
with strange colors and
melodies waitingly, taking deep
breaths before the speech where
we finally speak our
minds: "won't everybody
please, please stop this
cruelty? can't we see how
unnecessary it is?" some glass
window creaking under winds,
some oil spilled in a parking
lot. how again the why's and
who's before and after or some
some behind throughingly, a
manual for writers of research
papers about electrical
engineering and game theory,
complex analysis and early
marxist painting; the
walls of this place have
shoulders that are
sagging, somewhere in these
pages an actual answer to a
question that matters. a new pair
of jeans, a holiday
decoration left up for months, a
lightbulb which doesn't fit even
though we could have sworn the
size was right at the store.
color combinations making us
feel sick and wonder why we
care about the dissonance,
why we should prefer one to
the other. we conclude that
we're all just bits of air
moving with the waves of some
song we can't hear: now
banging on the wooddrums, the
thoughts and the doubts, hopes or
imaginations throwing fists at the
organ keyboard, some body of
loud waters, some
electrical structure groaning in
rains particles trapped in
the breezings, the sine
waves, the eyeballs thrown
left and right or up and down
or is that a sign of
happiness, of
peacefulness? who's to tell what's
harmony and what's dissonance?
who's to tell the words of the
song when each moment's just
a few bits of data? hard to
see the picture from a
pixel, hard to find the poem
through a word a letter an inkdot
the arounds and behinds
lost somewhere in the mix,
the breath being exhaled
before we even noticed it was
inside our bodies, each note
rising just a little higher or
just a little more like dirty
wallpaper: we ask each other where
it happened. where the
music got faster. where the
blue became green, where the
light was switched on and the
newer waves began to
interfere with things and distort
the shapes, canceling out
or multiplying or
performing more complicated
operations until the noise is noise
and the signal is noise and
the noise is still noise yet
somehow wider, more sideways
and spinningly and
uppingly and backwardly, more
harsh and out of sync, now neon
colorlines and batteries, strange
gaps in the spiral not
patterns but something about
them which makes us feel the
walls are moving further away
and the room is becoming
smaller, that one moment is
another and the second hand is
somehow different this time
around. we cannot help but go to
sleep again, this time with a
strange smile and already
looking forward to coffee. this
time with socks and a thicker
blanket. this time with the
windows open: and in comes the
cooler air.

twelve.

fixed link mutable link
we never seem to notice
the changes until they've
already happened. or at least
they are well into
happening. we wonder why that is:
the clouds evaporating and
the sun coming out, the air
getting so slightly warmer; a
single row of bricks painted a
different color. who the behinds
through before how's and where
when whenever the
againagain the words repeatingly
as we notice a little
cottonfluff drifting toward us. it
sticks to our ink, and we ask
again where meaning comes
from. a million coins being
thrown every instant, fields
of possibility so
terrifyingly wide staring us in the
eye so intensely we have to
look away and we notice this
little bug just flying around,
landing, and flying around
again. flying, landing, and
flying around again.

twenty two.

fixed link mutable link
which slantingway or
combination making one thing work
and another not? the
vibrations more quiet every time we
lean our ears closer trying
to hear inside the sounds.
we are aware of our actions
but try not to notice. the
sun outside making this
fuzzy kind of sound against
the grass. we pause and just
breathe for a while. where again
the thisthat theringly,
the second hand ticking by
again and again while all
these angles crackling, we
breathe for a while longer and
the sun keeps making that
sound and we keep sniffling
from seasonal allergies. a
bird call we don't
recognize. we can't help but smile
at the sound of people
laughing and somehow the voices
make this sort of harmony
against the windchimes and we
hear all these acoustic
vibrations buzzing inside our
chests and making us feel not
warmer but more okay. more
okay.

six.

fixed link mutable link
silence and quiet now. a
small voice humming and
laughing in the other room. a
crystal or some melting snow.
behinds toward while again
around where's or why's while
leftandright shrinking silently. a
wooden creak. a scratch. all
centers things happening all
around, things just happening
and just being the way they
are. and we realize that this
is a beautiful thing. that
this is a beautiful thing.

nine.

fixed link mutable link
we are breathing. and we
are still breathing. one
thought and another passing by
in the street while we ask
ourselves if this is going
anywhere if we should instead be
focusing on something else like
the way the smoke is
drifting away from the incense
stick, or the sound our eyelids
make when we blink. is there a
place for rushing anymore?
the softmurmurs again,
reminding us about our breath: and
a little blue bird lands
on the windowsill. it is
singing.

twenty five.

fixed link mutable link
a little more accurate,
little more listening. we
aren't listening we aren't
getting, listening we aren't
listening repetition getting a
little more accurate. aren't
listening repetition faster
repetition. aren't to do on with.
going on outside becoming our
best to pretend heated while
we pretend every
repetition

ten.

fixed link mutable link
we ask ourselves some
question we can't hear, muffled
because our heads are
underwater, this cold sensation
pressing on our foreheads while
we feel our socks becoming
heavy, cottonfibers grabbing
skin and dragging behind our
feet, cold passing between
our toes. maroon painted
walls and a thick sweater,
crinkling plastic bag full of
snacks. we notice it is becoming
later every moment, and that
as soon as we count one
number there is another in
front of that, always room for
another one or zero or eighty
seven or pencilcase
dirtyshoe, these power outlets
rusting over even though we
can't see where the water
could have come from fading in
the carpet telling which
way people walk most
without asking why they walk it
so often when it seems
there are so, so many other
ways to go and that this way
isn't even the easiest or most
efficient or beautiful or
surprising: they are taking the path
because it is the path they take,
and we can't help but
laughalittle at how beautiful that is
not to say that one is better
than another or that anyone
is wrong for going the way
they do or that we think we are
better than going that
particular way to the couch, but
that we know in the end we are
going to go that way too and
that's just fine. it's just as
good an option as any so we
don't see a reason why not it's
beautiful enough and it's
surprising enough and that itself
may be the most beautiful
and surprising thing of all
at the moment.

thirty.

fixed link mutable link
unable we are unable we
don't know to why questions
are minute or question, a
good question to why we can't
think of a of a the moment or we
we laugh might be next
actually nothing ever that
nothing in are ?” and unable to
cry. and., and laugh. can't
laugh, and laugh so aimless in
the first in or new second
place comes important a
question to begin with to we able
are read bad handwriting we
laugh. over the idea really
and we ask ourselves
question unexpected ourselves
we ask ourselves an
unexpected unable to answer. we
don't know we answer and. know
and we begin then we we begin
to we begin see why these
questions aimless in place when
questions when questions are the
first a second minute every
minute a new our ears which our
more important so , so,, good
question to good question good
question to question to we are
able we laugh, if changed
over these if reject the we
unexpected question in return we we
to cry, and laugh and laugh
can't we see the first place
when it ears so, important
more important to begin with
at the moment are able to
read bad we laugh laugh. if
anything really changes the idea
changes and we ask ourselves an
question and we are know. we begin
to, to laugh, and the first
comes to is we can't think of a
good question to begin
handwriting laugh, if or if nothing
and we ask: you and we are
unable

twenty nine.

fixed link mutable link
at the same, what things
happening at the sound like if
someone were is ) they we stop
(not ) cross one another when
are writing without sense
of intention to begin with
of with one just going with
lines one with a through our
still just somehow and a
little and we can't help but
smile little and that we ever
about things days of the week,
two things happening the
time sound the same might
sound like someone were to
listen is ) they were trying
nobody is ) and trying to stop
worrying listened things down as
they listened. stop
worrying so much scheduling (not
worrying and start thinking (not
worrying ) and books start
thinking (not about be for or be
for breakfast tomorrow or
why we when we are writing
particular sense of intention one
by one a going lines one pen
lines one straight through
our ear it still going with
it and. we suspect that
things just somehow little and
it is that we ever at we ever
even think that we about
things like numbers at the same
time might sound listen
suspect ) and if were trying to
write things we worrying for
why for breakfast we place
of another when , a going
straight scratchy pen and going
straight on next bounces through
our with it. suspect that
things just happen somehow and
we how absurd it ever about
of sound like if someone
were to listen (we suspect )
and were things so much
about books and start
thinking about might be we might
be breakfast tomorrow
place any begin , just going
begin with, particular sense
of to just lines scratchy
straight our. we a little and then
is that numbers and of the
week things like what same
sound someone were listen (we
suspect nobody is things
worrying so much worrying ) about
be for breakfast we

five.

fixed link mutable link
quietingly, the
softmurmurs not trying to say
anything in particular or
convince anyone of anything,
prefering to let things just exist
the way they are and stay the
same when they need to stay
the same and change when
they need to change, or not
even need to stay the same or
need to change but maybe
instead want to stay the same or
want to change, or rather: it
just happens. it just
happens, and it keeps just
happening. the softmurmers not
even speaking about what's
going on or what's not going on
but instead just
mentioning about whatever is on
their mind at that moment,
letting it out and letting it go,
the sound waves not
disappearing but echoing off a
thousand surfaces and every
blade of grass, split and
muffled and distorted and
echoed until they sound like
dead trees, the sun pushing
the waves around a little
through the screen door, gnats
in the air just sort of
moving around.

three.

fixed link mutable link
fingers and pound
harder and pound the door while
the wood there the the
doorframe appears to to budge this
again and again get here the
the the questions inside
our mouths last more throw
screaming and shouting with a
shouting with a red face against
the fists door again and and
on caught up with the idea
the door being in in another
why and why why another
flicker like something to all so
all try kitchen last we
remember attempts the attempts
to fewer words, make and
splintering here doorframe appears
that or did we get here get
which making their inside our
learn from instead throw
things things inexpressible
inexpressible some some
inexpressible anger screaming and
shouting bulging against the
door not too the door another
why and another if causing
the lights to the lights to
begin to smell like something
try had done to remember
what last the us with fewer
words, make scream harder the
on the door while the wood
and the time again and? the
here? the did we get? the
questions which which which keep
making making we if we time
instead only become more only
become more throw things at the
walls with some red screaming
and bulging with a red with a
a shouting and shouting,
red face face face and
bulging veins and bulging,
against the not and on the what's
with the the, too caught door
being there in if stove
something like something is
burning to like something like
stove to to smell begin is like
something what we we but can't
remember, and us the fewer, us
scream with and harder on
harder on the door door and the
doorframe appears time or this
time time we get? the
questions which which the the
mouths as if last the last

twenty.

fixed link mutable link
the smell of damp sticks
from outside. a slowmoving
sound. we notice how
everything is so pink maybe we
remember why, but for now we
don't. “can it stay like this
for a while?” and, for once,
it does.

two.

fixed link mutable link
because the longer we
stare at the details, the less
we are sure they even
matter.

twenty one.

fixed link mutable link
we wonder what would
make us happy, what would
make this headache go away
which keeps distracting us
from everything going on the
scratching pens and observations,
a quote out of context we
leave the incense burning
when we go to sleep even
though we know it's a fire
hazard and it puts our lives in
danger and the lives of all the
other people living above and
below us, and all of the people
we know and the people who
care about what happens to us
even though we never asked
them to. we wonder why it
should matter that something
happens to anyone, we wonder why
we care. and everything is
so quiet.

twenty three.

fixed link mutable link
screams and and violins
the timer keeps keep our
circles around hear the
temperature changing every, how on
how feel it for a are
repeating themselves we don't
caring about that would us more
human, more the arm our is and
the just wind keeps trees,
and an instant everything
it object the air just sort
away, floorboards of
kinetic wonder, of turn wonder
if in part of a story
sentence rock, one another, the
screams, the, we keep doing to
notice. around themselves
voices every moment all sun

fifteen.

fixed link mutable link
gestures amplifying
one of don't know why
because because one of us a group
across a they thought hear half
of because all every
traffic jam, a different
struggle piano maybe if there
there isn't. just another.
emails of emails seeming like
emails just like another
ceiling none of from into out
situations all these fanning up
that seems as good as at but
these circumstances for
different responses, because
because one of us smiled of us
smiled first of people was
funny joke was even it because
there were so all at car
struggle the if the sky sky
seeming the just keep ever seem
to, seem real people
branching out incomprehensible
tree, to up impossible
impossible end, options out into
fanning out into entire stories
, possibilities out into
weigh into some
incomprehensible tree we end up just with
good the one we up just and and
saw as for now at our
instincts but we remember all for
where all for. we are know
first these first? these
social of smiled first? across
a of people who don't why
don't know gestures know who
was didn't know didn't even
hear didn't even half of it
things going on all at single
car in behind piano . maybe
if but the piano.. maybe
time. but there isn't.
emails keep arriving and seem
seem be from real, all
situations branching,
possibilities some incomprehensible
weigh. we up just one weigh
weigh. we end up, weigh up that
any least instincts
instincts but don't different
circumstances remember where we left
them responses, different
smiling . for for different
different responses, different
ways ways ways of different
ways, different ways of. we
first? these first?
amplifying across one of us smiled
first?

eight.

fixed link mutable link
we accidentally
imagine ourselves as having for
a head this strangely
shaped box or a bird feeder with
a triangular roof or
something similar and we are
sitting in the front passenger
seat of an old car and someone
we care a lot about asks,
who are you? and we
think for a minute, and then
another. we aren't able to answer
with anything except a held
hand, and we somehow find
ourselves caring more about them
just because they asked.
they can't answer either,
and the grip gets tighter
and they aren't making eye
contact but that's okay because
we aren't looking anyway
and we are both these
strange wooden boxes attached
to bodies, heads without
eyes which still say so much,
eyes without laughinglines
which always find new things
to smile about an itch
behind our ears, the way this
piece of paper falls on the
ground, the sound of an overhead
lamp switching on laughing
about nothing in particular
and everything in
particular, wanting to want
everything and wanting to want
nothing, to feel everything and
to feel nothing, or at
least something the grip
getting tighter and we remember
how okay it is, how
beautiful it is and how funny it is
that poetry and music might
be the same thing after
all, that hiding is okay
sometimes and being naked is okay
too, that sometimes things
lead to other things, and
sometimes they don't, and
sometimes things just happen and
they keep just happening and
they don't stop. they don't
stop and it seems like they
never will, so it starts
making sense to just accept
this and close our eyes and
smile a little but somehow
this feels impossible. we
get frustrated and start to
do things we don't want to
do, blaming other people
for things nobody had
control over in the first place
and jumping to conclusions
and making assumptions
about other people and their
intentions and what they want or
what they are afraid of. we
forget that they are us, that
their grip is getting tighter
and that nothing is okay for
them either. we remember
that their boxy head is
crying and we have been trying
not to notice. we remember
that we are all the same
person born into different
bodies, and that this is a
beautiful thing. this is a
beautiful thing. this is a
beautiful thing.

seventeen.

fixed link mutable link
marbles in a glass bowl,
not going anywhere in
particular seeming to wonder where
the birds get their
melodies, their strange rhythms
tinkling or rubbing cardboard.
the dark bottle looking
right back, eyes glimmering
so loudly with the
sunlight or fluorescent
flickerings or uncharged
batteries. the lithium looking for
water. how's this different?
asking between colorshades
and subject matter like it
were important or something
or something or something
or anothersong
thismomentingly or an old box of cereal,
casting shadows longer than
expected somehow while the light
reflects in its own color onto the
walls and the nearby desk
surface, papers scattered from
months before piled over each
other, some important some not
so much, some with colors
and blindly drawn
paintings and some printed out
from an old black and white
laser jet printer, whatever
that means, whatever those
meaning.

twenty four.

fixed link mutable link
one to to sometimes
things and sometimes
sometimes it happens that, and we
other without even sometimes
things are okay sometimes it
happens from one to the even
trying , and sometimes
sometimes to to the are sometimes
things even trying. and trying
. sometimes they, they
are, and happens . and
sometimes okay , not okay go
sometimes that we from one without
are not okay sometimes it
the trying sometimes okay,
and sometimes we go trying
are , and sometimes it
happens that we without even one
okay, sometimes things
happens that go from one to the
the trying., and sometimes
from one and and sometimes
things are not we to to without
from one one okay, and
sometimes sometimes it happens to
that we the other are, they
they happens we to the other
without even are and sometimes
from one other without even
trying . and sometimes things
are not okay , and sometimes
they , and go things are and
and from one to the other
without even even are and
sometimes they are sometimes are
sometimes it happens that go one to
the the other without even
trying. even not , we go without
trying. and things it that it
happens that we other without
even trying. and sometimes
sometimes things are not okay,
sometimes happens one to the other
to things and sometimes
they are, and one trying. and
are not. and sometimes
without even trying. and and
sometimes it happens go are not,
and go from one okay , they
are sometimes it happens
other go.,, we happens that we
sometimes are, it one to even
trying. and trying .

one.

fixed link mutable link
and just like that, the
page turns for us. the next
series of random numbers fill
the screen and we begin to
imagine dots and we begin to
connect them and agree and
disagree with them, relate to
them and question them and
share them. the page glares.
we glare. everybody is
glaring and nobody is laughing
and then one of us starts
laughing, and another one of us
starts laughing, and we are all
laughing and the paper is
laughing and the inkdots are
laughing: the numbers are
laughing too.

sixteen.

fixed link mutable link
laughing! isn't it
funny how we can't help but
smile when the sun starts
coming back right on cue shades
of these colors whose
names we can't remember lines
and lines and so many lines.
we remember that the stick
of incense is still
glowing and somehow becoming
smoke in our lungs we breathe
and we breathe and we
breathe. we forget to ask
questions.

twenty eight.

fixed link mutable link
such a way that these
grid patterns when we the
come up that these come up
when. know place , don't see
so anything . or maybe away
and quietly understood
that be ourselves. we don't
know , really and out of
doesn't , and clock notice that
the sun is behind us our is ,
and in we notice how when the
the ink and lead with our
hand to the paper so were
hoping might somehow note
something we maybe a different
more relevancy for a it we
close let it go.

fourteen.

fixed link mutable link
working as little
fingers and with those a a nobody
really seems to about
wayingsong we or behind the to while
behind eyelids behind the the
eyelids, and questions how to
see under a see under a color
when these things all moving
so all moving the clock
seems be working seems to
those clunks fingers and
woodenbits a the. stays the
conversation the the conversation
the really really seems the
wind. agains the we to while
while or a, with and ideas
ideas how to ideas see when
when when we are stuck it
seems to be working as clunks
little fingers and really
seems to really and nobody
seems to care about the wind
about to care about agains the
wayingsong a to while eyelids, with

thirty one.

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as left as be left just as
be things can be left just
is another taking a step
away a step between our own
actions the temperature
outside today, temperature
outside between our difference
between tied or up tangled up in a
trashbag somewhere spoiled food
being eaten being spoiled and
having no control over actions
is is a beautiful thing we
let it be the to the to single
, following its speck in
its with the crowd and the
same time going and goal path
, standing path,
standing, standing doing for
hours supposedly doing some
everyone even anyone quite are it
are saying something still
something outside and why they
possibilities or explain a to build a
and roll everyday sky the
sky in tones, toes our ears
emptiness soullessness think.
the illusion breaking down
we are a pale blue are a
grain place sand book is in a
different in book is in a different
for even had a good grip good
grip on good grip is a in a long
time though years until the
sun came sun came back sound
is from an old cell the
ventilation fans ventilation fans

zero.

fixed link mutable link
and all at once things
are so quiet, a tiny hiss
from the walls, distant
clanging of a ventilation fan. we
breathe with the sunlight,
passing clouds causing these
little pulses in the sunglow
and somehow we feel it in our
toes even though we can't
quite tell why the wind
chooses the pitches it sings
against the window, why one
harmony should point to
another, why every story has some
sort of climax where
elements and trajectories
culminate into some bigger thing
as if we had been heading
there all along as if there
were some kind of purpose
behind the penscratches or
where this leaf decides to
fall in this rotting pile we
notice a pain in our lower back
from bad posture and some
strange sense of pressure from
the bottom of our right foot
now the ventilation fan
slowing down into a periodic
banging; we notice a coin lying on
the ground but we can't make
out which side it landed on.
do we care? is it good to
care? would it matter if we
knew? we are staring at the
coin and the coin is staring
back.
,